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The Demand for Theatre. A Microeconomic Approach to the Italian Case

Author

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  • Concetta Castiglione

    (Department of Economics, Trinity College Dublin)

Abstract

This paper examines theatre participation in Italy over the period 1995 2006. Explanatory variables are determined by identifying their contributions to both the individual's decision to attend, and the frequency of attendance. Socio-demographic and socio-economic characteristics, cultural capital, participation in other cultural activities, ticket price and theatre supply are taken into account. Three different models are used: the logistic regression model, the ordered logistic regression model and the finite mixture model. In the first two cases the contribution of each variable is not so different, in the case of finite mixture model the significance of the variables is not the same in the two components. For instance, the variable education, a proxy for cultural capital, is always significant in determining participation, but not in frequency of participation. In general, our results show that participation is not specific to a particular theatrical event since people who attend one arts activity are more likely to attend others. Finally, our results show that traditional socio-economic variables such as income and education are highly correlated with participation in the arts.

Suggested Citation

  • Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
  • Handle: RePEc:tcd:tcduee:tep0911
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    File URL: http://www.tcd.ie/Economics/TEP/2011/TEP0911.pdf
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    References listed on IDEAS

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    3. repec:pri:cpanda:wp32-upright is not listed on IDEAS
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    5. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
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    9. Victoria Ateca-Amestoy, 2008. "Determining heterogeneous behavior for theater attendance," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(2), pages 127-151, June.
    10. Carlofilippo Frateschi & Elisabetta Lazzaro, 2008. "Attendance to cultural events and spousal influences: the Italian case," ULB Institutional Repository 2013/149121, ULB -- Universite Libre de Bruxelles.
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    12. Craig Barton Upright, 2004. "Social Capital and Cultural Participation: Spousal Influences on Attendance at Arts Events," Working Papers 21, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    13. Seaman, Bruce A, 2006. "Empirical Studies of Demand for the Performing Arts," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 14, pages 415-472, Elsevier.
    14. Becker, Gary S & Murphy, Kevin M, 1988. "A Theory of Rational Addiction," Journal of Political Economy, University of Chicago Press, vol. 96(4), pages 675-700, August.
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    1. The demand for theater
      by Economic Logician in Economic Logic on 2011-05-25 19:53:00

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    Cited by:

    1. Kirstin Hallmann & Cristina Muñiz Artime & Christoph Breuer & Sören Dallmeyer & Magnus Metz, 2017. "Leisure participation: modelling the decision to engage in sports and culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 467-487, November.
    2. Jose A Bermudez Trivino & Lina M Medina Hurtado & Luis Fernando Aguado Quintero, 2015. "Analyzing the decision to listen to recorded music. A microeconometric approach," Working Papers 3, Faculty of Economics and Management, Pontificia Universidad Javeriana Cali.
    3. Karol Jan BOROWIECKi & Concetta CASTIGLIONE, 2012. "Cultural Participation and Tourism Flows in Italy," Trinity Economics Papers tep0212, Trinity College Dublin, Department of Economics.
    4. Karol Jan Borowiecki & Concetta Castiglione, 2014. "Cultural Participation and Tourism Flows: An Empirical Investigation of Italian Provinces," Tourism Economics, , vol. 20(2), pages 241-262, April.
    5. Muñiz, Cristina & Rodríguez, Plácido & Suárez, María J., 2014. "Sports and cultural habits by gender: An application using count data models," Economic Modelling, Elsevier, vol. 36(C), pages 288-297.
    6. Cristina Muñiz & Plácido Rodríguez & María José Suárez, 2017. "Participation in cultural activities: specification issues," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(1), pages 71-93, February.
    7. Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez, 2020. "Playing a play: online and live performing arts consumers profiles and the role of supply constraints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 425-450, September.

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    More about this item

    Keywords

    Demand; Arts participation; Theatre; Italy.;
    All these keywords.

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • L32 - Industrial Organization - - Nonprofit Organizations and Public Enterprise - - - Public Enterprises; Public-Private Enterprises
    • L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
    • D12 - Microeconomics - - Household Behavior - - - Consumer Economics: Empirical Analysis

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