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Content
June 2023, Volume 47, Issue 2
- 181-204 Music preferences as an instrument of emotional self-regulation along the business cycle
by Juan Lucio & Marco Palomeque - 205-245 An empirical approach to measure unobserved cultural relations using music trade data
by Yuki Takara & Shingo Takagi - 247-277 The Eurovision Song Contest: voting rules, biases and rationality
by Victor Ginsburgh & Juan D. Moreno-Ternero - 279-301 Empirical evidence of anchoring and loss aversion from art auctions
by Kathryn Graddy & Lara Loewenstein & Jianping Mei & Mike Moses & Rachel A. J. Pownall - 303-349 Knocking on Hell’s door: dismantling hate with cultural consumption
by Daria Denti & Alessandro Crociata & Alessandra Faggian - 351-353 Amy Whitaker: Economics of visual art: market practice and market resistance
by Joanna Woronkowicz
March 2023, Volume 47, Issue 1
- 1-30 Workers’ access to Swedish opera houses and concert halls, 1898–2019
by Staffan Albinsson - 31-69 Globalization and the rise of action movies in hollywood
by Tin Cheuk Leung & Shi Qi - 71-96 More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants
by Martina Dattilo & Fabio Padovano & Yvon Rocaboy - 97-131 Eppur si muove: an evaluation of museum policy reform in Italy
by Maria Rosaria Alfano & Anna Laura Baraldi & Claudia Cantabene - 133-175 Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies
by Antonella Francesca Cicchiello & Serena Gallo & Stefano Monferrà - 177-179 Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action
by Hans Abbing
December 2022, Volume 46, Issue 4
- 571-596 Cultural expenditure of those who enter (or exit) unemployment
by Javier Gardeazabal & Eduardo Polo-Muro - 597-634 Some economics of movie exhibition: increasing returns and Imax revenue premium
by Dapeng Liu & Pascal Courty - 635-658 Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes
by Richard J. Paulsen - 659-697 Specialization and the firm in Renaissance Italian art
by Ennio E. Piano - 699-722 Socio-economic and spatial determinants of municipal cultural spending
by Michael Getzner - 723-746 From Bilbao to Bodø: how cultural flagships are transforming local cultural life
by Hanna Nyborg Storm - 747-750 David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 2021
by Kim Oosterlinck
September 2022, Volume 46, Issue 3
- 391-437 First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning
by Jasmin Droege - 439-481 Women artists: gender, ethnicity, origin and contemporary prices
by Abigail LeBlanc & Stephen Sheppard - 483-517 Preferences for perceived attractiveness in modern dance
by Rachel Lau & Brooke Krause - 519-540 Career challenges facing musicians in the United States
by Ying Zhen - 541-541 Correction to: Career challenges facing musicians in the United States
by Ying Zhen - 543-565 An empirical analysis of price differences for male and female artists in the global art market
by Fabian Y. R. P. Bocart & Marina Gertsberg & Rachel A. J. Pownall - 567-569 Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco
by María J. Pérez-Villadóniga
June 2022, Volume 46, Issue 2
- 205-230 New forms of finance and funding in the cultural and creative industries. Introduction to the special issue
by Ellen Loots & Diana Betzler & Trine Bille & Karol Jan Borowiecki & Boram Lee - 231-248 Beyond the realm of cash: street performers and payments in the online world
by Meg Elkins & Tim R. L. Fry - 249-284 The art of crowdfunding arts and innovation: the cultural economic perspective
by Christian Handke & Carolina Dalla Chiesa - 285-285 Correction to: The art of crowdfunding arts and innovation: the cultural economic perspective
by Christian Handke & Carolina Dalla Chiesa - 287-315 From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties
by Lauren Haaften-Schick & Amy Whitaker - 317-344 Uncovering potential barriers of using initial coin offerings to finance artistic projects
by Manuel Knott & Franz Strich & Kim Strunk & Anne-Sophie Mayer - 345-386 Starving the golden goose? Access to finance for innovators in the creative industries
by Salvatore Di Novo & Giorgio Fazio & Jonathan Sapsed & Josh Siepel - 387-389 Peter Tschmuck: The economics of music, 2nd edition
by Patrik Wikstrom
March 2022, Volume 46, Issue 1
- 1-2 For a new cultural economics
by Federico Etro & Douglas Noonan - 3-26 The behavioural economics of culture
by Bronwyn Coate & Robert Hoffmann - 27-55 Brace yourselves, pirates are coming! the effects of Game of Thrones leak on TV viewership
by Wojciech Hardy - 57-100 Drivers of cultural participation of immigrants: evidence from an Italian survey
by E. Bertacchini & A. Venturini & R. Zotti - 101-133 Donating money and time to cultural heritage: evidence from the European Union
by Victoria Ateca-Amestoy & Arantza Gorostiaga - 135-163 The China museum visit boom: Government or demand driven?
by Fenghua Zhang & Pascal Courty - 165-197 The value of digital archive film history: willingness to pay for film online heritage archival access
by Ricky N. Lawton & Daniel Fujiwara & Ulrike Hotopp - 199-203 Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon, 2021
by Anne-Sophie V. Radermecker
December 2021, Volume 45, Issue 4
- 519-526 Arts, Entrepreneurship, and Innovation
by Joanna Woronkowicz - 527-556 Who is an artist? Heterogeneity and professionalism among visual artists
by Andrea Baldin & Trine Bille - 557-576 What Makes an Artrepreneur?
by Robert Hoffmann & Bronwyn Coate & Swee-Hoon Chuah & Pia Arenius - 577-611 Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?
by Douglas S. Noonan & Shiri M. Breznitz & Sana Maqbool - 613-631 Economies of scope in artists’ incubator projects
by Amy Whitaker - 633-670 Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions
by Stephan Klingner & Mihail Miller & Michael Becker & Frank Schumacher - 671-704 Do museums foster innovation through engagement with the cultural and creative industries?
by Chiara Dalle Nogare & Monika Murzyn-Kupisz - 705-733 Innovation and diversity in the digital cultural and creative industries
by Jen Snowball & Delon Tarentaal & Jonathan Sapsed - 735-738 Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021
by Laura Pagani
September 2021, Volume 45, Issue 3
- 333-358 Public preferences for heritage conservation strategies: a choice modelling approach
by David Throsby & Anita Zednik & Jorge E. Araña - 359-383 Battle of the ballet household decisions on arts consumption
by Caterina Adelaide Mauri & Alexander Friedrich Wolf - 385-408 It takes two, baby! Feature artist collaborations and streaming demand for music
by Jordi McKenzie & Paul Crosby & Liam J. A. Lenten - 409-433 Cultural Heritage and natural disasters: the insurance choice of the Italian Cathedrals
by Francesco Masi & Donatella Porrini - 435-457 Oscar awards and foreign language film production: evidence for a panel of countries
by Henry Aray - 459-490 Similar but special: an econometric analysis of live performing arts attendance in mainland China
by Geng Chen & Pei Tang - 491-511 The market for meaning: A new entrepreneurial approach to creative industries dynamics
by Yu-Yu Chang & Jason Potts & Hui-Yu Shih - 513-514 Pommerehne Prize, President’s Prize and Young Researchers Workshop Best Paper Award
by Federico Etro & Douglas Noonan - 515-517 Christiane Hellmanzik: Cultural Economics. Agenda Publishing, 2020
by Isidoro Mazza
June 2021, Volume 45, Issue 2
- 157-170 The Economics of Filmed Entertainment in the Digital Era
by Thorsten Hennig-Thurau & S. Abraham Ravid & Olav Sorenson - 171-211 Leveraging analytics to produce compelling and profitable film content
by Ronny Behrens & Natasha Zhang Foutz & Michael Franklin & Jannis Funk & Fernanda Gutierrez-Navratil & Julian Hofmann & Ulrike Leibfried - 213-238 Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics
by Allègre L. Hadida & Joseph Lampel & W. David Walls & Amit Joshi - 239-262 Technological change and managerial challenges in the movie theater industry
by Charles B. Weinberg & Cord Otten & Barak Orbach & Jordi McKenzie & Ricard Gil & Darlene C. Chisholm & Suman Basuroy - 263-293 What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry
by Ricarda Schauerte & Stéphanie Feiereisen & Alan J. Malter - 295-326 Content valuation strategies for digital subscription platforms
by Raoul Kübler & Rouven Seifert & Michael Kandziora - 327-327 Correction to: Content valuation strategies for digital subscription platforms
by Raoul Kübler & Rouven Seifert & Michael Kandziora - 329-332 Trine Bille, Anna Mignosa, Ruth Towse: Teaching cultural economics. Edward Elgar, 2020
by Jen Snowball
March 2021, Volume 45, Issue 1
- 1-12 Gender differences in hammer prices for Australian Indigenous art
by Lisa Farrell & Jane M. Fry & Tim R. L. Fry - 13-43 Back to the Future: Does the use of information and communication technology enhance the performance of public historical archives?
by Calogero Guccio & Marco Martorana & Isidoro Mazza & Ilde Rizzo - 45-62 How people vote in contests: new findings from Immortal Songs 2
by Beomsoo Kim & Sangsoo Park & Yang Zhao - 63-104 Does music soothe the soul? Evaluating the impact of a music education programme in Medellin, Colombia
by Jonathan Daniel Gómez-Zapata & Luis César Herrero-Prieto & Beatriz Rodríguez-Prado - 105-131 Digital piracy and the perception of price fairness: evidence from a field experiment
by Anna Kukla-Gryz & Joanna Tyrowicz & Michał Krawczyk - 133-142 Crowdfunding a monthly income: an analysis of the membership platform Patreon
by Tobias Regner - 143-152 To fake or not to fake: An empirical investigation on the fine art market
by Antonello E. Scorcu & Laura Vici & Roberto Zanola - 153-156 Hans Abbing: the changing social economy of art, are the arts becoming less exclusive? Palgrave Macmillan, 2019
by Justin O’Connor
December 2020, Volume 44, Issue 4
- 535-562 Spatial dependence in museum services: an analysis of the Italian case
by Roberto Cellini & Tiziana Cuccia & Domenico Lisi - 563-587 An economic valuation of access to cultural institutions: museums, theatres, and cinemas
by Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski - 589-604 Voluntary taxation and the arts
by R. Andrew Luccasen & M. Kathleen Thomas - 605-624 Cultural employment growth in Brazilian municipalities
by Luiz Carlos Santana Ribeiro & Thiago Henrique Carneiro Rios Lopes & Amir Borges Ferreira Neto & Fernanda Rodrigues Santos - 625-660 How does UNESCO’s Convention on Cultural Diversity affect trade in cultural goods?
by Naoto Jinji & Ayumu Tanaka - 661-664 Book Review: Jason Potts Innovation Commons: The Origin of Economic Growth, Oxford, UK: Oxford University Press. ISBN: 9780190937508
by Erwin Dekker
September 2020, Volume 44, Issue 3
- 351-395 Has financial development benefited the performance of publicly traded cultural and creative firms? Evidence from China
by Yan Li & Md. Main Uddin & Ye An - 397-423 Motivations and barriers to heritage engagement in Latin America: tangible and intangible dimensions
by Victoria Ateca-Amestoy & Arantza Gorostiaga & Máximo Rossi - 425-450 Playing a play: online and live performing arts consumers profiles and the role of supply constraints
by Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez - 451-480 Expenditure on cultural events: preferences or opportunities? An analysis of Brazilian consumer data
by Carla Cristina Rosa de Almeida & João Policarpo Rodrigues Lima & Maria Fernanda Freire Gatto - 481-529 Art investment: hedging or safe haven through financial crises
by Belma Öztürkkal & Aslı Togan-Eğrican - 531-533 Silvia Cerisola: Cultural heritage, creativity and economic development
by Anna Mignosa
June 2020, Volume 44, Issue 2
- 189-212 The changing role of education as we move from popular to highbrow culture
by Sara Suarez-Fernandez & Juan Prieto-Rodriguez & Maria Jose Perez-Villadoniga - 213-253 On the response of household expenditure on cinema and performing arts to changes in indirect taxation: a natural experiment in Spain
by Victoria Ateca-Amestoy & Javier Gardeazabal & Arantza Ugidos - 255-280 Why would artists favor free streaming?
by Ramadan Aly-Tovar & Maya Bacache-Beauvallet & Marc Bourreau & Francois Moreau - 281-308 The determinants of creative goods exports: evidence from Vietnam
by Chung Van Dong & Hoan Quang Truong - 309-338 Dining out as cultural trade
by Joel Waldfogel - 339-346 Return on violin and macroeconomic fluctuation
by M. W. Luke Chan & Dan Sabrina Gong & Terry A. Yip - 347-350 Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy
by Ruth Towse
March 2020, Volume 44, Issue 1
- 1-34 Accumulation of cultural capital at the intersection of socio-demographic features and productive specializations
by Marco Bellandi & Daniela Campus & Alessandro Carraro & Erica Santini - 35-56 The influence of user-generated content on video game demand
by Christopher S. Brunt & Amanda S. King & John T. King - 57-96 Is everybody an expert? An investigation into the impact of professional versus user reviews on movie revenues
by Suman Basuroy & S. Abraham Ravid & Richard T. Gretz & B. J. Allen - 97-116 The Indian film industry in a changing international market
by Sayantan Ghosh Dastidar & Caroline Elliott - 117-154 How have recent health insurance expansions affected coverage among artist occupations in the USA?
by Joanna Woronkowicz & Aparna Soni & Seth Freedman & Kosali Simon - 155-171 ART as meta-credence: authentication and the role of experts
by Robert B. Ekelund & Richard Higgins & John D. Jackson - 173-183 ‘There are more things in heaven and earth…’ A ‘narrative turn’ in economics?
by Pier Luigi Sacco - 185-187 S. Cameron (ed.): A research agenda for cultural economics
by Andy C. Pratt
December 2019, Volume 43, Issue 4
- 517-526 Cultural economics, books and reading
by Samuel Cameron - 527-544 Economics and novels: good, evil and becoming better people
by Dwight R. Lee & Cecil Bohanon - 545-578 The economics of the modern American comic book market
by Jerry Hionis & YoungHa Ki - 579-605 Unraveling the effect of extrinsic reading on reading with intrinsic motivation
by Sara Suárez-Fernández & David Boto-García - 607-637 Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach
by Paul Crosby - 639-666 More than a good book: contingent valuation of public library services in England
by Daniel Fujiwara & Ricky N. Lawton & Susana Mourato
September 2019, Volume 43, Issue 3
- 345-363 Ticket resale, bots, and the fair price ticketing curse
by Pascal Courty - 365-395 Creativity and the city: testing the attenuation of agglomeration economies in Barcelona
by Eva Coll-Martínez - 397-419 Estimating preferences for the performing arts from referendum votes
by Katharina E. Hofer - 421-442 Measuring changes in subjective well-being from engagement in the arts, culture and sport
by Daniel Wheatley & Craig Bickerton - 443-483 Artworks without names: an insight into the market for anonymous paintings
by Anne-Sophie V. E. Radermecker - 485-512 Modelling museum efficiency in producing inter-reliant outputs
by María José Barrio-Tellado & Luis César Herrero-Prieto - 513-515 The value of taste: auction prices and the evolution of taste in Dutch and Flemish golden age painting 1642–2011 by Peter Carpreau
by Kim Oosterlinck
June 2019, Volume 43, Issue 2
- 173-188 Cultural and economic value: a critical review
by Francesco Angelini & Massimiliano Castellani - 189-210 The next wave of digital technological change and the cultural industries
by Christian Peukert - 211-245 Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras
by Mafalda Gómez-Vega & Luis César Herrero-Prieto - 247-278 Star power and box office revenues: evidence from China
by Fei Peng & Lili Kang & Sajid Anwar & Xue Li - 279-307 Art and gender: market bias or selection bias?
by Laurie Cameron & William N. Goetzmann & Milad Nozari - 309-337 Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data
by Douglas J. Hodgson & Christiane Hellmanzik - 339-343 Book review for JCEC
by Trine Bille
March 2019, Volume 43, Issue 1
- 1-20 Television singing competitions create stars? Empirical evidence from the digital music chart in South Korea
by Daegon Cho & Seok Ho Lee & Yeawon Yoo & Hyo-Youn Chu - 21-56 A new perspective on the cultural heritage–development nexus: the role of creativity
by Silvia Cerisola - 57-95 “The Master of …”: creating names for art history and the art market
by Kim Oosterlinck & Anne-Sophie Radermecker - 97-119 Measuring technical efficiency and marginal costs in the performing arts: the case of the municipal theatres of Warsaw
by Víctor Fernández-Blanco & Ana Rodríguez-Álvarez & Aleksandra Wiśniewska - 121-143 On the allocation of talents in the contemporary art market
by Luigi Di Gaetano & Isidoro Mazza & Anna Mignosa - 145-171 Do consumer and expert reviews affect the length of time a film is kept on screens in the USA?
by Thaís L. D. Souza & Marislei Nishijima & Ana C. P. Fava
November 2018, Volume 42, Issue 4
- 525-542 Charity and public libraries: Does government funding crowd out donations?
by Amir Borges Ferreira Neto - 543-592 Cultural participation in major Chinese cities
by Pascal Courty & Fenghua Zhang - 593-618 The geography of music preferences
by Charlotta Mellander & Richard Florida & Peter J. Rentfrow & Jeff Potter - 619-643 Ownership, organization structure and public service provision: the case of museums
by Enrico E. Bertacchini & Chiara Dalle Nogare & Raffaele Scuderi - 645-676 Cross-border circulation of films and cultural diversity in the EU
by Georgios Alaveras & Estrella Gomez-Herrera & Bertin Martens - 677-700 Revenue and attendance simultaneous optimization in performing arts organizations
by Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto - 701-716 American beauty: trade flows and export costs of US movies
by Gianpiero Meloni & Dimitri Paolini & J. D. Tena - 717-719 Bruno Frey and Jana Gallus: Honours versus money. The economics of awards
by Elisabetta Lazzaro
August 2018, Volume 42, Issue 3
- 353-363 The authenticity of the museum experience in the digital age: the case of the Louvre
by Yves Evrard & Anne Krebs - 365-391 Music in the air: estimating the social return to cultural amenities
by Oliver Falck & Michael Fritsch & Stephan Heblich & Anne Otto - 393-417 Do cultural differences affect the trade of cultural goods? A study in trade of music
by Yuki Takara - 419-445 Netflix: global hegemon or facilitator of frictionless digital trade?
by Luis Aguiar & Joel Waldfogel - 447-467 The performance of global film franchises: installment effects and extension decisions
by Darren Filson & James H. Havlicek - 469-506 Demand for culture in Spain and the 2012 VAT rise
by Javier García-Enríquez & Cruz A. Echevarría - 507-520 Determinants of sales and price at auction for three Australian Indigenous artists: to pool or not to pool?
by Lisa Farrell & Jane M. Fry & Tim R. L. Fry - 521-523 M. Bianchi’s and R. Patalano’s: Storytelling and Choice
by Erwin Dekker
May 2018, Volume 42, Issue 2
- 163-199 European cultural statistics in a comparative perspective: index of economic and social condition of culture for the EU countries
by Andrej Srakar & Vesna Čopič & Miroslav Verbič - 201-211 The drowned and the saved: the determinants of success in the Italian temporary art and cultural exhibitions market
by A. E. Scorcu & R. Zanola - 213-241 Rain and museum attendance: Are daily data fine enough?
by Harold E. Cuffe - 243-269 Multiple creative talents and their determinants at the local level
by Silvia Cerisola - 271-286 Do the arts make you happy? A quantile regression approach
by Chris Hand - 287-307 “Let’s make lots of money”: the determinants of performance in the recorded music sector
by Juan D. Montoro-Pons & Manuel Cuadrado-García - 309-339 Fiscal and economic aspects of book consumption in the European Union
by Karol Jan Borowiecki & Trilce Navarrete - 341-352 Blockbusters and market expansion: evidence from the motion picture industry
by Jordi McKenzie & Vladimir Smirnov
February 2018, Volume 42, Issue 1
- 1-22 Strategic timing of entry: evidence from video games
by Benjamin Engelstätter & Michael R. Ward - 23-43 Artistic education matters: survival in the arts occupations
by Trine Bille & Søren Jensen - 45-56 On the relationship between reserve prices and low estimates in art auctions
by Massimiliano Castellani & Pierpaolo Pattitoni & Antonello Eugenio Scorcu - 57-73 Evaluating three decades of the European Capital of Culture programme: a difference-in-differences approach
by Pedro Gomes & Alejandro Librero-Cano - 75-89 To preserve or enhance precious memories: a segmented market analysis of the history museum in Singapore
by Sharon Chang & Renuka Mahadevan - 91-110 Measuring allocative efficiency in Cultural Economics: the case of “Fundación Princesa de Asturias” (The Princess of Asturias Foundation)
by Víctor Fernández-Blanco & Ana Rodríguez-Álvarez - 111-138 The role of cultural heritage in attracting skilled individuals
by Mikaela Backman & Pia Nilsson - 139-161 Effects of the “Gangnam Style Syndrome” on the South Korean stock market
by Hyun Joung Jin & Jang-Chul Kim
November 2017, Volume 41, Issue 4
- 343-378 Culturally biased voting in the Eurovision Song Contest: Do national contests differ?
by Oliver Budzinski & Julia Pannicke - 379-401 Rankings as coordination games: the Dutch Top 2000 pop song ranking
by Aloys Prinz - 403-420 Economics of music publishing: copyright and the market
by Ruth Towse - 421-439 Balancing the score: the financial impact of resource dependence on symphony orchestras
by Tara McGrath & Renaud Legoux & Sylvain Sénécal - 441-465 Signaling for access to high-demand markets: evidence from the US motion picture industry
by Amanda S. King & John T. King & Michael Reksulak - 467-487 Leisure participation: modelling the decision to engage in sports and culture
by Kirstin Hallmann & Cristina Muñiz Artime & Christoph Breuer & Sören Dallmeyer & Magnus Metz - 489-491 Sigrid Hemels and Kazuko Goto (eds.): Tax incentives for the creative industries
by Michael Rushton
August 2017, Volume 41, Issue 3
- 215-235 Donor governance and financial management in prominent US art museums
by David Yermack - 237-258 “Better an egg today than a hen tomorrow” on the implications of deaccess policies for donations to museums
by Luigi Di Gaetano & Isidoro Mazza - 259-277 Nudging museums attendance: a field experiment with high school teens
by Patrizia Lattarulo & Marco Mariani & Laura Razzolini - 279-281 Erratum to: Nudging museums attendance: a field experiment with high school teens
by Patrizia Lattarulo & Marco Mariani & Laura Razzolini - 283-307 Arts and craftiness: an economic analysis of art heists
by Frederick Chen & Rebecca Regan - 309-335 Art collections and taste in the Spanish Siglo de Oro
by Federico Etro & Elena Stepanova - 337-340 Cultural heritage in a changing world
by Enrico Bertacchini - 341-341 Erratum to: Karol Jan Borowiecki, Neil Forbes, and Antonella Fresa (Eds.): Cultural Heritage in a Changing World Springer, 2016, ISBN: 978-3-319-29544-2
by Enrico Bertacchini
May 2017, Volume 41, Issue 2
- 95-107 Economics of cultural tourism: issues and perspectives
by Douglas S. Noonan & Ilde Rizzo - 109-127 Travel purpose and expenditure patterns in city tourism: evidence from the Amsterdam Metropolitan Area
by Ruben Loon & Jan Rouwendal - 129-154 On the role of cultural participation in tourism destination performance: an assessment using robust conditional efficiency approach
by Calogero Guccio & Domenico Lisi & Marco Martorana & Anna Mignosa - 155-172 Language tourism destinations: a case study of motivations, perceived value and tourists’ expenditure
by María Redondo-Carretero & Carmen Camarero-Izquierdo & Ana Gutiérrez-Arranz & Javier Rodríguez-Pinto - 173-195 Motivation, satisfaction and loyalty in the case of a film festival: differences between local and non-local participants
by Andrea Báez-Montenegro & María Devesa-Fernández - 197-214 Ex-ante versus ex-post: comparison of the effects of the European Capital of Culture Maribor 2012 on tourism and employment
by Andrej Srakar & Marilena Vecco
February 2017, Volume 41, Issue 1
- 1-21 The World Heritage list: Which sites promote the brand? A big data spatial econometrics approach
by David Wuepper & Marc Patry - 23-45 Subjective well-being and engagement in arts, culture and sport
by Daniel Wheatley & Craig Bickerton - 47-69 Couples’ arts participation: assessing individual and joint time use
by Elisabetta Lazzaro & Carlofilippo Frateschi - 71-93 Participation in cultural activities: specification issues
by Cristina Muñiz & Plácido Rodríguez & María José Suárez
November 2016, Volume 40, Issue 4
- 365-373 The value-based approach to cultural economics
by Arjo Klamer - 375-392 Determinants of demand and price for best-selling novels in paperback in Japan
by Sumiko Asai - 393-412 Does the long tail really favor small publishers?
by Stéphanie Peltier & Françoise Benhamou & Mamoudou Touré - 413-451 City competition for the creative class
by Thiess Buettner & Eckhard Janeba - 453-485 Autographs and the global art market: the case of hedonic prices for French autographs (1960–2005)
by Pierre-Charles Pradier & François Gardes & Xavier Greffe & Ileana Miranda Mendoza - 487-528 Local government allocation of cultural services
by Lars Håkonsen & Knut Løyland - 529-545 Fairness constraints on profit-seeking: evidence from the German club concert industry
by Hendrik Sonnabend - 547-551 Victor A. Ginsburgh and David Throsby (eds.): Handbook of the economics of art and culture, volume 2
by Douglas J. Hodgson - 553-555 Michael Hutter: The rise of the joyful economy: artistic invention and economic growth from Brunelleschi to Murakami
by Jason Potts
February 2016, Volume 40, Issue 1
- 1-12 Past, present and future: music economics at the crossroads
by Samuel Cameron - 1-12 Past, present and future: music economics at the crossroads
by Samuel Cameron - 13-28 How much of the decline in sound recording sales is due to file-sharing?
by Stan Liebowitz - 29-74 Breaking up is hard to do: the resilience of the rock group as an organizational form for creating music
by Ronnie Phillips & Ian Strachan