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Springer

Journal of Cultural Economics

Contact information of Springer:
Web page: http://www.springerlink.com/link.asp?id=100284

Editor:
Editor:
For technical questions regarding this series, please contact (Christopher F. Baum)
Series handle: repec:kap:jculte

More pages of listings: 0|1

2009, Volume 33, Issue 3

167-183 Investigating how the attributes of live theatre productions influence consumption choices using conjoint analysis: the example of the National Arts Festival, South Africa
by K. Willis & J. Snowball [Downloadable! (restricted)]
185-199 Economic valuation of a contemporary art museum: correction of hypothetical bias using a certainty question
by Ana Bedate & Luis Herrero & José Sanz [Downloadable! (restricted)]
201-232 Artistic styles: revisiting the analysis of modern artists’ careers
by Christiane Hellmanzik [Downloadable! (restricted)]
233-237 Don Thompson: The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
by Kathryn Graddy [Downloadable! (restricted)]

2009, Volume 33, Issue 2

85-108 Full-income and price elasticities of demand for German public theatre
by Marta Zieba [Downloadable! (restricted)]
109-134 Intellectual property rights and U.S. information goods exports: the role of imitation threat
by Yungho Weng & Chih-Hai Yang & Yi-Ju Huang [Downloadable! (restricted)]
135-149 Perpetual options: revisiting historical returns on paintings
by Carlos Ulibarri [Downloadable! (restricted)]
151-155 Edward M. Clift (ed): How Language is Used to do Business: Essays on the Rhetoric of Economics
by Cyril Mbatha [Downloadable! (restricted)]
157-160 Steven J. Tepper and Bill Ivey (eds), Engaging Art: The Next Great Transformation of American’s Cultural Life
by Thomas Smith [Downloadable! (restricted)]
161-165 Tania Voon, Cultural Products and the World Trade Organization
by J. Singh [Downloadable! (restricted)]

2009, Volume 33, Issue 1

1-17 How do class, status, ethnicity, and religiosity shape cultural omnivorousness in Israel?
by Tally Katz-Gerro & Sharon Raz & Meir Yaish [Downloadable! (restricted)]
19-47 An empirical analysis of political activity in Hollywood
by Todd Kendall [Downloadable! (restricted)]
49-68 Broadway productions and the value of a Tony Award
by Melissa Boyle & Lesley Chiou [Downloadable! (restricted)]
69-73 Diana Barrowclough and Zeljka Kozul-Wright (eds): Creative Industries and Developing Countries: Voice, Choice and Economic Growth
by Komlan Agbo [Downloadable! (restricted)]
75-77 Shepherd, Robert J., When Culture Goes to Market: Space, Place, and Identity in an Urban Marketplace
by James Carrier [Downloadable! (restricted)]
79-83 Xavier Greffe, Artistes et marchés
by Sophie Ragot [Downloadable! (restricted)]

2008, Volume 32, Issue 4

241-242 Editorial
by Sam Cameron & Michael Rushton [Downloadable! (restricted)]
243-259 Why has cultural economics ignored copyright?
by Ruth Towse [Downloadable! (restricted)]
261-273 Why everything has changed: the recent revolution in cultural economics
by Tyler Cowen [Downloadable! (restricted)]
275-279 Revisiting tax subsidies for cultural institutions
by Alan Feld [Downloadable! (restricted)]
281-291 Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves
by Michael O’Hare [Downloadable! (restricted)]
293-300 Who pays? Who benefits? Who decides?
by Michael Rushton [Downloadable! (restricted)]
301-320 Failure to meet the reserve price: the impact on returns to art
by Alan Beggs & Kathryn Graddy [Downloadable! (restricted)]
321-324 Michael Hutter and David Throsby (eds): Beyond Price. Value in Culture, Economics and the Arts
by Olav Velthuis [Downloadable! (restricted)]

2008, Volume 32, Issue 3

167-185 Social network markets: a new definition of the creative industries
by Jason Potts & Stuart Cunningham & John Hartley & Paul Ormerod [Downloadable! (restricted)]
187-199 Analyzing repeat consumption of identical cultural goods: some exploratory evidence from moviegoing
by Alan Collins & Chris Hand & Maggie Linnell [Downloadable! (restricted)]
201-214 Purchasing power parity and cultural convergence: evidence from the global video games market
by Joe Cox [Downloadable! (restricted)]
215-224 Perverse outcomes of intense competition in the popular arts and its implications for product quality
by Joshua Frank [Downloadable! (restricted)]
225-226 Jim Heilbrun (1925–2008)
by Charles Gray [Downloadable! (restricted)]
227-229 Dick Netzer (1929–2008)
by Bruce Seaman [Downloadable! (restricted)]
231-236 Greg Richards (ed): Cultural Tourism: Global and Local Perspectives
by Bruce Seaman [Downloadable! (restricted)]
237-240 Philip Cooke and Luciana Lazzeretti (eds): Creative Cities, Cultural Clusters and Local Economic Development
by Frank Oort [Downloadable! (restricted)]

2008, Volume 32, Issue 2

87-107 Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success
by Morris Holbrook & Michela Addis [Downloadable! (restricted)]
109-126 Can public arts education replace arts subsidization?
by Luc Champarnaud & Victor Ginsburgh & Philippe Michel [Downloadable! (restricted)]
127-151 Determining heterogeneous behavior for theater attendance
by Victoria Ateca-Amestoy [Downloadable! (restricted)]
153-154 J. Mark Schuster (1951–2008)
by Lluis Bonet [Downloadable! (restricted)]
155-157 Elizabeth Currid, The Warhol Economy, How Fashion Art & Music Drive New York City
by Simon Roodhouse [Downloadable! (restricted)]
159-162 Françoise Benhamou, Les dérèglements de l’exception culturelle
by Pierre-Jean Benghozi [Downloadable! (restricted)]
163-166 B. T. Hoffman (ed): Art and Cultural Heritage: Law, Policy and Practice
by Lawrence Rothfield [Downloadable! (restricted)]

2008, Volume 32, Issue 1

1-1 Editorial
by Michael Rushton [Downloadable! (restricted)]
3-34 Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology
by Chiara Verbano & Karen Venturini & Giorgio Petroni & Anna Nosella [Downloadable! (restricted)]
35-58 The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures
by Kristien Werck & Bruno Heyndels & Benny Geys [Downloadable! (restricted)]
59-77 Are workers in the cultural industries paid differently?
by Cecile Wetzels [Downloadable! (restricted)]
79-81 Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1
by Michael Rushton [Downloadable! (restricted)]
83-86 Eric L. Jones, Cultures Merging: A Historical and Economic Critique of Culture
by Arthur Webb [Downloadable! (restricted)]

2007, Volume 31, Issue 4

247-261 Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets
by Michael Hutter & Christian Knebel & Gunnar Pietzner & Maren Schäfer [Downloadable! (restricted)]
263-277 The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints
by James Pesando & Pauline Shum [Downloadable! (restricted)]
293-310 Fiscal pressures, institutional context, and constituents: a dynamic model of states’ arts agency appropriations
by Douglas Noonan [Downloadable! (restricted)]
311-335 Assessing cultural values: developing an attitudinal scale
by Andy Choi & Franco Papandrea & Jeff Bennett [Downloadable! (restricted)]
337-341 Fiona MacMillan and Kathy Bowery (eds), New Directions in Copyright Law: Volume 3
by Mary Riley [Downloadable! (restricted)]

2007, Volume 31, Issue 3

171-186 Does film criticism affect box office earnings? Evidence from movies released in the U.S. in 2003
by Timothy King [Downloadable! (restricted)]
187-204 Determinants of music copyright violations on the university campus
by Eric Chiang & Djeto Assane [Downloadable! (restricted)]
205-234 A discrete choice model of consumption of cultural goods: the case of music
by Donata Favaro & Carlofilippo Frateschi [Downloadable! (restricted)]
235-237 Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand. The New Economics of Culture and Commerce
by Chr. Hjorth-Andersen [Downloadable! (restricted)]
239-241 Fréderic Martel, De la Culture en Amérique
by Philippe Ravanas [Downloadable! (restricted)]
243-245 Philippe Agid and Jean Claude Tarondeau, L’Opéra de Paris: Gouverner une grande institution culturelle
by Philippe Ravanas [Downloadable! (restricted)]

2007, Volume 31, Issue 2

85-107 How should cultural diversity be measured? An application using the French publishing industry
by Françoise Benhamou & Stéphanie Peltier [Downloadable! (restricted)]
109-128 Geographic clustering of economic activity: The case of prominent western visual artists
by Elish Kelly & John O’Hagan [Downloadable! (restricted)]
129-142 Quality, service level, or empire: which is the objective of the nonprofit arts firm?
by Arthur Brooks & Jan Ondrich [Downloadable! (restricted)]
143-153 The effects of gallery and artist reputation on prices in the primary market for art: a note
by Susanne Schönfeld & Andreas Reinstaller [Downloadable! (restricted)]
155-158 Selection models in the music industry: Comment
by Thomas Smith [Downloadable! (restricted)]
159-162 Selection models in the music industry: reply
by Andrea Ordanini [Downloadable! (restricted)]
163-165 Simon Roodhouse, Cultural Quarters: Principles and Practice
by John O’Hagan [Downloadable! (restricted)]
167-169 Richard A. Lanham, The Economics of Attention: Style and Substance in the Age of Information
by T. Cowen [Downloadable! (restricted)]

2007, Volume 31, Issue 1

1-1 Editorial
by Michael Rushton [Downloadable! (restricted)]
5-23 The sales effect of word of mouth: a model for creative goods and estimates for novels
by Jonathan Beck [Downloadable! (restricted)]
25-41 Programmatic choices and the demand for theatre: the case of Flemish theatres
by Kristien Werck & Bruno Heyndels [Downloadable! (restricted)]
43-63 The impact of film reviews on the box office performance of art house versus mainstream motion pictures
by Gerda Gemser & Martine Oostrum & Mark Leenders [Downloadable! (restricted)]
65-78 eBay auctions for Third Eye Blind concert tickets
by Dennis Halcoussis & Timothy Mathews [Downloadable! (restricted)]
79-81 Tönu Puu: 2006, Arts, Sciences and Economics
by Harry Chartrand [Downloadable! (restricted)]
83-84 William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia
by Guldem Gokcek [Downloadable! (restricted)]

2006, Volume 30, Issue 4

243-261 The cultural entrepreneur and the creative industries: beginning in Vienna
by Richard Swedberg [Downloadable! (restricted)]
263-286 Cultural goods creation, cultural capital formation, provision of cultural services and cultural atmosphere accumulation
by Sao-Wen Cheng [Downloadable! (restricted)]
287-304 Combining the travel cost and contingent behavior methods to value cultural heritage sites: Evidence from Armenia
by Anna Alberini & Alberto Longo [Downloadable! (restricted)]
305-309 Willingness to pay: individual or household?
by Liam Delaney & Francis O’Toole [Downloadable! (restricted)]
311-316 Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding
by J. Schuster [Downloadable! (restricted)]
317-319 John Carey: What Good are the Arts?
by Michael Rushton [Downloadable! (restricted)]

2006, Volume 30, Issue 3

169-181 Optimal pricing and grant policies for museums
by Juan Prieto-Rodríguez & Víctor Fernández-Blanco [Downloadable! (restricted)]
183-200 Selection models in the music industry: How a prior independent experience may affect chart success
by Andrea Ordanini [Downloadable! (restricted)]
201-218 Distributors and film critics: does it take two to Tango?
by S. Ravid & John Wald & Suman Basuroy [Downloadable! (restricted)]
219-231 Demand for and productivity analysis of Turkish public theater
by Sacit Akdede & John King [Downloadable! (restricted)]
233-235 Cultural Diversity and International Economic Integration: The Global Governance of the Audio-Visual Sector
by Anna Herold [Downloadable! (restricted)]
237-238 Iain Robertson, Understanding International Art Markets and Management, Routledge, London and New York, 280 pp., 2005, ISBN 0:41533957X
by Silvia Bagdadli [Downloadable! (restricted)]
239-241 A Concise Handbook of Movie Industry Economics
by Chris Hand [Downloadable! (restricted)]

2006, Volume 30, Issue 2

91-107 Creativity and Life Cycles of Artists
by Victor Ginsburgh & Sheila Weyers [Downloadable! (restricted)]
109-125 Estimating the real growth effects of blockbuster art exhibits: A time series approach
by Sarah Skinner [Downloadable! (restricted)]
127-140 The welfare and equity implications of competition in television broadcasting: the role of viewer tastes
by Yong Liu & Daniel Putler & Charles Weinberg [Downloadable! (restricted)]
141-155 The Demand for Books Estimated by Means of Consumer Survey Data
by Vidar Ringstad & Knut Løyland [Downloadable! (restricted)]
157-160 Mapping State Cultural Policy: The State of Washington
by Margaret Wyszomirski [Downloadable! (restricted)]
161-163 The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value
by Nachoem Wijnberg [Downloadable! (restricted)]
165-168 Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art
by Calin Valsan [Downloadable! (restricted)]

2006, Volume 30, Issue 1

1-14 An Artistic Production Function: Theory and an Application to Australian Visual Artists
by David Throsby [Downloadable! (restricted)]
15-40 Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints
by Elisabetta Lazzaro [Downloadable! (restricted)]
41-72 The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums
by Silvia Fedeli & Michele Santoni [Downloadable! (restricted)]
73-84 A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art
by Andrew Worthington & Helen Higgs [Downloadable! (restricted)]
85-89 Institutional Economics and the Formation of Preferences. The Advent of Pop Music
by Simon Frith [Downloadable! (restricted)]

2005, Volume 29, Issue 4

249-275 Competition, Concentration and Diversity in European Television Markets
by Richard Wurff [Downloadable! (restricted)]
277-297 The Role of Competition in the Rise of Baroque and Renaissance Music
by Roland Vaubel [Downloadable! (restricted)]
299-312 French Decentralisation of the Performing Arts and Regional Economic Disparities
by Daniel Urrutiaguer [Downloadable! (restricted)]
313-324 Public Library Fees in Germany
by Lilo Locher [Downloadable! (restricted)]
325-334 Are There Too Many Revivals on Broadway? A Stochastic Dominance Approach
by David Maddison [Downloadable! (restricted)]
335-336 Obituary
by Mark Blaug [Downloadable! (restricted)]

2005, Volume 29, Issue 3

159-176 For Oscar Glory Or Oscar Money?
by Eva Deuchert & Kossi Adjamah & Florian Pauly [Downloadable! (restricted)]
177-190 Modeling Movie Success When ‘Nobody Knows Anything’: Conditional Stable-Distribution Analysis Of Film Returns
by W. Walls [Downloadable! (restricted)]
191-212 The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence
by Christian Jansen [Downloadable! (restricted)]
213-231 Cinema Demand In Germany
by Ralf Dewenter & Michael Westermann [Downloadable! (restricted)]
233-237 Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry
by Darlene Chisholm [Downloadable! (restricted)]
239-242 The Big Picture: The New Logic Of Money And Power In Hollywood
by S. Ravid [Downloadable! (restricted)]
243-245 On Hollywood: The Place, The Industry
by Michael Pokorny [Downloadable! (restricted)]

2005, Volume 29, Issue 2

81-81 Editorial
by Günther Schulze & J. Schuster [Downloadable! (restricted)]
83-106 Learning-by-Consuming and the Dynamics of the Demand and Prices of Cultural Goods
by Paulo Brito & Carlos Barros [Downloadable! (restricted)]
107-125 Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa
by J. Snowball [Downloadable! (restricted)]
127-136 The Market for Picasso Prints: A Hybrid Model Approach
by Marilena Biey & Roberto Zanola [Downloadable! (restricted)]
137-141 Bayesian Learning from Arts Goods? – A Comment
by Carlos Ulibarri [Downloadable! (restricted)]
143-146 Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries
by Peter Tschmuck [Downloadable! (restricted)]
146-148 Kreativität und Innovation in der Musikindustrie (Creativity and Innovation in the Music Industry
by Michael Getzner [Downloadable! (restricted)]
148-152 Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity
by Michael O’Hare [Downloadable! (restricted)]
152-155 Terry Nichols Clark: 2004, The City as an Entertainment Machine, Research in Urban Policy, Vol. 9, Elsevier – JAI Press, Amsterdam, ISBN 0-76231-060-X
by Roland Kushner [Downloadable! (restricted)]

2005, Volume 29, Issue 1

1-17 Languages, Genes, and Cultures
by Victor Ginsburgh [Downloadable! (restricted)]
19-33 Employing Travel Time to Compare the Value of Competing Cultural Organizations
by Jaap Boter & Jan Rouwendal & Michel Wedel [Downloadable! (restricted)]
35-57 State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis
by John O’Hagan & Adriana Neligan [Downloadable! (restricted)]
59-78 Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest
by Marco Haan & S. Dijkstra & Peter Dijkstra [Downloadable! (restricted)]
79-79 Call for Papers
by Patricia Dewey & Laura Young [Downloadable! (restricted)]

2004, Volume 28, Issue 4

243-256 Convention on Cultural Diversity
by Keith Acheson & Christopher Maule [Downloadable! (restricted)]
257-261 Comment
by Frederick Ploeg [Downloadable! (restricted)]
263-266 Comment
by FranÇoise Benhamou [Downloadable! (restricted)]
267-273 Comment
by Lelio Iapadre [Downloadable! (restricted)]
275-284 Do People Really Care About the Arts for Future Generations?
by Arthur Brooks [Downloadable! (restricted)]
285-302 Price Indices for Artists – A Proposal
by Guido Candela & Paolo Figini & Antonello Scorcu [Downloadable! (restricted)]
303-315 Government Grants to Private Cultural Institutions–The Effects of a Change in the Italian Legislation
by Bruno Bises & Fabio Padovano [Downloadable! (restricted)]
317-323 Michael F. Brown: 2003, Who Owns Native Culture?, Harvard University Press, Cambridge, MA, 315 pp., ISBN 0-67401-171-6
by Tyler Cowen [Downloadable! (restricted)]
320-323 Niva Elkin-Koren and Neil Weinstock Netanel (eds.): 2002, The Commodification of Information, Kluwer Law International, The Hague, ISBN 9-041-19876-8
by Ruth Towse [Downloadable! (restricted)]

2004, Volume 28, Issue 3

167-193 Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda
by Bruce Seaman [Downloadable! (restricted)]
195-216 A Quantitative Approach to Evaluate the Relative Efficiency of Museums
by Antonella Basso & Stefania Funari [Downloadable! (restricted)]
217-229 Travel Cost Analysis of a Cultural Heritage Site: The Case of Historic St. Mary's City of Maryland
by P. Poor & Jamie Smith [Downloadable! (restricted)]
231-234 Ruth Towse (ed.): 2003, A Handbook of Cultural Economics
by Trine Bille [Downloadable! (restricted)]
235-236 Xavier Greffe: 2002, Arts and Artists from an Economic Perspective
by Walter Santagata [Downloadable! (restricted)]
236-238 Ilde Rizzo and Ruth Towse (eds.): 2002, The Economics of Heritage. A Study in the Political Economy of Culture in Sicily
by Michael Hutter [Downloadable! (restricted)]
239-241 Hans Abbing, Why Are Artists Poor? The Exceptional Economy of the Arts
by David Throsby [Downloadable! (restricted)]

2004, Volume 28, Issue 2

89-108 Causality and Museum Subsidies
by David Maddison [Downloadable! (restricted)]
109-124 Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion
by Stefan Tobias [Downloadable! (restricted)]
125-141 Art Auctions and Bidding Rings: Empirical Evidence from German Auction Data
by Michael Beckmann [Downloadable! (restricted)]
143-156 Are Small Recipients Overlooked by Sponsors? An Empirical Note
by Björn Frank & Kurt Geppert [Downloadable! (restricted)]
157-160 Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age
by françoise Benhamou [Downloadable! (restricted)]
160-163 Joëlle Farchy: 2003, Internet et le droit d'auteur – La culture Napster
by Ejan Mackaay [Downloadable! (restricted)]

2004, Volume 28, Issue 1

1-20 Beyond the Dogma of the Fixed Book Price Agreement
by Frederick van der Ploeg [Downloadable! (restricted)]
21-36 The Impact of the National Endowment for the Arts in the United States: Institutional and Sectoral Effects on Private Funding
by Francesca Borgonovi & Michael O'Hare [Downloadable! (restricted)]
37-56 Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts
by Darlene Chisholm [Downloadable! (restricted)]
57-79 How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry?
by Jonathan Gander & Alison Rieple [Downloadable! (restricted)]
81-83 Tyler Cowen: 2002, Creative Destruction: How Globalization is Changing the World's Cultures
by Michael Rushton [Downloadable! (restricted)]
83-88 J. Mark Schuster: 2002, Informing Cultural Policy: The Research and Information Infrastructure
by Steven Tepper [Downloadable! (restricted)]

2003, Volume 27, Issue 3

159-176 Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature
by Douglas Noonan [Downloadable! (restricted)]
177-192 Valuing the Canadian Broadcasting Corporation
by Adam Finn & Stuart McFadyen & Colin Hoskins [Downloadable! (restricted)]
193-213 Can People Value the Aesthetic and Use Services of Urban Sites? Evidence from a Survey of Belfast Residents
by Anna Alberini & Patrizia Riganti & Alberto Longo [Downloadable! (restricted)]
215-229 Using Stated-Preference Questions to Investigate Variations in Willingness to Pay for Preserving Marble Monuments: Classic Heterogeneity, Random Parameters, and Mixture Models
by Edward Morey & Kathleen Greer Rossmann [Downloadable! (restricted)]
231-240 Willingness to Pay for Submerged Maritime Cultural Resources
by John Whitehead & Suzanne Finney [Downloadable! (restricted)]
241-257 Contingent Valuation and Semiparametric Methods: A Case Study of the National Museum of Sculpture in Valladolid, Spain
by José Sanz & Luis Herrero & Ana Bedate [Downloadable! (restricted)]
259-274 The Regrettable Necessity of Contingent Valuation
by Richard Epstein [Downloadable! (restricted)]
275-285 Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?
by David Throsby [Downloadable! (restricted)]
287-290 Ståle Navrud and Richard C. Ready (eds.): 2002, Valuing Cultural Heritage: Applying Environmental Valuation Techniques to Historic Buildings, Monuments and Artifacts
by Lesley Hitchens [Downloadable! (restricted)]
290-293 Gillian Doyle: 2002, Media Ownership – The Economics and Politics of Convergence and Concentration in the U.K. and European Media
by Lesley Hitchens [Downloadable! (restricted)]
294-298 Kevin McCarthy, Arthur Brooks, Julia Lowell and Laura Zakaras: 2001, The Performing Arts in a New Era
by Neil Alper [Downloadable! (restricted)]
298-301 John Sedgwick: 2001, Popular Filmgoing in 1930s Britain: A Choice of Pleasures
by W. Walls [Downloadable! (restricted)]

2003, Volume 27, Issue 2

79-79 Editorial
by Günther Schulze & J. Schuster [Downloadable! (restricted)]
81-126 Cultural and Sport Economics: Conceptual Twins?
by Bruce Seaman [Downloadable! (restricted)]
127-141 Expert Opinion and Gastronomy: The Recipe for Success
by Véronique Chossat & Olivier Gergaud [Downloadable! (restricted)]
143-146 Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s
by J. Schuster [Downloadable! (restricted)]
146-149 Ruth Towse (ed.), Copyright in the Cultural Industries
by Andrew Burke [Downloadable! (restricted)]
149-151 Michael Benedikt (ed.), Value, 1 & 2 (Center 10 & 11). Architecture and Design in America
by Arjo Klamer [Downloadable! (restricted)]
151-153 John Trumpbour, Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920–1950
by John Sedgwick [Downloadable! (restricted)]

2003, Volume 27, Issue 1

1-1 Editorial
by J. Schuster [Downloadable! (restricted)]
3-7 Farewell Editorial
by Ruth Towse [Downloadable! (restricted)]
9-30 The Economic Dimension of the Culture and Leisure Industry in Spain: National, Sectoral and Regional Analysis
by María García & Yolanda Fernández & José Zofío [Downloadable! (restricted)]
31-56 Public Broadcasting in Europe: Rationale, Licence Fee and Other Issues
by John O'Hagan & Michael Jennings [Downloadable! (restricted)]
57-71 What Becomes of Undergraduate Dance Majors?
by Sarah Montgomery & Michael Robinson [Downloadable! (restricted)]
73-75 David Throsby: 2001, Economics and Culture (Book Review)
by Paul DiMaggio [Downloadable! (restricted)]

2002, Volume 26, Issue 4

245-260 More Means Worse: Asymmetric Information, Spatial Displacement and Sustainable Heritage Tourism
by Silvia Caserta & Antonio Russo [Downloadable! (restricted)]
261-286 Museum Assessment and FDH Technology: Towards a Global Approach
by François Mairesse & Philippe Vanden Eeckaut [Downloadable! (restricted)]
287-306 Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria
by Michael Getzner [Downloadable! (restricted)]
307-324 Research Note: Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good
by K.G. Willis [Downloadable! (restricted)]
325-327 Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art
by Robert Ekelund [Downloadable! (restricted)]

2002, Volume 26, Issue 3

167-184 Maledizione! or the Perilous Prospects of Beethoven's Patrons
by Hilda Baumol & William Baumol [Downloadable! (restricted)]
185-202 Quality Judgements and Demand for French Public Theatre
by Daniel Urrutiaguer [Downloadable! (restricted)]
203-216 Canadian versus American Art: What Pays Off and Why
by Calin Valsan [Downloadable! (restricted)]
217-235 Demand for Live Theater with Market Segmentation and Seasonality
by Jonathan Corning & Armando Levy [Downloadable! (restricted)]
237-239 Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine
by Olivier Chanel [Downloadable! (restricted)]
239-241 Malcolm Goldstein, Landscape with Figures, a History of Art Dealing in the United States
by Martha White Paas [Downloadable! (restricted)]
241-244 Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds
by Neil De Marchi [Downloadable! (restricted)]

2002, Volume 26, Issue 2

87-113 Valuing the Arts: A Contingent Valuation Approach
by Eric Thompson & Mark Berger & Glenn Blomquist & Steven Allen [Downloadable! (restricted)]
115-138 The Consumption of Cultural Products: An Analysis of the Spanish Social Space
by Jordi Sintas & Ercilia Álvarez [Downloadable! (restricted)]
139-156 Cost-Benefit Analysis Using Economic Surpluses: A Case Study of a Televised Event
by Aliza Fleischer & Daniel Felsenstein [Downloadable! (restricted)]
157-160 Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America
by Bruce Seaman [Downloadable! (restricted)]
161-163 Gigi Bradford, Michael Gary and Glenn Wallach (eds.), The Politics of Culture – Policy Perspectives for Individuals, Institutions, and Communities
by John O'Hagan [Downloadable! (restricted)]
163-166 Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures
by J. Schuster [Downloadable! (restricted)]

2002, Volume 26, Issue 1

1-28 Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998
by Merijn Rengers & Olav Velthuis [Downloadable! (restricted)]
29-52 The Determinants of Artistic Innovation: Bringing in the Role of Organizations
by Xavier Castañer & Lorenzo Campos [Downloadable! (restricted)]
53-64 The Distribution and Predictability of Cinema Admissions
by Chris Hand [Downloadable! (restricted)]
65-78 The Sculpture Market: An Adjacent Year Regression Index
by Marilena Locatelli-Biey & Roberto Zanola [Downloadable! (restricted)]
79-81 Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy
by Stefan Toepler [Downloadable! (restricted)]
82-84 Richard E. Caves, Creative Industries: Contracts between Art and Commerce
by Michael Rushton [Downloadable! (restricted)]

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