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Bruce Alan Seaman

Personal Details

First Name:Bruce
Middle Name:Alan
Last Name:Seaman
Suffix:
RePEc Short-ID:pse472
http://www.gsu.edu/~ecobas/ecobas.html
Department of Economics P.O. Box 3992 Atlanta, GA 30302-3992
404-413-0157

Affiliation

Department of Economics
Andrew Young School of Policy Studies
Georgia State University

Atlanta, Georgia (United States)
http://aysps.gsu.edu/econ

: (404) 651-3990
(404) 651-3996
(404) 651-3990
RePEc:edi:degsuus (more details at EDIRC)

Research output

as
Jump to: Working papers Articles Chapters Books

Working papers

  1. Seaman, Bruce A. & Moore, Robert E., 2003. "International trade and economic development: Can foreign direct investment be predicted?," MPRA Paper 10510, University Library of Munich, Germany.

Articles

  1. Seaman Bruce A. & Wilsker Amanda L. & Young Dennis R., 2014. "Measuring Concentration and Competition in the U.S. Nonprofit Sector: Implications for Research and Public Policy," Nonprofit Policy Forum, De Gruyter, vol. 5(2), pages 1-29, October.
  2. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.
  3. Bruce Seaman, 2008. "Dick Netzer (1929–2008)," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(3), pages 227-229, September.
  4. Bruce Seaman, 2008. "Greg Richards (ed): Cultural Tourism: Global and Local Perspectives," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(3), pages 231-236, September.
  5. Gregory B. Lewis & Bruce A. Seaman, 2004. "Sexual Orientation and Demand for the Arts," Social Science Quarterly, Southwestern Social Science Association, vol. 85(3), pages 523-538.
  6. Bruce Seaman, 2004. "Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(3), pages 167-193, August.
  7. Bruce Seaman, 2003. "Cultural and Sport Economics: Conceptual Twins?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 27(2), pages 81-126, May.
  8. Bruce Seaman, 2002. "Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(2), pages 157-160, May.
  9. Martinez-Vazquez, Jorge & Seaman, Bruce A., 1997. "Criminal behavior in general equilibrium: Who benefits from crime?," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 26(3), pages 303-324.
  10. Seaman, Bruce A, 1981. "Economic Theory and the Positive Economics of Arts Financing," American Economic Review, American Economic Association, vol. 71(2), pages 335-340, May.
  11. Seaman, Bruce A., 1979. "Local subsidization of culture: A public choice model based on household utility maximization," Journal of Behavioral Economics, Elsevier, vol. 8(1), pages 93-131.
  12. Seaman, Bruce A., 1979. "Further comments on local subsidization of culture," Journal of Behavioral Economics, Elsevier, vol. 8(1), pages 139-147.

Chapters

  1. Bruce A. Seaman, 2013. "The role of the private sector in cultural heritage," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 5, pages i-i Edward Elgar Publishing.
  2. Bruce A. Seaman, 2010. "Pricing Strategies," Chapters,in: Handbook of Research on Nonprofit Economics and Management, chapter 10 Edward Elgar Publishing.
  3. Seaman, Bruce A, 2006. "Empirical Studies of Demand for the Performing Arts," Handbook of the Economics of Art and Culture, Elsevier.
  4. Bruce A. Seaman & W. Bartley Hildreth, 2003. "Deregulation of utilities: A challenge and an opportunity for state and local tax policy," Chapters,in: State and Local Finances under Pressure, chapter 8 Edward Elgar Publishing.
  5. Bruce A. Seaman, 2003. "Economics impact of the arts," Chapters,in: A Handbook of Cultural Economics, chapter 27 Edward Elgar Publishing.

Books

  1. Bruce A. Seaman & Dennis R. Young (ed.), 2010. "Handbook of Research on Nonprofit Economics and Management," Books, Edward Elgar Publishing, number 12757.

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Working papers

    Sorry, no citations of working papers recorded.

Articles

  1. Seaman Bruce A. & Wilsker Amanda L. & Young Dennis R., 2014. "Measuring Concentration and Competition in the U.S. Nonprofit Sector: Implications for Research and Public Policy," Nonprofit Policy Forum, De Gruyter, vol. 5(2), pages 1-29, October.

    Cited by:

    1. Krasteva, Silvana & Yildirim, Huseyin, 2016. "Information, competition, and the quality of charities," Journal of Public Economics, Elsevier, vol. 144(C), pages 64-77.
    2. Beaton Erynn & Hwang Hyunseok, 2017. "Increasing the Size of the Pie: The Impact of Crowding on Nonprofit Sector Resources," Nonprofit Policy Forum, De Gruyter, vol. 8(3), pages 211-235, September.

  2. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.

    Cited by:

    1. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.

  3. Gregory B. Lewis & Bruce A. Seaman, 2004. "Sexual Orientation and Demand for the Arts," Social Science Quarterly, Southwestern Social Science Association, vol. 85(3), pages 523-538.

    Cited by:

    1. Kirstin Hallmann & Cristina Muñiz Artime & Christoph Breuer & Sören Dallmeyer & Magnus Metz, 2017. "Leisure participation: modelling the decision to engage in sports and culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 467-487, November.
    2. Flores-Zamora, Javier & García-Madariaga, Jesús, 2017. "Does opinion leadership influence service evaluation and loyalty intentions? Evidence from an arts services provider," Journal of Retailing and Consumer Services, Elsevier, vol. 39(C), pages 114-122.
    3. Sarah S. Montgomery & Michael D. Robinson, 2010. "Empirical Evidence of the Effects of Marriage on Male and Female Attendance at Sports and Arts," Social Science Quarterly, Southwestern Social Science Association, vol. 91(1), pages 99-116.
    4. Victor Fernández-Blanco & Juan Prieto-Rodríguez, 2011. "Museums," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 40 Edward Elgar Publishing.
    5. Victor Fernandez-Blanco & Maria Jose Perez-Villadoniga & Juan Prieto-Rodriguez, 2016. "Looking into the Profile of Music Audiences," ACEI Working Paper Series AWP-08-2016, Association for Cultural Economics International, revised Jul 2016.
    6. Fu, Shihe, 2008. "Sexual orientation and neighborhood quality: Do same-sex couples make better communities?," MPRA Paper 7678, University Library of Munich, Germany.
    7. Elisabetta Lazzaro & Carlofilippo Frateschi, 2008. "Attendance to cultural events and spousal influences: the Italian case," "Marco Fanno" Working Papers 0084, Dipartimento di Scienze Economiche "Marco Fanno".
    8. Caterina Adelaide Mauri & Alexander Wolf, 2016. "Household Decisions on Arts Consumption: How Men Can Avoid the Ballet," Working Papers ECARES ECARES 2016-36, ULB -- Universite Libre de Bruxelles.

  4. Bruce Seaman, 2004. "Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(3), pages 167-193, August.

    Cited by:

    1. Yvan Renou & Damien Rousselière, 2006. "L'organisation réticulaire dans le capitalisme de l'innovation intensive à la lumière des pratiques de gestion au sein de l'industrie culturelle : vers un paradigme "créatif" et "cognit," Post-Print halshs-00103870, HAL.
    2. Traub, Stefan, 2005. "Quality Investment and Price Formation in the Performing Arts Sector: A Spatial Analysis," Economics Working Papers 2005-16, Christian-Albrechts-University of Kiel, Department of Economics.
    3. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.

  5. Bruce Seaman, 2003. "Cultural and Sport Economics: Conceptual Twins?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 27(2), pages 81-126, May.

    Cited by:

    1. Karol J. Borowiecki & Catarina Marvao, 2015. "Dance Participation and Attendance in Denmark," ACEI Working Paper Series AWP-01-2015, Association for Cultural Economics International, revised Apr 2015.
    2. Benno Torgler & Sascha Schmidt, 2007. "What shapes player performance in soccer? Empirical findings from a panel analysis," Applied Economics, Taylor & Francis Journals, vol. 39(18), pages 2355-2369.
    3. Chong Choi & Ron Berger, 2009. "Ethics of Global Internet, Community and Fame Addiction," Journal of Business Ethics, Springer, vol. 85(2), pages 193-200, March.
    4. Egon Franck & Stephan Nüesch, 2005. "Talent, Past Consumption and/or Popularity - Are German Soccer Celebrities Rosen or Adler Stars?," Working Papers 0005, University of Zurich, Center for Research in Sports Administration (CRSA), revised 2006.
    5. Chong Choi & Ron Berger, 2010. "Ethics of Celebrities and Their Increasing Influence in 21st Century Society," Journal of Business Ethics, Springer, vol. 91(3), pages 313-318, February.
    6. Sarah S. Montgomery & Michael D. Robinson, 2013. "Women’s attendance at sports events," Chapters,in: Handbook on the Economics of Women in Sports, chapter 1, pages 21-39 Edward Elgar Publishing.
    7. Erik E. Lehmann & Günther G. Schulze, 2007. "What does it take to be a star? The role of performance and the media for German soccer players," Discussion Paper Series 1, Department of International Economic Policy, University of Freiburg, revised Mar 2008.

  6. Seaman, Bruce A, 1981. "Economic Theory and the Positive Economics of Arts Financing," American Economic Review, American Economic Association, vol. 71(2), pages 335-340, May.

    Cited by:

    1. Michael Getzner, 2002. "Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(4), pages 287-306, November.
    2. Günther Schulze & Anselm Rose, 1998. "Public Orchestra Funding in Germany – An Empirical Investigation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 227-247, December.
    3. Christian Jaramillo, 2009. "Research and Development in Culture: A Case for Cross Subsidies in the Arts," DOCUMENTOS CEDE 005346, UNIVERSIDAD DE LOS ANDES-CEDE.
    4. Michael Getzner, 2004. "Exploring Voter Preferences in Cultural Policy: A Case Study for Austria," Empirica, Springer;Austrian Institute for Economic Research;Austrian Economic Association, vol. 31(1), pages 27-42, March.

  7. Seaman, Bruce A., 1979. "Local subsidization of culture: A public choice model based on household utility maximization," Journal of Behavioral Economics, Elsevier, vol. 8(1), pages 93-131.

    Cited by:

    1. Thiess Büttner & Eckhard Janeba, 2013. "City Competition for the Creative Class," CESifo Working Paper Series 4417, CESifo Group Munich.
    2. Seaman, Bruce A., 2009. "Cultural Economics: The State of the Art and Perspectives/Economía de la cultura: estado del arte y perspectivas," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 7-32, Abril.

Chapters

  1. Bruce A. Seaman, 2010. "Pricing Strategies," Chapters,in: Handbook of Research on Nonprofit Economics and Management, chapter 10 Edward Elgar Publishing.

    Cited by:

    1. Bruce Seaman, 2017. "¿Qué está en juego al optar entre distintas formas de apoyo para el sector cultural?," Estudios Públicos, Centro de Estudios Públicos, vol. 0(146), pages 121-162.

  2. Seaman, Bruce A, 2006. "Empirical Studies of Demand for the Performing Arts," Handbook of the Economics of Art and Culture, Elsevier.

    Cited by:

    1. Cabane, Charlotte & Hille, Adrian & Lechner, Michael, 2015. "Mozart or Pelé? The Effects of Teenagers' Participation in Music and Sports," IZA Discussion Papers 8987, Institute for the Study of Labor (IZA).
    2. Karol J. Borowiecki & Trilce Navarrete, 2015. "Fiscal and Economic Aspects of Book Consumption in the European Union," ACEI Working Paper Series AWP-02-2015, Association for Cultural Economics International, revised Apr 2015.
    3. Kinjo Keita & Sugawara Shinya, 2016. "Predicting Empirical Patterns in Viewing Japanese TV Dramas Using Case-Based Decision Theory," The B.E. Journal of Theoretical Economics, De Gruyter, vol. 16(2), pages 679-709, June.
    4. Eva Vicente & Pablo de Frutos, 2011. "Application of the travel cost method to estimate the economic value of cultural goods: Blockbuster art exhibitions," Hacienda Pública Española, IEF, vol. 196(1), pages 37-63, january.
    5. Calogero Guccio & Domenico Lisi & Anna Mignosa & Ilde Rizzo, 2017. "Has cultural heritage monetary value an impact on visits? An assessment using Italian official data," ACEI Working Paper Series AWP-02-2017, Association for Cultural Economics International, revised Feb 2017.
    6. Baldin, Andrea, 2017. "A DEA approach for selecting a bundle of tickets for performing arts events," Journal of Retailing and Consumer Services, Elsevier, vol. 39(C), pages 190-200.
    7. Rubinstein, A., 2012. "Trends and Regularities of Consumption in the Performing Arts," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 158-164.
    8. Victor Fernandez-Blanco & Maria Jose Perez-Villadoniga & Juan Prieto-Rodriguez, 2016. "Looking into the Profile of Music Audiences," ACEI Working Paper Series AWP-08-2016, Association for Cultural Economics International, revised Jul 2016.
    9. Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
    10. Victor Fernandez-Blanco & Juan Prieto-Rodriguez & Javier Suarez-Pandiello, 2015. "A quantitative analysis of reading habits," ACEI Working Paper Series AWP-05-2015, Association for Cultural Economics International, revised May 2015.
    11. Lunn, Pete & Kelly, Elish, 2009. "Accounting for Taste: An Examination of Socioeconomic Gradients in Attendance at Arts Events," Papers WP283, Economic and Social Research Institute (ESRI).
    12. Borowiecki, Karol Jan & Castiglione, Concetta, 2012. "Cultural participation and tourism flows: An empirical investigation of Italian provinces," Discussion Papers of Business and Economics 21/2012, University of Southern Denmark, Department of Business and Economics.
    13. Karol Borowiecki & Juan Prieto-Rodriguez, 2015. "Video games playing: A substitute for cultural consumptions?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(3), pages 239-258, August.
    14. Stefan, Mann, 2012. "Does brain research provide a case for the transfer of public monies to the arts?," MPRA Paper 39410, University Library of Munich, Germany.
    15. Maria Masood, 2015. "New Evidence on Development and the Diversity of Cultural Imports," Research Papers by the Institute of Economics and Econometrics, Geneva School of Economics and Management, University of Geneva 15012, Institut d'Economie et Econométrie, Université de Genève.
    16. Keita Kinjo & Shinya Sugawara, 2014. "An Empirical Analysis for a Case-based Decision to Watch Japanese TV dramas," CIRJE F-Series CIRJE-F-940, CIRJE, Faculty of Economics, University of Tokyo.
    17. Avtonomov, Yu., 2012. "Elasticity of Demand for Performing Art at Price and Income: Basic Results of Empiric Research," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 135-138.
    18. Karol J. Borowiecki & Hasan Bakhshi, 2017. "Video Games is Cultural Participation: Understanding Games Playing In England Using The Taking Part Survey," ACEI Working Paper Series AWP-05-2017, Association for Cultural Economics International, revised Mar 2017.
    19. NANDI, Tushar K. & ROCHELANDET, Fabrice, 2008. "The Incentives for Contributing Digital Contents Over P2P Networks: An Empirical Investigation," MPRA Paper 51301, University Library of Munich, Germany.
    20. Luisa Fernanda Bernat & Jhon James Mora & Blanca Zuluaga, 2012. "La elasticidad ingreso del consumo cultural en Cali," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 14(27), pages 165-192, July-Dece.
    21. Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto, 2016. "Multiobjective optimization model for pricing and seat allocation problem in non profit performing arts organization," Working Papers 20, Department of Management, Università Ca' Foscari Venezia.
    22. Zieba Marta & O’Hagan John, 2013. "Demand for Live Orchestral Music – The Case of German Kulturorchester," Journal of Economics and Statistics (Jahrbuecher fuer Nationaloekonomie und Statistik), De Gruyter, vol. 233(2), pages 225-245, April.
    23. Karol Jan BOROWIECKi & Concetta CASTIGLIONE, 2012. "Cultural Participation and Tourism Flows in Italy," Trinity Economics Papers tep0212, Trinity College Dublin, Department of Economics.
    24. Marta Zieba, 2009. "Full-income and price elasticities of demand for German public theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(2), pages 85-108, May.
    25. Juan Montoro-Pons & Manuel Cuadrado-García, 2011. "Live and prerecorded popular music consumption," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 19-48, February.
    26. Caterina Adelaide Mauri & Alexander Wolf, 2016. "Household Decisions on Arts Consumption: How Men Can Avoid the Ballet," Working Papers ECARES ECARES 2016-36, ULB -- Universite Libre de Bruxelles.
    27. Amir B. Ferreira Neto & Adam Nowak & Amanda Ross, 2017. "Do tourists tip more than local consumers? Evidence of taxi rides in New York City," Working Papers 17-14, Department of Economics, West Virginia University.
    28. Schlosser, Rainer, 2017. "Stochastic dynamic pricing and advertising in isoelastic oligopoly models," European Journal of Operational Research, Elsevier, vol. 259(3), pages 1144-1155.
    29. Evgeniy M. Ozhegov & Alina Ozhegova, 2017. "Regression Tree Model for Analysis of Demand with Heterogeneity and Censorship," HSE Working papers WP BRP 174/EC/2017, National Research University Higher School of Economics.
    30. Fabrice Rochelandet & Mohamed El Hédi Arouri & Fabrice Le Guel, 2010. "L'entrelacement des pratiques culturelles et de l'usage des TIC : une analyse économique," Economie & Prévision, La Documentation Française, vol. 0(3), pages 33-55.

  3. Bruce A. Seaman, 2003. "Economics impact of the arts," Chapters,in: A Handbook of Cultural Economics, chapter 27 Edward Elgar Publishing.

    Cited by:

    1. Jen D. Snowball, 2013. "The economic, social and cultural impact of cultural heritage: methods and examples," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 22, pages i-i Edward Elgar Publishing.
    2. Andrej Srakar & Marilena Vecco, 2017. "Ex-ante versus ex-post: comparison of the effects of the European Capital of Culture Maribor 2012 on tourism and employment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(2), pages 197-214, May.
    3. Douglas S. Noonan & Ilde Rizzo, 2017. "Economics of cultural tourism: issues and perspectives," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(2), pages 95-107, May.
    4. Victor Ginsburgh, 2001. "Economics of arts and culture," ULB Institutional Repository 2013/1869, ULB -- Universite Libre de Bruxelles.
    5. Martí Selva, Mª Luisa & Puertas Medina, Rosa, 2012. "Impacto económico de la celebración de un evento deportivo: Campeonato del Mundo de MotoGP en Valencia/Economic Impact of a Sporting Event: MotoGP World Champonship in Valencia," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 30, pages 683-702, Agosto.
    6. Tyler Cowen, 2007. "When should regions bid for artistic resources?," The Review of Austrian Economics, Springer;Society for the Development of Austrian Economics, vol. 20(1), pages 1-10, March.
    7. Sarah Skinner, 2006. "Estimating the real growth effects of blockbuster art exhibits: A time series approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(2), pages 109-125, September.
    8. Jeff Dayton-Johnson & Emily King, 2003. "Subsidising Stan - Measuring the social benefits of cultural spending," Department of Economics at Dalhousie University working papers archive wpstan, Dalhousie, Department of Economics.
    9. Mazzanti, Massimiliano, 2002. "Cultural heritage as multi-dimensional, multi-value and multi-attribute economic good: toward a new framework for economic analysis and valuation," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 31(5), pages 529-558.
    10. Domenico Depalo & Silvia Fedeli, 2011. "Heterogeneity in the Cultural Expenditures of Municipalities Evidence from Italian Data (1998-2006)," Working Papers 139, University of Rome La Sapienza, Department of Public Economics.
    11. Stanley McMillen & Kathryn Parr & Xiumei Song, 2005. "The Economic Impact of the Sterling and Francine Clark Art Institute," CCEA Studies 2005-03, University of Connecticut, Connecticut Center for Economic Analysis.
    12. Maria Llop & Josep-Maria Arauzo-Carod, 2012. "Economic impact of a new museum on the local economy: “the Gaudí Centre”," Letters in Spatial and Resource Sciences, Springer, vol. 5(1), pages 17-23, March.
    13. Murat Arik & Hulya Varol & Stan McMillen, 2000. "The Economic Impact of the New Britain Museum of American Art Expansion," CCEA Studies 2000-05, University of Connecticut, Connecticut Center for Economic Analysis.
    14. Andrej Srakar & Marilena Vecco & Ákos Tóth, 2017. "The Tale of the Cuts and Raises: Public Budgets for Culture in the European Countries During the Financial Crisis," Hacienda Pública Española, IEF, vol. 221(2), pages 83-109, June.

Books

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