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Citations for "Bose-Einstein Dynamics and Adaptive Contracting in the Motion Picture Industry"

by De Vany, Arthur & Walls, W David

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Cited by (explanations, Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.):
  1. Alexis Dantec & Florence Levy, 2005. "Stars et box office : un état des approches théoriques et empiriques," Documents de Travail de l'OFCE 2005-13, Observatoire Francais des Conjonctures Economiques (OFCE). [Downloadable!]
  2. Darlene C. Chisholm & George Norman, 2006. "When to Exit a Product: Evidence from the U. S. Motion-Picture Exhibition Market," American Economic Review, American Economic Association, vol. 96(2), pages 57-61, May. [Downloadable!]
  3. Jason Potts & Stuart Cunningham & John Hartley & Paul Ormerod, 2008. "Social network markets: a new definition of the creative industries," Journal of Cultural Economics, Springer, vol. 32(3), pages 167-185, September. [Downloadable!] (restricted)
  4. Melissa Boyle & Lesley Chiou, 2009. "Broadway productions and the value of a Tony Award," Journal of Cultural Economics, Springer, vol. 33(1), pages 49-68, February. [Downloadable!] (restricted)
  5. Randall Morck, 2008. "Behavioral finance in corporate governance: economics and ethics of the devil’s advocate," Journal of Management and Governance, Springer, vol. 12(2), pages 179-200, May. [Downloadable!] (restricted)
  6. Caroline Elliott & Rob Simmons, 2008. "Determinants of UK Box Office Success: The Impact of Quality Signals," Review of Industrial Organization, Springer, vol. 33(2), pages 93-111, September. [Downloadable!] (restricted)
    Other versions:
  7. Darren Filson, 2003. "Dynamic Common Agency, Vertical Integration, and Investment: The Economics of Movie Distribution," Claremont Colleges Working Papers 2003-07, Claremont Colleges. [Downloadable!]
  8. W David Walls, 2004. "Modeling movie success when "nobody knows anything": Conditional stable distribution analysis of film returns," Econometric Society 2004 Far Eastern Meetings 409, Econometric Society. [Downloadable!]
    Other versions:
  9. Michael Pokorny & John Sedgwick, 2001. "Stardom and the Profitability of Film Making: Warner Bros. in the 1930s," Journal of Cultural Economics, Springer, vol. 25(3), pages 157-184, August. [Downloadable!] (restricted)
  10. Randy Nelson & Clifford Reid & Owen Gilmore, 2007. "An Analysis of the Out-of-Market Gap for DVDs in the U.S," Review of Industrial Organization, Springer, vol. 30(4), pages 303-323, June. [Downloadable!] (restricted)
  11. Jonathan Beck, 2006. "The Sales Effect of Word of Mouth: A Model for Creative Goods and Estimates for Novels," CIG Working Papers SP II 2006-16, Wissenschaftszentrum Berlin (WZB), Research Unit: Competition and Innovation (CIG). [Downloadable!]
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  12. Edoardo Gaffeo & Antonello E. Scorci & Laura Vici, 2008. "Demand Distribution Dynamics in Creative Industries: the Market for Books in Italy," Department of Economics Working Papers 0804, Department of Economics, University of Trento, Italia. [Downloadable!]
  13. W. D. Walls, 2008. "Screen Wars, Star Wars, and Sequels: Nonparametric Reanalysis of Movie Profitability," Working Papers 2008-28, Department of Economics, University of Calgary, revised 24 Jan 2008. [Downloadable!]
  14. Darlene Chisholm, 2004. "Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts," Journal of Cultural Economics, Springer, vol. 28(1), pages 37-56, February. [Downloadable!] (restricted)
  15. Ricard Gil & Wesley Hartmann, 2007. "The Role and Determinants of Concession Sales in Movie Theaters: Evidence from the Spanish Exhibition Industry," Review of Industrial Organization, Springer, vol. 30(4), pages 325-347, June. [Downloadable!] (restricted)
  16. Steven Albert, 1998. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry," Journal of Cultural Economics, Springer, vol. 22(4), pages 249-270, December. [Downloadable!] (restricted)
  17. de Vany, Arthur & Kim, Cassey Lee Hong, 2003. "Stochastic Market Structure: Concentration Measures and Motion Picture Antitrust," Centre on Regulation and Competition (CRC) Working papers 30701, University of Manchester, Institute for Development Policy and Management (IDPM). [Downloadable!]
  18. Keith Acheson & Christopher J. Maule, 2000. "The Proprietary Rights Initiatives in Canadian Film Distribution Policy," Carleton Economic Papers 00-03, Carleton University, Department of Economics. [Downloadable!]
  19. Eva Deuchert & Kossi Adjamah & Florian Pauly, 2005. "For Oscar Glory Or Oscar Money?," Journal of Cultural Economics, Springer, vol. 29(3), pages 159-176, August. [Downloadable!] (restricted)
  20. Ch'ng, Kean Siang, 2007. "Evolutionary Concept, Genetic Algorithm and Exhibition Contract in Movie Industry," MPRA Paper 5387, University Library of Munich, Germany, revised 19 Oct 2007. [Downloadable!]
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  21. John Sedgwick & Michael Pokorny, 1999. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry," Journal of Cultural Economics, Springer, vol. 23(4), pages 319-323, November. [Downloadable!] (restricted)
  22. W. D. Walls, 2005. "Demand stochastics, supply adaptation, and the distribution of film earnings," Applied Economics Letters, Taylor and Francis Journals, vol. 12(10), pages 619-623, August. [Downloadable!] (restricted)
  23. Darren Filson & Fernando Fabre & Alfredo Nava & Paola Rodriguez, . "At the Movies: Avoiding Head-to-Head Competition on the Big Screen: The Economics of Movie Distribution," Claremont Colleges Working Papers 2000-32, Claremont Colleges. [Downloadable!]
  24. Ricard Gil, 2006. "Demand Shifts and Changes in Competition: Evidence from the Movie Theatre Industry," International Journal of the Economics of Business, Taylor and Francis Journals, vol. 13(3), pages 407-428, November. [Downloadable!] (restricted)
  25. Lesley Chiou, 2005. "The Timing of Movie Releases: Evidence from the Home Video Industry," Occidental Economics Working Papers 4, Occidental College, Department of Economics, revised Jul 2006. [Downloadable!]
  26. Alan Collins & Chris Hand & Martin C. Snell, 2002. "What makes a blockbuster? Economic analysis of film success in the United Kingdom," Managerial and Decision Economics, John Wiley & Sons, Ltd., vol. 23(6), pages 343-354. [Downloadable!]
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  27. Chris Hand, 2006. "History Matters: Modelling Path Dependence on a Spreadsheet," Computers in Higher Education Economics Review, Economics Network, University of Bristol, vol. 18(1), pages 19-24. [Downloadable!]
  28. Arthur De Vany & W. Walls, 1999. "Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?," Journal of Cultural Economics, Springer, vol. 23(4), pages 285-318, November. [Downloadable!] (restricted)
  29. Arthur Vany & W. Walls, 2007. "Estimating the Effects of Movie Piracy on Box-office Revenue," Review of Industrial Organization, Springer, vol. 30(4), pages 291-301, June. [Downloadable!] (restricted)
  30. W. Walls, 2003. "John Sedgwick: 2001, Popular Filmgoing in 1930s Britain: A Choice of Pleasures," Journal of Cultural Economics, Springer, vol. 27(3), pages 298-301, November. [Downloadable!] (restricted)
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