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Citations for "Handbook of the economics of art and culture"

by Victor Ginsburgh & David Throsby

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  1. Timothy Perri, 2011. "A Competitive Model of (Super)Stars," Working Papers 11-11, Department of Economics, Appalachian State University.
  2. Marriott, Lisa, 2010. "The Science of Taxing the Arts," Working Paper Series 4041, Victoria University of Wellington, The New Zealand Institute for the Study of Competition and Regulation.
  3. Egon Franck & Stephan Nüesch, 2005. "Talent, Past Consumption and/or Popularity - Are German Soccer Celebrities Rosen or Adler Stars?," Working Papers 0005, University of Zurich, Center for Research in Sports Administration (CRSA), revised 2006.
  4. Marie Connolly & Alan B. Krueger, 2005. "Rockonomics: The Economics of Popular Music," NBER Working Papers 11282, National Bureau of Economic Research, Inc.
  5. Egon Franck & Stephan Nüesch, 2012. "Talent And/Or Popularity: What Does It Take To Be A Superstar?," Economic Inquiry, Western Economic Association International, vol. 50(1), pages 202-216, 01.
  6. Eva Vicente & Pablo de Frutos, 2011. "Application of the travel cost method to estimate the economic value of cultural goods: Blockbuster art exhibitions," Hacienda Pública Española, IEF, vol. 196(1), pages 37-63, january.
  7. Domenico Depalo & Silvia Fedeli, 2011. "Heterogeneity in the Cultural Expenditures of Municipalities Evidence from Italian Data (1998-2006)," Working Papers 139, University of Rome La Sapienza, Department of Public Economics.
  8. Van Cayseele, Patrick & Vanormelingen, Stijn, 2009. "Prices and Network Eects in Two-Sided Markets: the Belgian Newspaper Industry," Working Papers 2009/06, Hogeschool-Universiteit Brussel, Faculteit Economie en Management.
  9. Marta Zieba, 2009. "Full-income and price elasticities of demand for German public theatre," Journal of Cultural Economics, Springer, vol. 33(2), pages 85-108, May.
  10. Bruno S. Frey & Paolo Pamini, 2010. "World Heritage: Where Are We? An Empirical Analysis," CESifo Working Paper Series 2919, CESifo Group Munich.
  11. Leif Brandes & Egon Franck & Stephan Nuesch, 2006. "Local Heroes and Superstars - An Empirical Analysis of Star Attraction in German Soccer," Working Papers 0007, University of Zurich, Center for Research in Sports Administration (CRSA), revised 2007.
  12. Andrew M. Jones & Roberto Zanola, 2011. "Retransformation bias in the adjacent art price index," ACEI Working Paper Series AWP-01-2011, Association for Cultural Economics International, revised Jul 2011.
  13. Heinrich Ursprung & Christian Wiermann, 2008. "Reputation, Price, and Death: An Empirical Analysis of Art Price Formation," CESifo Working Paper Series 2237, CESifo Group Munich.
  14. Silvia Fedeli & Michele Santoni, 2006. "The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums," Journal of Cultural Economics, Springer, vol. 30(1), pages 41-72, March.
  15. Böhme, Enrico & Müller, Christopher, 2010. "Comparing Monopoly and Duopoly on a Two-Sided Market without Product Differentiation," MPRA Paper 23568, University Library of Munich, Germany.
  16. Mirko Moro & Karen Mayor & Seán Lyons & Richard S J Tol, 2013. "Does the housing market reflect cultural heritage? A case study of Greater Dublin," Environment and Planning A, Pion Ltd, London, vol. 45(12), pages 2884-2903, December.
  17. Anderson, Simon P & Gans, Joshua, 2010. "Platform Siphoning: Ad-Avoidance and Media Content," CEPR Discussion Papers 7729, C.E.P.R. Discussion Papers.
  18. William Goetzmann & Luc Renneboog & Christophe Spaenjers, 2009. "Art and Money," Yale School of Management Working Papers amz2426, Yale School of Management, revised 01 Jan 2010.
  19. M. van Dijk & R. Nahuis & D. Waagmeester, 2005. "Does Public Service Broadcasting Serve the Public? The Future of Television in the Changing Media Landscape," Working Papers 05-13, Utrecht School of Economics.
  20. George Niculescu & Dănuţ Stegărescu, 2010. "The new approaches of attention economy and experience economy in management of the cultural tourism," Annals - Economy Series, Constantin Brancusi University, Faculty of Economics, vol. 4, pages 152-159, December.
  21. Alan Beggs & Kathryn Graddy, 2008. "Failure to meet the reserve price: the impact on returns to art," Journal of Cultural Economics, Springer, vol. 32(4), pages 301-320, December.
  22. Fabio D’Orlando, 2011. "The Demand for Pornography," Journal of Happiness Studies, Springer, vol. 12(1), pages 51-75, March.
  23. David Giles, 2007. "Increasing returns to information in the US popular music industry," Applied Economics Letters, Taylor & Francis Journals, vol. 14(5), pages 327-331.
  24. Michael Rushton, 2008. "Who pays? Who benefits? Who decides?," Journal of Cultural Economics, Springer, vol. 32(4), pages 293-300, December.
  25. Bruno S. Frey & Lasse Steiner, 2010. "Pay as you Go: A New Proposal for Museum Pricing," CESifo Working Paper Series 3045, CESifo Group Munich.
  26. David Throsby, 2010. "Measuring the Economic and Cultural Values of Historic Heritage Places," Environmental Economics Research Hub Research Reports 1085, Environmental Economics Research Hub, Crawford School of Public Policy, The Australian National University.
  27. Rãzvan-Andrei CORBOª & Ruxandra-Irina POPESCU, 2012. "Study regarding the National Museum of Art of Romania Visitors` Perception on Improving Its Competitiveness," REVISTA ADMINISTRATIE SI MANAGEMENT PUBLIC, Faculty of Administration and Public Management, Academy of Economic Studies, Bucharest, Romania, vol. 2012(19), pages 62-84, December.
  28. Jonathan Beck, 2007. "The sales effect of word of mouth: a model for creative goods and estimates for novels," Journal of Cultural Economics, Springer, vol. 31(1), pages 5-23, March.
  29. Cellini, Roberto & Cuccia, Tiziana, 2009. "Museum and monument attendance and tourism flow: A time series analysis approach," MPRA Paper 18908, University Library of Munich, Germany.
  30. Calin Valsan & Robert Sproule, 2008. "Reservation Prices And Pre-Auction Estimates: A Study In Abstract Art," The AMFITEATRU ECONOMIC journal, Academy of Economic Studies - Bucharest, Romania, vol. 10(24), pages 257-272, June.
  31. Patrick Georges & Aylin Seçkin, 2012. "Auction Prices of Classical Music Manuscripts – A Hedonic Approach," Working Papers 1202E, University of Ottawa, Department of Economics.
  32. Edoardo Gaffeo & Antonello E. Scorcu & Laura Vici, 2008. "Demand Distribution Dynamics in Creative Industries: the Market for Books in Italy," Working Paper Series 09-08, The Rimini Centre for Economic Analysis, revised Jan 2008.
  33. A.L. Keith Acheson, 2010. "Globalization," Carleton Economic Papers 10-01, Carleton University, Department of Economics.
    • Keith Acheson, 2011. "Globalization," Chapters, in: A Handbook of Cultural Economics, Second Edition, chapter 31 Edward Elgar.
    • Keith Acheson, 2003. "Globalization," Chapters, in: A Handbook of Cultural Economics, chapter 31 Edward Elgar.
  34. Segre Giovanna & Russo Antonio Paolo, 2005. "Collective property rights for glass manufacturing in Murano: Where culture makes or breaks local economic development," EBLA Working Papers 200505, University of Turin.
  35. Bruno S. Frey & Lasse Steiner, 2010. "World Heritage List: Does it Make Sense?," CESifo Working Paper Series 3078, CESifo Group Munich.
  36. Hans Jarle Kind & Tore Nilssen & Lars Sørgard, 2010. "Price Coordination in Two-Sided Markets: Competition in the TV Industry," CESifo Working Paper Series 3004, CESifo Group Munich.
  37. Jun-ichi Itaya & Heinrich Ursprung, 2008. "Price and Death," CESifo Working Paper Series 2213, CESifo Group Munich.
  38. Bruno S. Frey & Paolo Pamini & Lasse Steiner, 2011. "What Determines The World Heritage List? An Econometric Analysis," CREMA Working Paper Series 2011-01, Center for Research in Economics, Management and the Arts (CREMA).
  39. Bruno S. Frey & Paolo Pamini, 2009. "Making world heritage truly global: the culture certificate scheme," IEW - Working Papers 419, Institute for Empirical Research in Economics - University of Zurich.
  40. Fabien Bocart & Kim Oosterlinck, 2011. "Discoveries of Fakes: their Impact on the Art Market," ULB Institutional Repository 2013/142704, ULB -- Universite Libre de Bruxelles.
  41. Melissa Boyle & Debra O'Connor & Stacy Nazzaro, 2008. "Moral Rights Protection for the Visual Arts," Working Papers 0809, College of the Holy Cross, Department of Economics.
  42. Caballer Mellado, V. & De La Poza, E., 2010. "La Numismática como objeto de inversión y valoración/Numismatics as an object of investment and valuation," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 28, pages 475 (22 pág, Agosto.
  43. Sibelle Diniz & Ana Machado, 2011. "Analysis of the consumption of artistic-cultural goods and services in Brazil," Journal of Cultural Economics, Springer, vol. 35(1), pages 1-18, February.
  44. Olimid, Anca Parmena, 2010. "Religious affiliation and economic development: a recent literature review," MPRA Paper 21101, University Library of Munich, Germany.
  45. Torrisi, Gianpiero & Pike, Andy & Tomaney, John & Tselios, Vassilis, 2011. "(Re-)exploring the link between devolution and regional disparities in Italy," MPRA Paper 32212, University Library of Munich, Germany.
  46. LI, Ming & MYLOVANOV, Tymofiy, 2010. "Credibility for Sale - The Effect of Disclosure on Information Acquisition and Transmission," Cahiers de recherche 08-2010, Centre interuniversitaire de recherche en économie quantitative, CIREQ.
  47. Villarroya, Anna & Escardíbul, Josep-Oriol, 2010. "La demanda de libros y publicaciones periódicas en España/The Demand for Books and Periodicals in Spain," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 28, pages 195 (22 pág, Abril.
  48. Olivier Gergaud & Vincenzo Verardi, 2006. "Untalented but successful," Cahiers de la Maison des Sciences Economiques bla06017, Université Panthéon-Sorbonne (Paris 1).
  49. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.
  50. Elena MARINOVA & Anca BORZA, 2013. "The Creative Industries and New Trends in the Economic World," Economia. Seria Management, Faculty of Management, Academy of Economic Studies, Bucharest, Romania, vol. 16(2), pages 327-332, December.
  51. Trine Bille, 2004. "Ruth Towse (ed.): 2003, A Handbook of Cultural Economics," Journal of Cultural Economics, Springer, vol. 28(3), pages 231-234, August.
  52. Juan Jiménez & Javier Campos, 2010. "Modelling Competition in the Textbook Market: Some Lessons still to Learn," Journal of Industry, Competition and Trade, Springer, vol. 10(1), pages 71-85, March.
  53. Tanja Greiner & Marco Sahm, 2011. "How Effective are Advertising Bans? On the Demand for Quality in Two-Sided Media Markets," CESifo Working Paper Series 3524, CESifo Group Munich.
  54. FranÇoise Benhamou, 2004. "Comment," Journal of Cultural Economics, Springer, vol. 28(4), pages 263-266, November.
  55. A. E. Scorcu & R. Zanola, 2011. "Survival in the Cultural Market: The Case of Temporary Exhibitions," Working Paper Series 36_11, The Rimini Centre for Economic Analysis.
  56. Dimson, Elroy & Spaenjers, Christophe, 2011. "Ex post: The investment performance of collectible stamps," Journal of Financial Economics, Elsevier, vol. 100(2), pages 443-458, May.
  57. Dorota Witkowska, 2014. "An Application of Hedonic Regression to Evaluate Prices of Polish Paintings," International Advances in Economic Research, International Atlantic Economic Society, vol. 20(3), pages 281-293, August.
  58. Popovic, Milenko, 2009. "Dynamic Models of Arts Labor Supply," MPRA Paper 19397, University Library of Munich, Germany.
  59. Aleksandra Wiśniewska & Mikołaj Czajkowski, 2015. "Utilizing the Discrete Choice Experiment Approach for Designing a Socially Efficient Cultural Policy: The case of municipal theaters in Warsaw," Working Papers 2015-36, Faculty of Economic Sciences, University of Warsaw.
  60. Katherine Kiel & Katherine Tedesco, 2011. "Stealing History: How does Provenance Affect the Price of Antiquities?," Working Papers 1105, College of the Holy Cross, Department of Economics.
  61. Joonwoo Nahm, 2010. "Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect," Journal of Cultural Economics, Springer, vol. 34(4), pages 281-297, November.
  62. Pérona, Mathieu & Pouyet, Jérôme, 2010. "Le prix unique du livre à l'heure numérique," Opuscules du CEPREMAP, CEPREMAP, number 19, May.
  63. Spierdijk, Laura & Voorneveld, Mark, 2007. "Superstars without talent? The Yule distribution controversy," SSE/EFI Working Paper Series in Economics and Finance 658, Stockholm School of Economics, revised 09 May 2007.
  64. Monic Sun & Feng Zhu, 2011. "Ad Revenue and Content Commercialization: Evidence from Blogs," Working Papers 11-32, NET Institute.
  65. Fernández Blanco, Víctor & Prieto Rodríguez,Juan, 2009. "Análisis de los hábitos de lectura como una decisión económica/," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 113-138, Abril.
  66. Erik E. Lehmann & Günther G. Schulze, 2007. "What does it take to be a star? The role of performance and the media for German soccer players," Discussion Paper Series 1, Department of International Economic Policy, University of Freiburg, revised Mar 2008.
  67. Francisco Martínez-Sánchez & Miguel González-Maestre, 2012. "Quality choice and advertising regulation in broadcasting markets," Working Papers. Serie AD 2012-03, Instituto Valenciano de Investigaciones Económicas, S.A. (Ivie).
  68. Patrick Georges & Aylin Seçkin, 2013. "Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts," Journal of Cultural Economics, Springer, vol. 37(1), pages 33-60, February.
  69. Bronwyn Coate & Tim R.L. Fry, 2012. "Better off Dead? Prices Realised for Australian Paintings Sold at Auction," ACEI Working Paper Series AWP-02-2012, Association for Cultural Economics International, revised Feb 2012.
  70. Renneboog, L.D.R. & Spaenjers, C., 2009. "The Iconic Boom in Modern Russian Art," Discussion Paper 2009-70, Tilburg University, Center for Economic Research.
  71. Simon P. Anderson & John McLaren, 2012. "Media Mergers And Media Bias With Rational Consumers," Journal of the European Economic Association, European Economic Association, vol. 10(4), pages 831-859, 08.
  72. Michael Hutter & Christian Knebel & Gunnar Pietzner & Maren Schäfer, 2007. "Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets," Journal of Cultural Economics, Springer, vol. 31(4), pages 247-261, December.
  73. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
  74. Brekke, Kjellr Arne & Nilsen , Tore, 2011. "The Market for Fake Observations," Memorandum 25/2011, Oslo University, Department of Economics.
  75. Lunn, Pete & Kelly, Elish, 2009. "Accounting for Taste: An Examination of Socioeconomic Gradients in Attendance at Arts Events," Papers WP283, Economic and Social Research Institute (ESRI).
  76. Stoneman, Paul, 2011. "Soft Innovation: Economics, Product Aesthetics, and the Creative Industries," OUP Catalogue, Oxford University Press, number 9780199697021, July.
  77. Federico Etro & Elena Stepanova, 2013. "The Market for Paintings in the Netherlands during the Seventeenth Century," Working Papers 2013:16, Department of Economics, University of Venice "Ca' Foscari".
  78. Christiane Hellmanzik, 2009. "Artistic styles: revisiting the analysis of modern artists’ careers," Journal of Cultural Economics, Springer, vol. 33(3), pages 201-232, August.
  79. Guido Candela & Massimiliano Castellani & Pierpaolo Pattitoni, 2011. "Tribal Art Market. Signs and Signals," Working Paper Series 02_11, The Rimini Centre for Economic Analysis, revised Feb 2012.
  80. Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
  81. Taisuke Matsubae & Noriaki Matsushima, 2012. "Does Self-regulation of Advertisement Length Improve Consumer Welfare?," ISER Discussion Paper 0829, Institute of Social and Economic Research, Osaka University.
  82. J. Schuster, 2006. "Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding," Journal of Cultural Economics, Springer, vol. 30(4), pages 311-316, December.
  83. Kim Oosterlinck, 2009. "The Price of Degenerate Art," Working Papers CEB 09-031.RS, ULB -- Universite Libre de Bruxelles.
  84. David Throsby, 2006. "An Artistic Production Function: Theory and an Application to Australian Visual Artists," Journal of Cultural Economics, Springer, vol. 30(1), pages 1-14, March.
  85. Friel Martha & Santagata Walter, 2007. "Make Material Cultural Heritage Work," EBLA Working Papers 200710, University of Turin.
  86. Ghafele Roya & Santagata Walter, 2006. "Cultural Tourism and Collective Trademarks: The Case of Byblos and Saida, Lebanon," EBLA Working Papers 200601, University of Turin.
  87. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer, vol. 31(2), pages 85-107, June.
  88. Spaenjers, C., 2011. "Essays in alternative investments," Other publications TiSEM 8c51041f-6a63-451f-b7f4-8, Tilburg University, School of Economics and Management.
  89. Ghafele, Roya & Gibert, Benjamin, 2012. "A New Institutional Economics Perspective on Trademarks. Rebuilding Post Conflict Zones in Sierra Leone and Croatia," MPRA Paper 37859, University Library of Munich, Germany.
  90. Bacache-Beauvallet, Maya & Bourreau, Marc & Moreau, François, 2011. "Portrait des musiciens à l'heure du numérique," Opuscules du CEPREMAP, CEPREMAP, number 22, May.
  91. Finocchiaro Castro, Massimo & Guccio, Calogero & Rizzo, Ilde, 2009. "Determinants of Heritage Authorities’ Performance: An exploratory study with DEA bootstrapping approach," MPRA Paper 15984, University Library of Munich, Germany.
  92. JG. Brida & M. Pulina & E. Riaño, 2010. "Visitors’ experience in a modern art museum: a structural equation model," Working Paper CRENoS 201026, Centre for North South Economic Research, University of Cagliari and Sassari, Sardinia.
  93. Julianne Treme, 2010. "Effects of Celebrity Media Exposure on Box-Office Performance," Journal of Media Economics, Taylor & Francis Journals, vol. 23(1), pages 5-16.
  94. Barile, Sergio & Montella, Massimo & Saviano, Marialuisa, 2012. "A service-based systems view of cultural heritage," jbm - Journal of Business Market Management, Free University Berlin, Marketing Department, vol. 5(2), pages 106-136.
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