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Art markets

In: Handbook on the Digital Creative Economy

Author

Listed:
  • Payal Arora
  • Filip Vermeylen

Abstract

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.

Suggested Citation

  • Payal Arora & Filip Vermeylen, 2013. "Art markets," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 28, pages 322-329, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:14906_28
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    File URL: https://www.elgaronline.com/view/9781781004869.00041.xml
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    References listed on IDEAS

    as
    1. Buelens, Nathalie & Ginsburgh, Victor, 1993. "Revisiting Baumol's 'art as floating crap game'," European Economic Review, Elsevier, vol. 37(7), pages 1351-1371, October.
    2. Yigit Saglam & Phuong Ho & Toby Daglish, 2012. "Divvying up the 'Digital Dividend'," Competition & Regulation Times 373600, New Zealand Institute for the Study of Competition and Regulation.
    3. Baumol, William J, 1986. "Unnatural Value: Or Art Investment as Floating Crap Game," American Economic Review, American Economic Association, vol. 76(2), pages 10-14, May.
    4. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    5. Orley Ashenfelter & Kathryn Graddy, 2003. "Auctions and the Price of Art," Journal of Economic Literature, American Economic Association, vol. 41(3), pages 763-787, September.
    6. Isard, Peter, 1977. "How Far Can We Push the "Law of One Price"?," American Economic Review, American Economic Association, vol. 67(5), pages 942-948, December.
    7. SaÄŸlam, YiÄŸit & Ho, Phuong & Daglish, Toby, 2012. "Auctioning the Digital Dividend: a Model for Spectrum," Working Paper Series 4129, Victoria University of Wellington, The New Zealand Institute for the Study of Competition and Regulation.
    Full references (including those not matched with items on IDEAS)

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