IDEAS home Printed from https://ideas.repec.org/r/ulb/ulbeco/2013-277409.html
   My bibliography  Save this item

Handbook of the Economics of Art and Culture

Citations

Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
as


Cited by:

  1. Machiel Dijk & Richard Nahuis & Daniel Waagmeester, 2006. "Does Public Service Broadcasting Serve The Public? The Future of Television in the Changing Media Landscape," De Economist, Springer, vol. 154(2), pages 251-276, June.
  2. Bruno S. Frey & Paolo Pamini, 2009. "World Heritage: Where Are We? An Empirical Analysis," CREMA Working Paper Series 2009-31, Center for Research in Economics, Management and the Arts (CREMA).
  3. Rubinstein Alexander, 2013. "Studying “Sponsored Goods” in Cultural Sector. Econometric Model of Baumol’s Disease," Creative and Knowledge Society, Sciendo, vol. 3(1), pages 28-48, July.
  4. Pascal Courty, 2019. "Ticket resale, bots, and the fair price ticketing curse," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(3), pages 345-363, September.
  5. Martin Richardson & Simon Wilkie, 2013. "Faddists, enthusiasts and Canadian divas:a model of the recorded music market," ANU Working Papers in Economics and Econometrics 2013-600, Australian National University, College of Business and Economics, School of Economics.
  6. Cabane, Charlotte & Hille, Adrian & Lechner, Michael, 2015. "Mozart or Pelé? The effects of teenagers’ participation in music and sports," Economics Working Paper Series 1509, University of St. Gallen, School of Economics and Political Science.
  7. Bocart, Fabian Y.R.P. & Hafner, Christian M., 2012. "Econometric analysis of volatile art markets," Computational Statistics & Data Analysis, Elsevier, vol. 56(11), pages 3091-3104.
  8. Attila Ambrus & Emilio Calvano & Markus Reisinger, 2016. "Either or Both Competition: A "Two-Sided" Theory of Advertising with Overlapping Viewerships," American Economic Journal: Microeconomics, American Economic Association, vol. 8(3), pages 189-222, August.
  9. Alexander Cuntz, 2018. "Creators' Income Situation in the Digital Age," WIPO Economic Research Working Papers 49, World Intellectual Property Organization - Economics and Statistics Division.
  10. Qihong Liu & Konstantinos Serfes, 2013. "Price Discrimination in Two‐Sided Markets," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 22(4), pages 768-786, December.
  11. David, Géraldine & Li, Yuexin & Oosterlinck, Kim & Renneboog, Luc, 2021. "Art in Times of Crisis," Other publications TiSEM 34925083-7378-4691-ba63-6, Tilburg University, School of Economics and Management.
  12. Concetta Castiglione & Roberto Zanola, 2019. "The Demand and Supply for Popular Culture: Evidence from Italian Circuses," Italian Economic Journal: A Continuation of Rivista Italiana degli Economisti and Giornale degli Economisti, Springer;Società Italiana degli Economisti (Italian Economic Association), vol. 5(3), pages 349-367, October.
  13. Prieto-Rodriguez, Juan & Vecco, Marilena, 2021. "Reading between the lines in the art market: Lack of transparency and price heterogeneity as an indicator of multiple equilibria," Economic Modelling, Elsevier, vol. 102(C).
  14. Karol Jan Borowiecki & Concetta Castiglione, 2014. "Cultural Participation and Tourism Flows: An Empirical Investigation of Italian Provinces," Tourism Economics, , vol. 20(2), pages 241-262, April.
  15. Karol Jan Borowiecki & Trilce Navarrete, 2018. "Fiscal and economic aspects of book consumption in the European Union," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 309-339, May.
  16. Fabio D’Orlando, 2011. "The Demand for Pornography," Journal of Happiness Studies, Springer, vol. 12(1), pages 51-75, March.
  17. Nauro F. Campos & Renata Leite Barbosa, 2009. "Paintings and numbers: an econometric investigation of sales rates, prices, and returns in Latin American art auctions," Oxford Economic Papers, Oxford University Press, vol. 61(1), pages 28-51, January.
  18. Ilde Rizzo, 2011. "Regulation," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 54, Edward Elgar Publishing.
  19. Affeldt, P. & Argentesi, E. & Filistrucchi, Lapo, 2021. "Estimating Demand with Multi-Homing in Two-Sided Markets," Other publications TiSEM 1317bf39-d02e-4f61-a34f-e, Tilburg University, School of Economics and Management.
  20. Bruno S. Frey & Paolo Pamini, 2009. "Making World Heritage Truly Global: The Culture Certificate Scheme," CREMA Working Paper Series 2009-13, Center for Research in Economics, Management and the Arts (CREMA).
  21. Alan Beggs & Kathryn Graddy, 2008. "Failure to meet the reserve price: the impact on returns to art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 301-320, December.
  22. Spaenjers, C., 2011. "Essays in alternative investments," Other publications TiSEM 8c51041f-6a63-451f-b7f4-8, Tilburg University, School of Economics and Management.
  23. Juan José Price Elton, 2016. "Racionalidad económica de la política cultural," Estudios Públicos, Centro de Estudios Públicos, vol. 0(144), pages 165-197.
  24. Bartosz Jusypenko & Aleksandra Wiśniewska, 2020. ""I go, I pay". The role of experience in recognizing the need for public financing of cultural goods," Working Papers 2020-04, Faculty of Economic Sciences, University of Warsaw.
  25. Orley Ashenfelter & Kathryn Graddy, 2011. "Sale Rates and Price Movements in Art Auctions," American Economic Review, American Economic Association, vol. 101(3), pages 212-216, May.
  26. Simon P. Anderson & Øystein Foros & Hans Jarle Kind, 2019. "The importance of consumer multihoming (joint purchases) for market performance: Mergers and entry in media markets," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 28(1), pages 125-137, January.
  27. E. Bertacchini & A. Venturini & R. Zotti, 2022. "Drivers of cultural participation of immigrants: evidence from an Italian survey," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 57-100, March.
  28. Leif Brandes & Egon Franck & Stephan Nuesch, 2006. "Local Heroes and Superstars - An Empirical Analysis of Star Attraction in German Soccer," Working Papers 0046, University of Zurich, Institute for Strategy and Business Economics (ISU), revised 2007.
  29. Paul Dalziel, 2019. "Wellbeing economics in public policy: A distinctive Australasian contribution?," The Economic and Labour Relations Review, , vol. 30(4), pages 478-497, December.
  30. Victor Ginsburgh, 2013. "Mark Blaug and the economics of the arts," Chapters, in: Marcel Boumans & Matthias Klaes (ed.), Mark Blaug: Rebel with Many Causes, chapter 15, pages 208-224, Edward Elgar Publishing.
  31. Dominik Filipiak & Agata Filipowska, 2016. "Towards data oriented analysis of the art market: survey and outlook," "e-Finanse", University of Information Technology and Management, Institute of Financial Research and Analysis, vol. 12(1), pages 21-31, June.
  32. Günther G. Schulze, 2011. "International Trade," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 33, Edward Elgar Publishing.
  33. Ajay Agrawal & Christian Catalini & Avi Goldfarb, 2015. "Crowdfunding: Geography, Social Networks, and the Timing of Investment Decisions," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 24(2), pages 253-274, June.
  34. Renneboog, L.D.R. & Spaenjers, C., 2009. "The Iconic Boom in Modern Russian Art," Discussion Paper 2009-70, Tilburg University, Center for Economic Research.
  35. Kiefer, Stephanie, 2012. "The impact of the Euro 2012 on popularity and market value of football players," Discussion Papers of the Institute for Organisational Economics 11/2012, University of Münster, Institute for Organisational Economics.
  36. Bruno S. Frey & Lasse Steiner, 2010. "Pay as you go: a new proposal for museum pricing," IEW - Working Papers 485, Institute for Empirical Research in Economics - University of Zurich.
  37. Joel Waldfogel, 2020. "Dining out as cultural trade," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(2), pages 309-338, June.
  38. Fabian Y.R.P. Bocart & Christian M. Hafner, 2012. "Volatility of price indices for heterogeneous goods," SFB 649 Discussion Papers SFB649DP2012-039, Sonderforschungsbereich 649, Humboldt University, Berlin, Germany.
  39. Simon P. Anderson & John McLaren, 2012. "Media Mergers And Media Bias With Rational Consumers," Journal of the European Economic Association, European Economic Association, vol. 10(4), pages 831-859, August.
  40. W. D. Walls & Jordi McKenzie, 2020. "Black swan models for the entertainment industry with an application to the movie business," Empirical Economics, Springer, vol. 59(6), pages 3019-3032, December.
  41. Auriol, Emmanuelle & Platteau, Jean-Philippe, 2016. "Religious Seduction in Autocracy: A Theory Inspired by History," CEPR Discussion Papers 11258, C.E.P.R. Discussion Papers.
  42. Gänßle, Sophia, 2020. "Big data comes to Hollywood: Audiovisuelle Medienmärkte im digitalen Zeitalter," Ilmenau Economics Discussion Papers 144, Ilmenau University of Technology, Institute of Economics.
  43. Budzinski, Oliver & Gänßle, Sophia & Lindstädt-Dreusicke, Nadine, 2021. "Wettbewerb und Antitrust in Unterhaltungsmärkten," Ilmenau Economics Discussion Papers 147, Ilmenau University of Technology, Institute of Economics.
  44. Luca Aguzzoni & Elena Argentesi & Lorenzo Ciari & Tomaso Duso & Massimo Tognoni, 2016. "Ex post Merger Evaluation in the U.K. Retail Market for Books," Journal of Industrial Economics, Wiley Blackwell, vol. 64(1), pages 170-200, March.
  45. Alexandra Kontolaimou & Pródromos-Ioánnis Prodromídis & Ioanna Konstantakopoulou, 2019. "The issue of fixed book pricing: Evidence based on the Greek experience," Cyprus Economic Policy Review, University of Cyprus, Economics Research Centre, vol. 13(2), pages 102-120, December.
  46. Chaikaew, Pasicha & Hodges, Alan W. & Grunwald, Sabine, 2017. "Estimating the value of ecosystem services in a mixed-use watershed: A choice experiment approach," Ecosystem Services, Elsevier, vol. 23(C), pages 228-237.
  47. Olivier Gergaud & Vincenzo Verardi, 2006. "Untalented but Successful," Post-Print halshs-00112423, HAL.
  48. David Throsby, 2006. "An Artistic Production Function: Theory and an Application to Australian Visual Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 1-14, March.
  49. Julianne Treme & Samuel K. Allen, 2011. "Press Pass: Payoffs to Media Exposure Among National Football League (NFL) Wide Receivers," Journal of Sports Economics, , vol. 12(3), pages 370-390, June.
  50. Marriott, Lisa, 2010. "The Science of Taxing the Arts," Working Paper Series 19143, Victoria University of Wellington, The New Zealand Institute for the Study of Competition and Regulation.
  51. Dindaroğlu, Burak, 2018. "Competitive advertising on broadcasting channels and consumer welfare," Information Economics and Policy, Elsevier, vol. 42(C), pages 66-75.
  52. Felix Oberholzer-Gee & Koleman Strumpf, 2010. "File Sharing and Copyright," Innovation Policy and the Economy, University of Chicago Press, vol. 10(1), pages 19-55.
  53. Taiji HARASHIMA, 2017. "The Mechanism behind Product Differentiation An Economic Model," Journal of Advanced Research in Management, ASERS Publishing, vol. 8(2), pages 95-111.
  54. Joel Waldfogel, 2012. "Music Piracy and Its Effects on Demand, Supply, and Welfare," Innovation Policy and the Economy, University of Chicago Press, vol. 12(1), pages 91-110.
  55. Simon P. Anderson & Joshua S. Gans, 2011. "Platform Siphoning: Ad-Avoidance and Media Content," American Economic Journal: Microeconomics, American Economic Association, vol. 3(4), pages 1-34, November.
  56. Simon P. Anderson & Øystein Foros & Hans Jarle Kind, 2018. "Competition for Advertisers and for Viewers in Media Markets," Economic Journal, Royal Economic Society, vol. 128(608), pages 34-54, February.
  57. Brian Wansink & Anupama Mukund & Andrew Weislogel, 2016. "Food Art Does Not Reflect Reality," SAGE Open, , vol. 6(3), pages 21582440166, July.
  58. Luc Renneboog & Christophe Spaenjers, 2013. "Buying Beauty: On Prices and Returns in the Art Market," Management Science, INFORMS, vol. 59(1), pages 36-53, February.
  59. Andy Vekeman & Michel Meulders & Alain Praet & Jan Colpaert & Tom Van Puyenbroeck, 2015. "Contingent Valuation of a Classic Cycling Race," Journal of Sports Economics, , vol. 16(3), pages 268-294, April.
  60. Jörg Rössel & Sebastian Weingartner, 2016. "Opportunities for cultural consumption: How is cultural participation in Switzerland shaped by regional cultural infrastructure?," Rationality and Society, , vol. 28(4), pages 363-385, November.
  61. Thomas Longden & David Throsby, 2021. "Non‐Pecuniary Rewards, Multiple Job‐Holding and the Labour Supply of Creative Workers: The Case of Book Authors," The Economic Record, The Economic Society of Australia, vol. 97(316), pages 24-44, March.
  62. Melissa Boyle & Justin Svec, 2022. "The Roundness of Antiquity Valuations from Auction Houses and Sales," Eastern Economic Journal, Palgrave Macmillan;Eastern Economic Association, vol. 48(4), pages 602-630, October.
  63. Etro, Federico, 2021. "Device-funded vs ad-funded platforms," International Journal of Industrial Organization, Elsevier, vol. 75(C).
  64. Guccio, Calogero & Mazza, Isidoro, 2014. "On the political determinants of the allocation of funds to heritage authorities," European Journal of Political Economy, Elsevier, vol. 34(C), pages 18-38.
  65. Bruno S. Frey & Paolo Pamini & Lasse Steiner, 2011. "What determines the World Heritage List? An econometric analysis," ECON - Working Papers 001, Department of Economics - University of Zurich.
  66. Borowiecki, Karol Jan & Dahl, Christian Møller, 2021. "What makes an artist? The evolution and clustering of creative activity in the US since 1850," Regional Science and Urban Economics, Elsevier, vol. 86(C).
  67. Böhme, Enrico & Müller, Christopher, 2010. "Comparing Monopoly and Duopoly on a Two-Sided Market without Product Differentiation," MPRA Paper 23568, University Library of Munich, Germany.
  68. Borowiecki, Karol Jan & Graddy, Kathryn, 2021. "Immigrant artists: Enrichment or displacement?," Journal of Economic Behavior & Organization, Elsevier, vol. 191(C), pages 785-797.
  69. FranÇoise Benhamou, 2004. "Comment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 263-266, November.
  70. Victor Martínez-de-Albéniz & Ana Valdivia, 2019. "Measuring and Exploiting the Impact of Exhibition Scheduling on Museum Attendance," Manufacturing & Service Operations Management, INFORMS, vol. 21(4), pages 761-779, October.
  71. J. Schuster, 2006. "Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(4), pages 311-316, December.
  72. Lindstädt, Nadine & Budzinski, Oliver, 2012. "Newspaper and internet display advertising - co-existence or substitution?," Ilmenau Economics Discussion Papers 74, Ilmenau University of Technology, Institute of Economics.
  73. Trilce Navarrete, 2013. "Museums," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 29, pages 330-343, Edward Elgar Publishing.
  74. Juan Gabriel Brida & Chiara Dalle Nogare & Raffaele Scuderi, 2017. "Learning at the museum," Tourism Economics, , vol. 23(2), pages 281-294, March.
  75. Domenico Depalo & Silvia Fedeli, 2011. "Heterogeneity in the Cultural Expenditures of Municipalities Evidence from Italian Data (1998-2006)," Working Papers in Public Economics 139, University of Rome La Sapienza, Department of Economics and Law.
  76. Hans Jarle Kind & Lars Sørgard, 2013. "Market Segmentation in Two-Sided Markets: TV Rights for Premier League," CESifo Working Paper Series 4060, CESifo.
  77. David Giles, 2007. "Increasing returns to information in the US popular music industry," Applied Economics Letters, Taylor & Francis Journals, vol. 14(5), pages 327-331.
  78. Kalb, Guyonne & van Ours, Jan C., 2014. "Reading to young children: A head-start in life?," Economics of Education Review, Elsevier, vol. 40(C), pages 1-24.
  79. Gaffeo, Edoardo & Scorcu, Antonello E. & Vici, Laura, 2008. "Demand distribution dynamics in creative industries: The market for books in Italy," Information Economics and Policy, Elsevier, vol. 20(3), pages 257-268, September.
  80. Keita Kinjo & Shinya Sugawara, 2014. "An Empirical Analysis for a Case-based Decision to Watch Japanese TV dramas," CIRJE F-Series CIRJE-F-940, CIRJE, Faculty of Economics, University of Tokyo.
  81. Christian Hjorth-Andersen, 2011. "Publishing," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 53, Edward Elgar Publishing.
  82. Keith Acheson, 2011. "Globalization," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 31, Edward Elgar Publishing.
  83. Roberto Cellini & Tiziana Cuccia, 2019. "Weather conditions and museum attendance: a case-study from Sicily," Climatic Change, Springer, vol. 154(3), pages 511-527, June.
  84. Gianluca Manzo & Delia Baldassarri, 2015. "Heuristics, Interactions, and Status Hierarchies," Sociological Methods & Research, , vol. 44(2), pages 329-387, May.
  85. Ruth Towse, 2011. "Creativity," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 18, Edward Elgar Publishing.
  86. Melissa Boyle & Stacy Nazzaro & Debra O’Connor, 2010. "Moral rights protection for the visual arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(1), pages 27-44, February.
  87. Boris Rudnik, 2018. "Russian Theatres: the Relation between Funding Models and Policy Objectives in the Area of Theatrical Activity," Public administration issues, Higher School of Economics, issue 6, pages 159-173.
  88. Popovic, Milenko, 2009. "Dynamic Models of Arts Labor Supply," MPRA Paper 19397, University Library of Munich, Germany.
  89. Federico Etro & Elena Stepanova, 2013. "The Market for Paintings in the Netherlands during the Seventeenth Century," Working Papers 2013:16, Department of Economics, University of Venice "Ca' Foscari".
  90. Monic Sun & Feng Zhu, 2011. "Ad Revenue and Content Commercialization: Evidence from Blogs," Working Papers 11-32, NET Institute.
  91. Doriana Dal Palù & Beatrice Lerma & Marco Bozzola & Claudia De Giorgi, 2018. "Merchandising as a Strategic Tool to Enhance and Spread Intangible Values of Cultural Resources," Sustainability, MDPI, vol. 10(7), pages 1-23, June.
  92. Justus Haucap, 2019. "Competition and Competition Policy in a Data-Driven Economy," Intereconomics: Review of European Economic Policy, Springer;ZBW - Leibniz Information Centre for Economics;Centre for European Policy Studies (CEPS), vol. 54(4), pages 201-208, July.
  93. Francesco Angelini & Massimiliano Castellani, 2019. "Cultural and economic value: a critical review," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 173-188, June.
  94. Jonathan Beck, 2007. "The sales effect of word of mouth: a model for creative goods and estimates for novels," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(1), pages 5-23, March.
  95. Fabian Y.R.P. Bocart & Eric Ghysels & Christian M. Hafner, 2020. "Monthly Art Market Returns," JRFM, MDPI, vol. 13(5), pages 1-22, May.
  96. Dimson, Elroy & Spaenjers, Christophe, 2011. "Ex post: The investment performance of collectible stamps," Journal of Financial Economics, Elsevier, vol. 100(2), pages 443-458, May.
  97. Itaya, Jun-ichi & Ursprung, Heinrich W., 2016. "Price and death: modeling the death effect in art price formation," Research in Economics, Elsevier, vol. 70(3), pages 431-445.
  98. Hellmanzik, Christiane, 2013. "Democracy and economic outcomes: Evidence from the superstars of modern art," European Journal of Political Economy, Elsevier, vol. 30(C), pages 58-69.
  99. Eva Vicente & Pablo de Frutos, 2011. "Application of the travel cost method to estimate the economic value of cultural goods: Blockbuster art exhibitions," Hacienda Pública Española / Review of Public Economics, IEF, vol. 196(1), pages 37-63, january.
  100. Avtonomov, Yu., 2012. "Elasticity of Demand for Performing Art at Price and Income: Basic Results of Empiric Research," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 135-138.
  101. George Niculescu & Dănuţ Stegărescu, 2010. "The new approaches of attention economy and experience economy in management of the cultural tourism," Annals - Economy Series, Constantin Brancusi University, Faculty of Economics, vol. 4, pages 152-159, December.
  102. Xin Li & Chi-Wei Su & Meng Qin & Fahai Zhao, 2020. "Testing for Bubbles in the Chinese Art Market," SAGE Open, , vol. 10(1), pages 21582440199, January.
  103. Throsby, David & Deodhar, Vinita & Hanna, Bronwyn & Jewell, Bronwyn & O’Connor, Zena & Zednik, Anita, 2010. "Measuring the Economic and Cultural Values of Historic Heritage Places," Research Reports 107584, Australian National University, Environmental Economics Research Hub.
  104. Roberto Cellini & Tiziana Cuccia, 2013. "Museum and monument attendance and tourism flow: a time series analysis approach," Applied Economics, Taylor & Francis Journals, vol. 45(24), pages 3473-3482, August.
  105. Eleftherios Giovanis, 2021. "Participation in socio-cultural activities and subjective well-being of natives and migrants: evidence from Germany and the UK," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 68(4), pages 423-463, December.
  106. Stoneman, Paul, 2011. "Soft Innovation: Economics, Product Aesthetics, and the Creative Industries," OUP Catalogue, Oxford University Press, number 9780199697021.
  107. Jun Zhang, 2017. "Commodifying art, Chinese style: The making of China’s visual art market," Environment and Planning A, , vol. 49(9), pages 2025-2045, September.
  108. Andrew M. Jones & Roberto Zanola, 2015. "Does the law of one price hold in non-standard investment markets? Why selling picasso in New York is differents," ACEI Working Paper Series AWP-04-2015, Association for Cultural Economics International, revised May 2015.
  109. Thom, Marco, 2016. "Fine artists' entrepreneurial business environment," Working Papers 06/16, Institut für Mittelstandsforschung (IfM) Bonn.
  110. Egon Franck & Stephan Nüesch, 2012. "Talent And/Or Popularity: What Does It Take To Be A Superstar?," Economic Inquiry, Western Economic Association International, vol. 50(1), pages 202-216, January.
  111. Tim R. L. Fry, 2020. "Heterogeneity in Auction Price Distributions for Australian Indigenous Artists," The Economic Record, The Economic Society of Australia, vol. 96(313), pages 177-186, June.
  112. Daniel Halbheer & Florian Stahl & Oded Koenigsberg & Donald R. Lehmann, 2013. "Digital Content Strategies," Working Papers 329, University of Zurich, Department of Business Administration (IBW).
  113. Lapo Filistrucchi & Tobias J. Klein & Thomas O. Michielsen, 2012. "Assessing Unilateral Merger Effects in the Dutch Daily Newspaper Market," Chapters, in: Joseph E. Harrington Jr & Yannis Katsoulacos (ed.), Recent Advances in the Analysis of Competition Policy and Regulation, chapter 10, Edward Elgar Publishing.
  114. Budzinski, Oliver & Pannicke, Julia, 2017. "Does popularity matter in a TV song competition? Evidence from a national music contest," Ilmenau Economics Discussion Papers 106, Ilmenau University of Technology, Institute of Economics.
  115. von Ehrlich, Maximilian & Greiner, Tanja, 2013. "The role of online platforms for media markets — Two-dimensional spatial competition in a two-sided market," International Journal of Industrial Organization, Elsevier, vol. 31(6), pages 723-737.
  116. Michael Rushton, 2008. "Who pays? Who benefits? Who decides?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 293-300, December.
  117. Sittichok Plaiphum & Roengchai Tansuchat, 2023. "Cultural Capital of Sea Salt Farming in Ban Laem District of Phetchaburi Province as per the Globally Important Agricultural Heritage Systems (GIAHS)," Sustainability, MDPI, vol. 15(15), pages 1-27, August.
  118. Hans Jarle Kind & Marko Koethenbuerger, 2018. "Taxation in digital media markets," Journal of Public Economic Theory, Association for Public Economic Theory, vol. 20(1), pages 22-39, February.
  119. Bruno S. Frey, 2009. "Cultural Ecomomics," ifo DICE Report, ifo Institute - Leibniz Institute for Economic Research at the University of Munich, vol. 7(01), pages 20-25, April.
  120. Calin Valsan & Robert Sproule, 2008. "Reservation Prices And Pre-Auction Estimates: A Study In Abstract Art," The AMFITEATRU ECONOMIC journal, Academy of Economic Studies - Bucharest, Romania, vol. 10(24), pages 257-272, June.
  121. Robert Seamans & Feng Zhu, 2014. "Responses to Entry in Multi-Sided Markets: The Impact of Craigslist on Local Newspapers," Management Science, INFORMS, vol. 60(2), pages 476-493, February.
  122. Hans Jarle Kind & Tore Nilssen & Lars Sørgard, 2010. "Price Coordination in Two-Sided Markets: Competition in the TV Industry," CESifo Working Paper Series 3004, CESifo.
  123. Francisco Alcalá & Miguel González‐Maestre, 2012. "Artistic Creation and Intellectual Property: A Professional Career Approach," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 21(3), pages 633-672, September.
  124. Fabio D’Orlando & Sharon Ricciotti, 2021. "The economics of escalation," Rationality and Society, , vol. 33(1), pages 106-140, February.
  125. Nicolas Lagios & Pierre-Guillaume Méon, 2021. "Experts, Information, Reviews, and Coordination: Evidence on How Literary Prizes Affect Sales," Working Papers CEB 21-011, ULB -- Universite Libre de Bruxelles.
  126. Christiane Hellmanzik, 2013. "Does travel inspire? Evidence from the superstars of modern art," Empirical Economics, Springer, vol. 45(1), pages 281-303, August.
  127. Kopańska Agnieszka, 2018. "The determinants of local public spending on culture," Central European Economic Journal, Sciendo, vol. 5(52), pages 67-80, January.
  128. Ventura Charlin & Arturo Cifuentes, 2014. "Towards a Monotonicity-Compliant Price Index for the Art Market," Papers 1404.5203, arXiv.org.
  129. Christopher Maule, 2011. "Television," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 58, Edward Elgar Publishing.
  130. Victor Fernandez-Blanco & Victor Ginsburgh & Juan Prieto-Rodríguez & Sheila Weyers, 2012. "As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950," Working Papers ECARES ECARES 2012-010, ULB -- Universite Libre de Bruxelles.
  131. Françoise Benhamou, 2011. "Heritage," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 32, Edward Elgar Publishing.
  132. Enrico Böhme & Christopher Müller, 2013. "Price-Increasing Competition on Two-Sided Markets with Homogeneous Platforms," Journal of Industry, Competition and Trade, Springer, vol. 13(4), pages 453-479, December.
  133. repec:ces:ifodic:v:7:y:2009:i:1:p:14567018 is not listed on IDEAS
  134. Cellini, Roberto & Cuccia, Tiziana, 2014. "The artist–art dealer relationship as a marketing channel," Research in Economics, Elsevier, vol. 68(1), pages 57-69.
  135. Aleksandra Wiśniewska & Mikołaj Czajkowski, 2015. "Utilizing the Discrete Choice Experiment Approach for Designing a Socially Efficient Cultural Policy: The case of municipal theaters in Warsaw," Working Papers 2015-36, Faculty of Economic Sciences, University of Warsaw.
  136. Budzinski, Oliver & Lindstädt-Dreusicke, Nadine, 2019. "The new media economics of video-on-demand markets: Lessons for competition policy (updated version)," Ilmenau Economics Discussion Papers 125, Ilmenau University of Technology, Institute of Economics.
  137. NANDI, Tushar K. & ROCHELANDET, Fabrice, 2008. "The Incentives for Contributing Digital Contents Over P2P Networks: An Empirical Investigation," MPRA Paper 51301, University Library of Munich, Germany.
  138. Ruth Towse, 2011. "Creative Industries," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 17, Edward Elgar Publishing.
  139. Trilce Navarrete & Karol J. Borowiecki, 2015. "Change in access after digitization: Ethnographic collections in Wikipedia," ACEI Working Paper Series AWP-10-2015, Association for Cultural Economics International, revised Oct 2015.
  140. Julianne Treme, 2010. "Effects of Celebrity Media Exposure on Box-Office Performance," Journal of Media Economics, Taylor & Francis Journals, vol. 23(1), pages 5-16.
  141. Jun-ichi Itaya & Heinrich Ursprung, 2008. "Price and Death," CESifo Working Paper Series 2213, CESifo.
  142. Francisco Martínez-Sánchez & Miguel González-Maestre, 2010. "The role of program quality and publicly-owned platforms in the free to air broadcasting industry," Working Papers. Serie AD 2010-19, Instituto Valenciano de Investigaciones Económicas, S.A. (Ivie).
  143. Julianne Treme & Samuel K. Allen, 2009. "Widely Received: Payoffs to Player Attributes in the NFL," Economics Bulletin, AccessEcon, vol. 29(3), pages 1631-1643.
  144. Kiefer, Stephanie & Scharfenkamp, Katrin, 2012. "The impact of physical attractiveness on the popularity of female tennis players in online media," Discussion Papers of the Institute for Organisational Economics 6/2012, University of Münster, Institute for Organisational Economics.
  145. Bertacchini, Enrico & Dalle Nogare, Chiara, 2014. "Public provision vs. outsourcing of cultural services: Evidence from Italian cities," European Journal of Political Economy, Elsevier, vol. 35(C), pages 168-182.
  146. Paul Crosby, 2019. "Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 607-637, December.
  147. Li, Ming & Tymofiy Mylovanov, 2009. "Credibility for Sale: the Effect of Disclosure on Information Acquisition and Transmission," Working Papers 09008, Concordia University, Department of Economics, revised Oct 2009.
  148. Basten, Lisa Marie, 2019. "Ist das Arbeit oder ist das Kunst? Die doppelte Einbettung kreativer Erwerbstätigkeit," EconStor Open Access Articles and Book Chapters, ZBW - Leibniz Information Centre for Economics, pages 87-104.
  149. Barile, Sergio & Montella, Massimo & Saviano, Marialuisa, 2012. "A service-based systems view of cultural heritage," jbm - Journal of Business Market Management, Free University Berlin, Marketing Department, vol. 5(2), pages 106-136.
  150. José María Durán Medrano, 2019. "Contribución a una teoría del valor del arte sobre la base de los aportes de Marx a la teoría de la renta del suelo," Ensayos de Economía 18303, Universidad Nacional de Colombia Sede Medellín.
  151. Bocart, Fabian & Oosterlinck, Kim, 2011. "Discoveries of fakes: Their impact on the art market," Economics Letters, Elsevier, vol. 113(2), pages 124-126.
  152. Rubinstein, A., 2020. "About the availability of the theatre: Prices, incomes, inequality," Journal of the New Economic Association, New Economic Association, vol. 47(3), pages 214-223.
  153. Nadine Lindstädt & Oliver Budzinski, 2011. "Newspaper vs. Online Advertising – Is There a Niche for Newspapers in Modern Advertising Markets?," Working Papers 113/11, University of Southern Denmark, Department of Sociology, Environmental and Business Economics.
  154. Michael Getzner, 2020. "Spatially Disaggregated Cultural Consumption: Empirical Evidence of Cultural Sustainability from Austria," Sustainability, MDPI, vol. 12(23), pages 1-19, December.
  155. Kim Oosterlinck & Anne-Sophie Radermecker & Yuqing Song, 2023. "The Valuation of Copies for Chinese Artworks," Working Papers CEB 23-008, ULB -- Universite Libre de Bruxelles.
  156. Tanja Greiner & Marco Sahm, 2011. "How Effective are Advertising Bans? On the Demand for Quality in Two-Sided Media Markets," CESifo Working Paper Series 3524, CESifo.
  157. de Frutos, Pablo & Rodriguez-Prado, Beatriz & Latorre, Joaquín & Martinez-Peña, Fernando, 2019. "A Gravity Model to Explain Flows of Wild Edible Mushroom Picking. A Panel Data Analysis," Ecological Economics, Elsevier, vol. 156(C), pages 164-173.
  158. Grigoroudis, Evangelos & Noel, Laurent & Galariotis, Emilios & Zopounidis, Constantin, 2021. "An ordinal regression approach for analyzing consumer preferences in the art market," European Journal of Operational Research, Elsevier, vol. 290(2), pages 718-733.
  159. Van Cayseele, Patrick & Vanormelingen, Stijn, 2009. "Prices and Network Eects in Two-Sided Markets: the Belgian Newspaper Industry," Working Papers 2009/06, Hogeschool-Universiteit Brussel, Faculteit Economie en Management.
  160. Borowiecki, Karol Jan, 2019. "The Origins of Creativity: The Case of the Arts in the United States since 1850," Discussion Papers on Economics 11/2019, University of Southern Denmark, Department of Economics.
  161. Gustavo Fernandes Souza & Ana Flávia Machado & Edson Paulo Domingues, 2019. "Economic impacts of the vale-cultura (culture voucher): a computable general equilibrium model," Textos para Discussão Cedeplar-UFMG 595, Cedeplar, Universidade Federal de Minas Gerais.
  162. Calogero Guccio & Domenico Lisi & Anna Mignosa & Ilde Rizzo, 2017. "Has cultural heritage monetary value an impact on visits? An assessment using Italian official data," ACEI Working Paper Series AWP-02-2017, Association for Cultural Economics International, revised Feb 2017.
  163. Jianping Mei & Michael A. Moses & Zur B. Shapira & Lawrence J. White, 2010. "Loss Aversion? What Loss Aversion? Some Surprising Evidence from the Art Market," Working Papers 10-10, New York University, Leonard N. Stern School of Business, Department of Economics.
  164. Christian Barrère, 2016. "Cultural heritages: From official to informal [Patrimoines culturels : des patrimoines officiels aux patrimoines informels]," Post-Print hal-02569029, HAL.
  165. Eva Deuchert & Kossi Adjamah & Florian Pauly, 2005. "For Oscar Glory Or Oscar Money?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(3), pages 159-176, August.
  166. Zieba Marta & O’Hagan John, 2013. "Demand for Live Orchestral Music – The Case of German Kulturorchester," Journal of Economics and Statistics (Jahrbuecher fuer Nationaloekonomie und Statistik), De Gruyter, vol. 233(2), pages 225-245, April.
  167. Douglas Hodgson & Aylin Seçkin, 2012. "Dynamic price dependence of Canadian and international art markets: an empirical analysis," Empirical Economics, Springer, vol. 43(2), pages 867-890, October.
  168. Luc Champarnaud, 2014. "Prices for superstars can flatten out," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(4), pages 369-384, November.
  169. William N. Goetzmann & Luc Renneboog & Christophe Spaenjers, 2011. "Art and Money," American Economic Review, American Economic Association, vol. 101(3), pages 222-226, May.
  170. Patrick Georges & Aylin Seçkin, 2013. "Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(1), pages 33-60, February.
  171. Luis César Herrero & José ángel Sanz & María Devesa, 2011. "Measuring the Economic Value and Social Viability of a Cultural Festival as a Tourism Prototype," Tourism Economics, , vol. 17(3), pages 639-653, June.
  172. Bruno S. Frey & Lasse Steiner, 2013. "World Heritage List," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 8, pages i-i, Edward Elgar Publishing.
  173. Halbheer, Daniel & Stahl, Florian & Koenigsberg, Oded & Lehmann, Donald R., 2014. "Choosing a digital content strategy: How much should be free?," International Journal of Research in Marketing, Elsevier, vol. 31(2), pages 192-206.
  174. Villarroya, Anna & Escardíbul, Josep-Oriol, 2010. "La demanda de libros y publicaciones periódicas en España/The Demand for Books and Periodicals in Spain," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 28, pages 195(22á)-19, Abril.
  175. Monic Sun & Feng Zhu, 2013. "Ad Revenue and Content Commercialization: Evidence from Blogs," Management Science, INFORMS, vol. 59(10), pages 2314-2331, October.
  176. Darlene C Chisholm, 2011. "Motion Pictures," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 39, Edward Elgar Publishing.
  177. Thomes, Tim Paul, 2013. "An economic analysis of online streaming music services," Information Economics and Policy, Elsevier, vol. 25(2), pages 81-91.
  178. Torrisi, Gianpiero & Pike, Andy & Tomaney, John & Tselios, Vassilis, 2011. "(Re-)exploring the link between devolution and regional disparities in Italy," MPRA Paper 32212, University Library of Munich, Germany.
  179. Charlin, Ventura & Cifuentes, Arturo, 2013. "A new financial metric for the art market," MPRA Paper 50186, University Library of Munich, Germany.
  180. Victor Ginsburgh, 2016. "On Judging Art and Wine," Working Papers ECARES ECARES 2016-21, ULB -- Universite Libre de Bruxelles.
  181. Hoernig, Steffen H. & Valletti, Tommaso M., 2007. "Mixing goods with two-part tariffs," European Economic Review, Elsevier, vol. 51(7), pages 1733-1750, October.
  182. Bertacchini Enrico & Friel Martha, 2013. "Understanding creativity and innovation in industrial design: an historical and empirical assessment," Department of Economics and Statistics Cognetti de Martiis. Working Papers 201311, University of Turin.
  183. Victor Fernandez-Blanco & Juan Prieto-Rodriguez, 2014. "Introduction," Economics and Business Letters, Oviedo University Press, vol. 3(2), pages 77-78.
  184. Miguel González-Maestre & Francisco Martínez-Sánchez, 2015. "Quality choice and advertising regulation in broadcasting markets," Journal of Economics, Springer, vol. 114(2), pages 107-126, March.
  185. Judite Sanson De BEM & Nelci Maria Richter GIACOMINI, 2016. "The Effects Of The Cultural And Creative Sector On Employment And Wages: The Case Of Rio Grande Do Sul, Brazil, From 2000 To 2010," Revista Galega de Economía, University of Santiago de Compostela. Faculty of Economics and Business., vol. 25(1), pages 137-142.
  186. Llombart, Vicent, 2014. "Perspectivas económicas de Goya/Economic Perspectives of Goya," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 32, pages 111-138, Enero.
  187. Jan Bouckaert & Bruno De Borger, 2013. "Price competition between subsidized organizations," Journal of Economics, Springer, vol. 109(2), pages 117-145, June.
  188. Lee, Jonathan F., 2018. "Purchase, pirate, publicize: Private-network music sharing and market album sales," Information Economics and Policy, Elsevier, vol. 42(C), pages 35-55.
  189. Budzinski, Oliver & Feddersen, Arne, 2015. "Grundlagen der Sportnachfrage: Theorie und Empirie der Einflussfaktoren auf die Zuschauernachfrage," Ilmenau Economics Discussion Papers 94, Ilmenau University of Technology, Institute of Economics.
  190. Rustam Ibragimov & Johan Walden, 2010. "Optimal Bundling Strategies Under Heavy-Tailed Valuations," Management Science, INFORMS, vol. 56(11), pages 1963-1976, November.
  191. Connolly, Marie & Krueger, Alan B., 2006. "Rockonomics: The Economics of Popular Music," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 20, pages 667-719, Elsevier.
  192. JG. Brida & M. Pulina & E. Riaño, 2010. "Visitors' experience in a modern art museum: a structural equation model," Working Paper CRENoS 201026, Centre for North South Economic Research, University of Cagliari and Sassari, Sardinia.
  193. Budzinski, Oliver & Lindstädt-Dreusicke, Nadine, 2018. "The new media economics of video-on-demand markets: Lessons for competition policy," Ilmenau Economics Discussion Papers 116, Ilmenau University of Technology, Institute of Economics.
  194. Jenny Rae Hawkins & Viplav Saini, 2014. "Returns on Indian Art during 2000-2013," ACEI Working Paper Series AWP-03-2014, Association for Cultural Economics International, revised Jun 2014.
  195. Günther G. Schulze, 2011. "Superstars," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 56, Edward Elgar Publishing.
  196. Bruno S. Frey & Lasse Steiner, 2010. "World Heritage List: Does It Make Sense?," CREMA Working Paper Series 2010-11, Center for Research in Economics, Management and the Arts (CREMA).
  197. Karol Jan BOROWIECKi & Concetta CASTIGLIONE, 2012. "Cultural Participation and Tourism Flows in Italy," Trinity Economics Papers tep0212, Trinity College Dublin, Department of Economics.
  198. Auriol, Emmanuelle & Platteau, Jean-Philippe, 2017. "Religious co-option in autocracy: A theory inspired by history," Journal of Development Economics, Elsevier, vol. 127(C), pages 395-412.
  199. Joel Waldfogel, 2017. "How Digitization Has Created a Golden Age of Music, Movies, Books, and Television," Journal of Economic Perspectives, American Economic Association, vol. 31(3), pages 195-214, Summer.
  200. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 7-32, Abril.
  201. Victor Ginsburgh & Olivier Gergaud, 2013. "Measuring the effect of cultural events with special emphasis on music festivals," ULB Institutional Repository 2013/152437, ULB -- Universite Libre de Bruxelles.
  202. Brekke, Kjellr Arne & Nilsen , Tore, 2011. "The Market for Fake Observations," Memorandum 25/2011, Oslo University, Department of Economics.
  203. Aytuğ SÖZÜER, 2018. "Ulusal Kültür ve Girişimcilik İlişkisinde Kurumların Rolü," Istanbul Management Journal, Istanbul University Business School, vol. 29(85), pages 59-72, December.
  204. Rubinstein, A., 2014. "Introductory Note," Journal of the New Economic Association, New Economic Association, vol. 24(4), pages 182-184.
  205. A. E. Scorcu & R. Zanola, 2011. "Survival in the Cultural Market: The Case of Temporary Exhibitions," Working Paper series 36_11, Rimini Centre for Economic Analysis.
  206. Van Cayseele Patrick & Reynaerts Jo, 2011. "Complementary Platforms," Review of Network Economics, De Gruyter, vol. 10(1), pages 1-33, March.
  207. Christian Handke & Carolina Dalla Chiesa, 2022. "The art of crowdfunding arts and innovation: the cultural economic perspective," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 249-284, June.
  208. Mark Blaug & Ruth Towse, 2011. "Cultural Entrepreneurship," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 22, Edward Elgar Publishing.
  209. Ascensión Andina-Díaz & José A. García-Martínez & Antonio Parravano, 2019. "The market for scoops: a dynamic approach," SERIEs: Journal of the Spanish Economic Association, Springer;Spanish Economic Association, vol. 10(2), pages 175-206, June.
  210. Olivier Gergaud & Vincenzo Verardi, 2021. "Untalented but successful? Rosen and Adler superstar Pokemons," Empirical Economics, Springer, vol. 60(5), pages 2637-2655, May.
  211. Marta Zieba, 2009. "Full-income and price elasticities of demand for German public theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(2), pages 85-108, May.
  212. Marc Rysman, 2009. "The Economics of Two-Sided Markets," Journal of Economic Perspectives, American Economic Association, vol. 23(3), pages 125-143, Summer.
  213. Guido Candela & Massimiliano Castellani & Pierpaolo Pattitoni, 2012. "Tribal art market: signs and signals," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(4), pages 289-308, November.
  214. Hofmann, Julian & Schnittka, Oliver & Johnen, Marius & Kottemann, Pascal, 2021. "Talent or popularity: What drives market value and brand image for human brands?," Journal of Business Research, Elsevier, vol. 124(C), pages 748-758.
  215. Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski, 2018. "Publicly funded cultural institutions – a comparative economic valuation study," Working Papers 2018-22, Faculty of Economic Sciences, University of Warsaw.
  216. Ellen Loots & Diana Betzler & Trine Bille & Karol Jan Borowiecki & Boram Lee, 2022. "New forms of finance and funding in the cultural and creative industries. Introduction to the special issue," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 205-230, June.
  217. Patrizia Riganti, 2022. "Embedding Effects in Contingent Valuation Applications to Cultural Capital: Does the Nature of the Goods Matter?," Sustainability, MDPI, vol. 14(9), pages 1-17, May.
  218. Kim Oosterlinck, 2009. "The Price of Degenerate Art," Working Papers CEB 09-031.RS, ULB -- Universite Libre de Bruxelles.
  219. Brunella Bruno & Emilia Garcia‐Appendini & Giacomo Nocera, 2018. "Experience and Brokerage in Asset Markets: Evidence from Art Auctions," Financial Management, Financial Management Association International, vol. 47(4), pages 833-864, December.
  220. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
  221. Laura Spierdijk & Mark Voorneveld, 2009. "Superstars without Talent? The Yule Distribution Controversy," The Review of Economics and Statistics, MIT Press, vol. 91(3), pages 648-652, August.
  222. Olimid, Anca Parmena, 2010. "Religious affiliation and economic development: a recent literature review," MPRA Paper 21101, University Library of Munich, Germany.
  223. Christian Barrère & Quentin Bonnard & Véronique Noblot Chossat, 2012. "Food, gastronomy and cultural commons [Nourriture, gastronomie et communs culturels]," Post-Print hal-02628287, HAL.
  224. Hofmann, Julian & Clement, Michel & Völckner, Franziska & Hennig-Thurau, Thorsten, 2017. "Empirical generalizations on the impact of stars on the economic success of movies," International Journal of Research in Marketing, Elsevier, vol. 34(2), pages 442-461.
  225. Samuel Cameron, 2019. "Cultural economics, books and reading," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 517-526, December.
  226. Sahm, Marco & Greiner, Tanja, 2016. "How Effective Are Advertising Bans? On the Demand for Quality in Two-Sided Media Markets," VfS Annual Conference 2016 (Augsburg): Demographic Change 145724, Verein für Socialpolitik / German Economic Association.
  227. Heinrich W. Ursprung & Christian Wiermann, 2011. "Reputation, Price, And Death: An Empirical Analysis Of Art Price Formation," Economic Inquiry, Western Economic Association International, vol. 49(3), pages 697-715, July.
  228. Federico Etro & Elena Stepanova, 2016. "Entry of painters in the Amsterdam market of the Golden Age," Journal of Evolutionary Economics, Springer, vol. 26(2), pages 317-348, May.
  229. Taisuke Matsubae & Noriaki Matsushima, 2012. "Does Self-regulation of Advertisement Length Improve Consumer Welfare?," ISER Discussion Paper 0829, Institute of Social and Economic Research, Osaka University.
  230. Peitz, Martin & Valletti, Tommaso M., 2008. "Content and advertising in the media: Pay-tv versus free-to-air," International Journal of Industrial Organization, Elsevier, vol. 26(4), pages 949-965, July.
  231. Mirko Moro & Karen Mayor & Seán Lyons & Richard S J Tol, 2013. "Does the Housing Market Reflect Cultural Heritage? A Case Study of Greater Dublin," Environment and Planning A, , vol. 45(12), pages 2884-2903, December.
  232. Bruno S. Frey & Andre Briviba, 2023. "Two types of cultural economics," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 70(1), pages 1-9, March.
  233. Victor Fernández-Blanco & Juan Prieto-Rodríguez, 2011. "Museums," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 40, Edward Elgar Publishing.
  234. Caballer Mellado, V. & De La Poza, E., 2010. "La Numismática como objeto de inversión y valoración/Numismatics as an object of investment and valuation," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 28, pages 475(22á.)-4, Agosto.
  235. Dominuque Sagot-Duvauroux, 2011. "Art Prices," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 5, Edward Elgar Publishing.
  236. Jordi McKenzie & Vladimir Smirnov, 2018. "Blockbusters and market expansion: evidence from the motion picture industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 341-352, May.
  237. Kompa Krzysztof & Witkowska Dorota, 2014. "Construction Of Hedonic Price Index For The “Most Liquid” Polish Painters," Folia Oeconomica Stetinensia, Sciendo, vol. 14(2), pages 76-100, December.
  238. Christiane Hellmanzik, 2009. "Artistic styles: revisiting the analysis of modern artists’ careers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(3), pages 201-232, August.
  239. Joel Waldfogel, 2012. "Copyright Research in the Digital Age: Moving from Piracy to the Supply of New Products," American Economic Review, American Economic Association, vol. 102(3), pages 337-342, May.
  240. da Mosto, Jane & Bertolini, Camilla & Markandya, Anil & Nunes, Paulo A.L.D. & Spencer, Tom & Palaima, Arnas & Onofri, Laura, 2020. "Rethinking Venice from an Ecosystem Services Perspective," FACTS: Firms And Cities Towards Sustainability 308019, Fondazione Eni Enrico Mattei (FEEM) > FACTS: Firms And Cities Towards Sustainability.
  241. Рудник Б. Л., 2018. "Российские Театры: Взаимосвязь Моделей Финансирования И Целей Политики В Области Театральной Деятельности," Вопросы государственного и муниципального управления // Public administration issues, НИУ ВШЭ, issue 6, pages 159-173.
  242. Timothy Perri, 2013. "A Competitive Model of (Super)Stars," Eastern Economic Journal, Palgrave Macmillan;Eastern Economic Association, vol. 39(3), pages 346-357.
  243. Roman Kraeussl & Christian Wiehenkamp, 2012. "A call on art investments," Review of Derivatives Research, Springer, vol. 15(1), pages 1-23, April.
  244. Perona, Mathieu, 2009. "Bookshop, blockbusters and readers’ tastes: a new appraisal of the fixed book price," MPRA Paper 17857, University Library of Munich, Germany.
  245. Friel Martha & Santagata Walter, 2007. "Make Material Cultural Heritage Work," EBLA Working Papers 200710, University of Turin.
  246. Juan Brida & Pablo Daniel Monterubbianesi & Sandra Zapata-Aguirre, 2013. "Análisis de los factores que influencian el gasto de los turistas culturales: el caso de los visitantes de museos de Medellín," Revista de Economía del Rosario, Universidad del Rosario, June.
  247. Christian Barrère & Martino Nieddu, 2014. "Practising an Heritage Approach [La pratique de l'approche patrimoniale]," Post-Print hal-02615550, HAL.
  248. Samuel Cameron & Hendrik Sonnabend, 2020. "PricThe musical tribute band is a neglected topic in the field of economics. At first sight, it may seem to be a simple case of general copycatting which has been covered for other products and market," Economics Bulletin, AccessEcon, vol. 40(2), pages 890-900.
  249. Egon Franck & Stephan Nüesch, 2005. "Talent, Past Consumption and/or Popularity - Are German Soccer Celebrities Rosen or Adler Stars?," Working Papers 0043, University of Zurich, Institute for Strategy and Business Economics (ISU), revised 2006.
  250. Le Fur, Eric, 2020. "Dynamics of the global fine art market prices," The Quarterly Review of Economics and Finance, Elsevier, vol. 76(C), pages 167-180.
  251. Hellmanzik, Christiane, 2016. "Historic art exhibitions and modern - day auction results," Research in Economics, Elsevier, vol. 70(3), pages 421-430.
  252. Federica Codignola & Paolo Mariani, 2022. "Investigating preferences in art collecting: the case of the François Pinault Collection," Italian Journal of Marketing, Springer, vol. 2022(1), pages 107-133, March.
  253. Fabian Bocart & Ken Bastiaensen & Peter Cauwels, 2011. "The 1980s Price Bubble on (Post) Impressionism," ACEI Working Paper Series AWP-03-2011, Association for Cultural Economics International, revised Nov 2011.
  254. Driouchi, Ahmed & Achehboune, Amale & Gamar, Alae, 2015. "Revealing the Components of the Intangible Wealth for Morocco," MPRA Paper 60904, University Library of Munich, Germany.
  255. Mary J. Benner & Joel Waldfogel, 2016. "The Song Remains the Same? Technological Change and Positioning in the Recorded Music Industry," Strategy Science, INFORMS, vol. 1(3), pages 129-147, September.
  256. Ebru KERİMOĞLU & Büşra GÜVEN-GÜNEY, 2018. "İstanbul’da Yaratıcı İşgücünün Eğitimi ve Endüstri Pratikleri Üzerine Bir Değerlendirme," Sosyoekonomi Journal, Sosyoekonomi Society, issue 26(37).
  257. Junlong Wu & Keshen Jiang & Chaoqing Yuan, 2019. "Determinants of demand for traditional Chinese opera," Empirical Economics, Springer, vol. 57(6), pages 2129-2148, December.
  258. Chiara Dalle Nogare & Raffaele Scuderi & Enrico Bertacchini, 2021. "Immigrants, voter sentiment, and local public goods: The case of museums," Journal of Regional Science, Wiley Blackwell, vol. 61(5), pages 1087-1112, November.
  259. Francesca Petrei & Lorenzo Cavallo & Maria Teresa Santoro, 2020. "Cultural tourism: an integrated analysis based on official data," Quality & Quantity: International Journal of Methodology, Springer, vol. 54(5), pages 1705-1724, December.
  260. Eric Le Fur, 2021. "Collectors’ motives in the context of wealth management," Journal of Asset Management, Palgrave Macmillan, vol. 22(5), pages 326-337, September.
  261. Музычук, 2012. "Должно Ли Государство Финансировать Культуру? (Научный Доклад) [Should the state finance culture?]," Working papers a:pmu374:1, Institute of Economics.
  262. Alessia Crotta & Filip Vermeylen, 2020. "Does nudity sell? An econometric analysis of the value of female nudity in Modigliani portraits," ACEI Working Paper Series AWP-02-2020, Association for Cultural Economics International, revised Dec 2020.
  263. Olivier Gergaud & Victor Ginsburgh, 2017. "Measuring the Economic Effects of Events Using Google Trends," ULB Institutional Repository 2013/277406, ULB -- Universite Libre de Bruxelles.
  264. Victoria Ateca-Amestoy & Concetta Castiglione, 2016. "The consumption of cultural goods through the internet. How is it affected by the digital divide?," ACEI Working Paper Series AWP-04-2016, Association for Cultural Economics International, revised May 2016.
  265. Auriol, Emmanuelle & Platteau, Jean-Philippe, 2017. "The Explosive Combination of Religious Decentralisation and Autocracy: the Case of Islam," TSE Working Papers 17-759, Toulouse School of Economics (TSE).
  266. Florence Neymotin, 2022. "Waiting in the wings? The choice to create," Economics Bulletin, AccessEcon, vol. 42(1), pages 143-153.
  267. Mohamed Fellague, 2020. "The Role of Organizational Culture in Commitment to Implement Total Quality Management (Case Study of Algerian Public Companies)," Economics, Sciendo, vol. 8(2), pages 55-68, December.
  268. Francesco Forte & Michela Mantovani, 2014. "Cognitive dissonance, efficient and inefficient rent seeking and public aid to the movies," Chapters, in: Francesco Forte & Ram Mudambi & Pietro Maria Navarra (ed.), A Handbook of Alternative Theories of Public Economics, chapter 18, pages 413-440, Edward Elgar Publishing.
  269. Erwin Dekker, 2015. "Two approaches to study the value of art and culture, and the emergence of a third," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(4), pages 309-326, November.
  270. Trilce Navarrete, 2013. "Digital cultural heritage," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 12, pages i-i, Edward Elgar Publishing.
  271. Agnese Amato & Maria Andreoli & Massimo Rovai, 2021. "Adaptive Reuse of a Historic Building by Introducing New Functions: A Scenario Evaluation Based on Participatory MCA Applied to a Former Carthusian Monastery in Tuscany, Italy," Sustainability, MDPI, vol. 13(4), pages 1-22, February.
  272. Robert Seamans & Feng Zhu, 2017. "Repositioning and Cost-Cutting: The Impact of Competition on Platform Strategies," Strategy Science, INFORMS, vol. 2(2), pages 83-99, June.
  273. David Throsby, 2011. "Cultural Capital," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 20, Edward Elgar Publishing.
  274. Levent Çelik, 2008. "Monopoly Provision of Tune-ins," CERGE-EI Working Papers wp362, The Center for Economic Research and Graduate Education - Economics Institute, Prague.
  275. David, Geraldine, 2016. "Art as an investment in a historical perspective," Other publications TiSEM 2361da4b-d827-4cae-91ce-1, Tilburg University, School of Economics and Management.
  276. Perona, Mathieu, 2010. "How Broadcasting Quotas Harm Program Diversity," MPRA Paper 19860, University Library of Munich, Germany.
  277. Bernardino Benito & Francisco Bastida & Cristina Vicente, 2013. "Municipal elections and cultural expenditure," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(1), pages 3-32, February.
  278. Isidoro Mazza, 2011. "Public Choice," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 51, Edward Elgar Publishing.
  279. Segre Giovanna & Russo Antonio Paolo, 2005. "Collective property rights for glass manufacturing in Murano: Where culture makes or breaks local economic development," EBLA Working Papers 200505, University of Turin.
  280. Sarah S. Montgomery & Michael D. Robinson, 2013. "Women’s attendance at sports events," Chapters, in: Eva Marikova Leeds & Michael A. Leeds (ed.), Handbook on the Economics of Women in Sports, chapter 1, pages 21-39, Edward Elgar Publishing.
  281. Bertacchini, Enrico & Friel, Martha, 2014. "Determining the Value of Modern and Contemporary Furniture Design: an Exploratory Investigation," Department of Economics and Statistics Cognetti de Martiis. Working Papers 201437, University of Turin.
  282. Norbert Morawetz & Jane Hardy & Colin Haslam & Keith Randle, 2007. "Finance, Policy and Industrial Dynamics—The Rise of Co-productions in the Film Industry," Industry and Innovation, Taylor & Francis Journals, vol. 14(4), pages 421-443.
  283. Anne-Sophie Radermecker & Victor Ginsburgh & Denni Tommasi, 2017. "The Implicit Value of Arts Experts: the Case of Klaus Ertz and Pieter Brueghel the Younger," Working Papers ECARES ECARES 2017-17, ULB -- Universite Libre de Bruxelles.
  284. Gänßle, Sophia & Kunz-Kaltenhaeuser, Philipp, 2020. "What drives binge-watching? An economic theory and analysis of impact factors," Ilmenau Economics Discussion Papers 138, Ilmenau University of Technology, Institute of Economics.
  285. Spiegel, Yossi, 2013. "Commercial software, adware, and consumer privacy," International Journal of Industrial Organization, Elsevier, vol. 31(6), pages 702-713.
  286. Ralston, David A. & Egri, Carolyn P. & Riddle, Liesl & Butt, Arif & Dalgic, Tevfik & Brock, David M., 2012. "Managerial values in the greater Middle East: Similarities and differences across seven countries," International Business Review, Elsevier, vol. 21(3), pages 480-492.
  287. Gustavo De Santis & Mauro Maltagliati & Alessandra Petrucci, 2021. "So Close, So Far. The Cultural Distance of Foreigners in Italy," Social Indicators Research: An International and Interdisciplinary Journal for Quality-of-Life Measurement, Springer, vol. 158(1), pages 81-106, November.
  288. Michael Hutter & Christian Knebel & Gunnar Pietzner & Maren Schäfer, 2007. "Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(4), pages 247-261, December.
  289. Rubinstein, A., 2012. "Trends and Regularities of Consumption in the Performing Arts," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 158-164.
  290. Yan Zhang, 2012. "Towards an Institutional Approach of Self-governance on Cultural Heritage," Chapters, in: Enrico Bertacchini & Giangiacomo Bravo & Massimo Marrelli & Walter Santagata (ed.), Cultural Commons, chapter 8, Edward Elgar Publishing.
  291. Sibelle Diniz & Ana Machado, 2011. "Analysis of the consumption of artistic-cultural goods and services in Brazil," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 1-18, February.
  292. Katherine Kiel & Katherine Tedesco, 2011. "Stealing History: How does Provenance Affect the Price of Antiquities?," Working Papers 1105, College of the Holy Cross, Department of Economics.
  293. Maija Halonen-Aktawijuka & Evanjelos Parfilis, 2022. "Who Should Own the Past?," Bristol Economics Discussion Papers 22/758, School of Economics, University of Bristol, UK.
  294. Rãzvan-Andrei CORBOª & Ruxandra-Irina POPESCU, 2012. "Study regarding the National Museum of Art of Romania Visitors` Perception on Improving Its Competitiveness," REVISTA ADMINISTRATIE SI MANAGEMENT PUBLIC, Faculty of Administration and Public Management, Academy of Economic Studies, Bucharest, Romania, vol. 2012(19), pages 62-84, December.
  295. Andrej Srakar & Marilena Vecco & Ákos Tóth, 2017. "The Tale of the Cuts and Raises: Public Budgets for Culture in the European Countries During the Financial Crisis," Hacienda Pública Española / Review of Public Economics, IEF, vol. 221(2), pages 83-109, June.
  296. Luis César Herrero-Prieto & Mafalda Gómez-Vega, 2017. "Cultural resources as a factor in cultural tourism attraction," Tourism Economics, , vol. 23(2), pages 260-280, March.
  297. Carrieri, Vincenzo & Principe, Francesco & Raitano, Michele, 2017. "What makes you "super-rich"? New evidence from an analysis of football players' earnings," Ruhr Economic Papers 681, RWI - Leibniz-Institut für Wirtschaftsforschung, Ruhr-University Bochum, TU Dortmund University, University of Duisburg-Essen.
  298. Enrico Bertacchini & Federico Revelli, 2021. "Kalòs kai agathòs? government quality and cultural heritage in the regions of Europe," The Annals of Regional Science, Springer;Western Regional Science Association, vol. 67(2), pages 513-539, October.
  299. Orley Ashenfelter & Kathryn Graddy, 2011. "Sale Rates and Price Movements in Art Auctions," American Economic Review, American Economic Association, vol. 101(3), pages 212-216, May.
  300. Trine Bille, 2004. "Ruth Towse (ed.): 2003, A Handbook of Cultural Economics," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(3), pages 231-234, August.
  301. Payal Arora & Filip Vermeylen, 2013. "Art markets," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 28, pages 322-329, Edward Elgar Publishing.
  302. Rubinstein Alexander, 2012. "Studying “Sponsored Goods” in Cultural Sector Symptoms and Consequences of Baumol’s Cost Disease," Creative and Knowledge Society, Sciendo, vol. 2(2), pages 35-57, December.
  303. Yuichi Furukawa & Kenji Kondoh & Shigemi Yabuuchi, 2019. "Tourism, Capital and Labor Inflows and Regional Development," International Advances in Economic Research, Springer;International Atlantic Economic Society, vol. 25(2), pages 221-233, May.
  304. Amir B. Ferreira Neto & Adam Nowak & Amanda Ross, 2019. "Do Tourists Tip More Than Local Consumers? Evidence from Taxi Rides in New York City," International Regional Science Review, , vol. 42(3-4), pages 281-306, May.
  305. Belma Öztürkkal & Aslı Togan-Eğrican, 2020. "Art investment: hedging or safe haven through financial crises," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 481-529, September.
  306. Mihaela IACOB & Felicia ALEXANDRU & Meral KAGITCI & Georgiana Camelia CRETAN & Filip IORGULESCU, 2011. "Evaluation Of Cultural Heritage – From The Epistemological Precautions To Pragmatic Approaches," International Conference Modern Approaches in Organisational Management and Economy, Faculty of Management, Academy of Economic Studies, Bucharest, Romania, vol. 5(1), pages 218-223, November.
  307. Fur, Eric Le, 2021. "Fine Wines in a Diversified Portfolio of Collectibles," 2021 Conference, August 17-31, 2021, Virtual 315852, International Association of Agricultural Economists.
  308. repec:pra:mprapa:40306 is not listed on IDEAS
  309. Blanka Škrabić Perić & Blanka Šimundić & Vinko Muštra & Marijana Vugdelija, 2021. "The Role of UNESCO Cultural Heritage and Cultural Sector in Tourism Development: The Case of EU Countries," Sustainability, MDPI, vol. 13(10), pages 1-14, May.
  310. Allen Molina & Jungho Baek, 2015. "Analyzing Factors Affecting U.S. College Textbook Prices: An ARDL Cointegration Approach," Review of Economics & Finance, Better Advances Press, Canada, vol. 5, pages 35-42, May.
  311. Marriott, Lisa, 2010. "The Science of Taxing the Arts," Working Paper Series 4041, Victoria University of Wellington, The New Zealand Institute for the Study of Competition and Regulation.
  312. Andrew M. Jones & Roberto Zanola, 2011. "Retransformation bias in the adjacent art price index," ACEI Working Paper Series AWP-01-2011, Association for Cultural Economics International, revised Jul 2011.
  313. Joonwoo Nahm, 2010. "Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(4), pages 281-297, November.
  314. Oosterlinck, Kim & David, Géraldine & Huemer, Christian, 2019. "Art Dealers’ Inventory Strategy The case of Goupil, Boussod & Valadon from 1860 to 1914," CEPR Discussion Papers 13941, C.E.P.R. Discussion Papers.
  315. Cellini, Roberto & Martorana, Marco Ferdinando & Platania, Felicita, 2014. "The multi-product nature of the firm in the arts sector: A case study on ‘Centro Zo’," MPRA Paper 60677, University Library of Munich, Germany.
  316. Erik E. Lehmann & Günther G. Schulze, 2007. "What does it take to be a star? The role of performance and the media for German soccer players," Discussion Paper Series 1, Department of International Economic Policy, University of Freiburg, revised Mar 2008.
  317. Finocchiaro Castro, Massimo & Guccio, Calogero & Rizzo, Ilde, 2009. "Determinants of Heritage Authorities’ Performance: An exploratory study with DEA bootstrapping approach," MPRA Paper 15984, University Library of Munich, Germany.
  318. Szyszka Adrianna & Białowąs Sylwester, 2019. "Prices of works of art by living and deceased artists auctioned in Poland from 1989 to 2012," Economics and Business Review, Sciendo, vol. 5(4), pages 112-127, December.
  319. Luis F. Aguado & Elisabetta Lazzaro & Luis A. Palma Martos & Ana M. Osorio Mejia, 2018. "Newspaper Reading as a Form of Cultural Participation: The Case of Colombia," Review of Economics & Finance, Better Advances Press, Canada, vol. 11, pages 40-54, February.
  320. Harashima, Taiji, 2016. "Ranking Value and Preference: A Model of Superstardom," MPRA Paper 74626, University Library of Munich, Germany.
  321. Leif Brandes & Egon Franck & Stephan Nüesch, 2008. "Local Heroes and Superstars," Journal of Sports Economics, , vol. 9(3), pages 266-286, June.
  322. Harashima, Taiji, 2018. "Superstars in Team Sports: An Economic Model," MPRA Paper 86360, University Library of Munich, Germany.
  323. Jonathan M. Barnett & Gilles Grolleau & Sana El Harbi, 2010. "The Fashion Lottery: Cooperative Innovation in Stochastic Markets," The Journal of Legal Studies, University of Chicago Press, vol. 39(1), pages 159-200, January.
  324. Patrick Georges & Aylin Seçkin, 2012. "Auction Prices of Classical Music Manuscripts – A Hedonic Approach," Working Papers 1202E, University of Ottawa, Department of Economics.
  325. Juan Jiménez & Javier Campos, 2010. "Modelling Competition in the Textbook Market: Some Lessons still to Learn," Journal of Industry, Competition and Trade, Springer, vol. 10(1), pages 71-85, March.
  326. Ghafele, Roya & Gibert, Benjamin, 2012. "A New Institutional Economics Perspective on Trademarks. Rebuilding Post Conflict Zones in Sierra Leone and Croatia," MPRA Paper 37859, University Library of Munich, Germany.
  327. Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
  328. Taylor, J. Edward, 2007. "Valuing the Numismatic Legacy of Alexander the Great," Working Papers 190917, University of California, Davis, Department of Agricultural and Resource Economics.
  329. Bronwyn Coate & Robert Hoffmann, 2022. "The behavioural economics of culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 3-26, March.
  330. Elena MARINOVA & Anca BORZA, 2013. "The Creative Industries and New Trends in the Economic World," Economia. Seria Management, Faculty of Management, Academy of Economic Studies, Bucharest, Romania, vol. 16(2), pages 327-332, December.
  331. Yao Cui & Izak Duenyas & Özge Şahin, 2014. "Should Event Organizers Prevent Resale of Tickets?," Management Science, INFORMS, vol. 60(9), pages 2160-2179, September.
  332. Li, Yuexin, 2021. "Pricing art: Returns, trust, and crises," Other publications TiSEM 8832c172-83dd-4ed9-8215-0, Tilburg University, School of Economics and Management.
  333. Manfred J. Holler & Isidoro Mazza, 2013. "Cultural heritage: public decision-making and implementation," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 2, pages i-i, Edward Elgar Publishing.
  334. Greiner, Tanja & Sahm, Marco, 2018. "How effective are advertising bans? On the demand for quality in two-sided media markets," Information Economics and Policy, Elsevier, vol. 43(C), pages 48-60.
  335. Fabrice Le Guel & Mohamed El Hedi Arouri & Fabrice Rochelandet, 2010. "L’entrelacement des pratiques culturelles et de l’usage des TIC : une analyse économique," Économie et Prévision, Programme National Persée, vol. 194(3), pages 33-55.
  336. Massimiliano Castellani & Pierpaolo Pattitoni & Antonello Eugenio Scorcu, 2012. "Visual artist price heterogeneity," Economics and Business Letters, Oviedo University Press, vol. 1(3), pages 16-22.
  337. Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski, 2020. "An economic valuation of access to cultural institutions: museums, theatres, and cinemas," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(4), pages 563-587, December.
  338. Elmer Sterken, 2014. "Collective Memory and Nostalgia in The Dutch Radio2 Top2000 Chart 1999-2013," CESifo Working Paper Series 4632, CESifo.
  339. Lechner, Michael & Hille, Adrian & Cabane, Charlotte, 2015. "Mozart or Pelé? The effects of teenagers? participation in music and sports," CEPR Discussion Papers 10556, C.E.P.R. Discussion Papers.
  340. David Chafe & Lisa Kaida, 2020. "Harmonic Dissonance: Coping with Employment Precarity among Professional Musicians in St John’s, Canada," Work, Employment & Society, British Sociological Association, vol. 34(3), pages 407-423, June.
  341. Lunn, Pete & Kelly, Elish, 2009. "Accounting for Taste: An Examination of Socioeconomic Gradients in Attendance at Arts Events," Papers WP283, Economic and Social Research Institute (ESRI).
  342. Michael Hutter, 2011. "Experience Goods," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 29, Edward Elgar Publishing.
  343. Budzinski, Oliver & Kohlschreiber, Marie & Kuchinke, Björn & Pannicke, Julia, 2019. "Does music quality matter for audience voters in a music contest?," Ilmenau Economics Discussion Papers 122, Ilmenau University of Technology, Institute of Economics.
  344. Katarzyna Kopeć, 2020. "Reduced Value Added Tax (VAT) Rate on Books as a Tool of Indirect Public Funding in the Cultural Sector," Sustainability, MDPI, vol. 12(14), pages 1-14, July.
  345. Silvia Fedeli & Michele Santoni, 2006. "The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 41-72, March.
  346. repec:pri:cepsud:214ashenfelter is not listed on IDEAS
  347. Bronwyn Coate & Tim R.L. Fry, 2012. "Better off Dead? Prices Realised for Australian Paintings Sold at Auction," ACEI Working Paper Series AWP-02-2012, Association for Cultural Economics International, revised Feb 2012.
  348. repec:vuw:vuwscr:19143 is not listed on IDEAS
  349. Ghafele Roya & Santagata Walter, 2006. "Cultural Tourism and Collective Trademarks: The Case of Byblos and Saida, Lebanon," EBLA Working Papers 200601, University of Turin.
  350. Victor Ginsburgh & Henry Bounameaux, 2008. "The Belgian Art Market," ULB Institutional Repository 2013/152108, ULB -- Universite Libre de Bruxelles.
  351. Fernández Blanco, Víctor & Prieto Rodríguez,Juan, 2009. "Análisis de los hábitos de lectura como una decisión económica/," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 113-138, Abril.
  352. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.
  353. Bruno Oliveira & Brian D. Fath, 2023. "Comparative Resilience Evaluation—Case Study for Six Cities in China, Europe, and the Americas," Land, MDPI, vol. 12(6), pages 1-15, June.
  354. Dorota Witkowska, 2014. "An Application of Hedonic Regression to Evaluate Prices of Polish Paintings," International Advances in Economic Research, Springer;International Atlantic Economic Society, vol. 20(3), pages 281-293, August.
  355. Miguel González-Maestre & Francisco Martínez-Sánchez, 2014. "The role of platform quality and publicly owned platforms in the free-to-air broadcasting industry," SERIEs: Journal of the Spanish Economic Association, Springer;Spanish Economic Association, vol. 5(1), pages 105-124, March.
  356. Thöne, Miriam & Rasch, Alexander & Wenzel, Tobias, 2016. "Business models in commercial media markets: Bargaining, advertising, and mixing," VfS Annual Conference 2016 (Augsburg): Demographic Change 145785, Verein für Socialpolitik / German Economic Association.
  357. Lee Young-Joo, 2021. "Nonprofit Arts Organizations’ Pursuit of Public Interests: The Role of Board Diversity," Nonprofit Policy Forum, De Gruyter, vol. 12(4), pages 563-587, December.
IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.