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March 2008, Volume 32, Issue 1
- 3-34 Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology
by Chiara Verbano & Karen Venturini & Giorgio Petroni & Anna Nosella - 35-58 The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures
by Kristien Werck & Bruno Heyndels & Benny Geys - 59-77 Are workers in the cultural industries paid differently?
by Cecile Wetzels - 79-81 Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1
by Michael Rushton - 83-86 Eric L. Jones, Cultures Merging: A Historical and Economic Critique of Culture
by Arthur Webb
December 2007, Volume 31, Issue 4
- 247-261 Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets
by Michael Hutter & Christian Knebel & Gunnar Pietzner & Maren Schäfer - 263-277 The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints
by James Pesando & Pauline Shum - 279-292 Bidding and prices for online art auctions: sofa art or investment
by Jannett Highfill & Kevin O’Brien - 293-310 Fiscal pressures, institutional context, and constituents: a dynamic model of states’ arts agency appropriations
by Douglas Noonan - 311-335 Assessing cultural values: developing an attitudinal scale
by Andy Choi & Franco Papandrea & Jeff Bennett - 337-341 Fiona MacMillan and Kathy Bowery (eds), New Directions in Copyright Law: Volume 3
by Mary Riley
September 2007, Volume 31, Issue 3
- 171-186 Does film criticism affect box office earnings? Evidence from movies released in the U.S. in 2003
by Timothy King - 187-204 Determinants of music copyright violations on the university campus
by Eric Chiang & Djeto Assane - 205-234 A discrete choice model of consumption of cultural goods: the case of music
by Donata Favaro & Carlofilippo Frateschi - 235-237 Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand. The New Economics of Culture and Commerce
by Chr. Hjorth-Andersen - 239-241 Fréderic Martel, De la Culture en Amérique
by Philippe Ravanas - 243-245 Philippe Agid and Jean Claude Tarondeau, L’Opéra de Paris: Gouverner une grande institution culturelle
by Philippe Ravanas
June 2007, Volume 31, Issue 2
- 85-107 How should cultural diversity be measured? An application using the French publishing industry
by Françoise Benhamou & Stéphanie Peltier - 109-128 Geographic clustering of economic activity: The case of prominent western visual artists
by Elish Kelly & John O’Hagan - 129-142 Quality, service level, or empire: which is the objective of the nonprofit arts firm?
by Arthur Brooks & Jan Ondrich - 143-153 The effects of gallery and artist reputation on prices in the primary market for art: a note
by Susanne Schönfeld & Andreas Reinstaller - 155-158 Selection models in the music industry: Comment
by Thomas Smith - 159-162 Selection models in the music industry: reply
by Andrea Ordanini - 163-165 Simon Roodhouse, Cultural Quarters: Principles and Practice
by John O’Hagan - 167-169 Richard A. Lanham, The Economics of Attention: Style and Substance in the Age of Information
by T. Cowen
March 2007, Volume 31, Issue 1
- 1-1 Editorial
by Michael Rushton - 5-23 The sales effect of word of mouth: a model for creative goods and estimates for novels
by Jonathan Beck - 25-41 Programmatic choices and the demand for theatre: the case of Flemish theatres
by Kristien Werck & Bruno Heyndels - 43-63 The impact of film reviews on the box office performance of art house versus mainstream motion pictures
by Gerda Gemser & Martine Oostrum & Mark Leenders - 65-78 eBay auctions for Third Eye Blind concert tickets
by Dennis Halcoussis & Timothy Mathews - 79-81 Tönu Puu: 2006, Arts, Sciences and Economics
by Harry Chartrand - 83-84 William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia
by Guldem Gokcek
December 2006, Volume 30, Issue 4
- 243-261 The cultural entrepreneur and the creative industries: beginning in Vienna
by Richard Swedberg - 263-286 Cultural goods creation, cultural capital formation, provision of cultural services and cultural atmosphere accumulation
by Sao-Wen Cheng - 287-304 Combining the travel cost and contingent behavior methods to value cultural heritage sites: Evidence from Armenia
by Anna Alberini & Alberto Longo - 305-309 Willingness to pay: individual or household?
by Liam Delaney & Francis O’Toole - 311-316 Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding
by J. Schuster - 317-319 John Carey: What Good are the Arts?
by Michael Rushton
December 2006, Volume 30, Issue 3
- 169-181 Optimal pricing and grant policies for museums
by Juan Prieto-Rodríguez & Víctor Fernández-Blanco - 183-200 Selection models in the music industry: How a prior independent experience may affect chart success
by Andrea Ordanini - 201-218 Distributors and film critics: does it take two to Tango?
by S. Ravid & John Wald & Suman Basuroy - 219-231 Demand for and productivity analysis of Turkish public theater
by Sacit Akdede & John King - 233-235 Cultural Diversity and International Economic Integration: The Global Governance of the Audio-Visual Sector
by Anna Herold - 237-238 Iain Robertson, Understanding International Art Markets and Management, Routledge, London and New York, 280 pp., 2005, ISBN 0:41533957X
by Silvia Bagdadli - 239-241 A Concise Handbook of Movie Industry Economics
by Chris Hand
September 2006, Volume 30, Issue 2
- 91-107 Creativity and Life Cycles of Artists
by Victor Ginsburgh & Sheila Weyers - 109-125 Estimating the real growth effects of blockbuster art exhibits: A time series approach
by Sarah Skinner - 127-140 The welfare and equity implications of competition in television broadcasting: the role of viewer tastes
by Yong Liu & Daniel Putler & Charles Weinberg - 141-155 The Demand for Books Estimated by Means of Consumer Survey Data
by Vidar Ringstad & Knut Løyland - 157-160 Mapping State Cultural Policy: The State of Washington
by Margaret Wyszomirski - 161-163 The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value
by Nachoem Wijnberg - 165-168 Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art
by Calin Valsan
March 2006, Volume 30, Issue 1
- 1-14 An Artistic Production Function: Theory and an Application to Australian Visual Artists
by David Throsby - 15-40 Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints
by Elisabetta Lazzaro - 41-72 The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums
by Silvia Fedeli & Michele Santoni - 73-84 A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art
by Andrew Worthington & Helen Higgs - 85-89 Institutional Economics and the Formation of Preferences. The Advent of Pop Music
by Simon Frith
November 2005, Volume 29, Issue 4
- 249-275 Competition, Concentration and Diversity in European Television Markets
by Richard Wurff - 277-297 The Role of Competition in the Rise of Baroque and Renaissance Music
by Roland Vaubel - 299-312 French Decentralisation of the Performing Arts and Regional Economic Disparities
by Daniel Urrutiaguer - 313-324 Public Library Fees in Germany
by Lilo Locher - 325-334 Are There Too Many Revivals on Broadway? A Stochastic Dominance Approach
by David Maddison - 335-336 Obituary
by Mark Blaug
August 2005, Volume 29, Issue 3
- 159-176 For Oscar Glory Or Oscar Money?
by Eva Deuchert & Kossi Adjamah & Florian Pauly - 177-190 Modeling Movie Success When ‘Nobody Knows Anything’: Conditional Stable-Distribution Analysis Of Film Returns
by W. Walls - 191-212 The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence
by Christian Jansen - 213-231 Cinema Demand In Germany
by Ralf Dewenter & Michael Westermann - 233-237 Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry
by Darlene Chisholm - 239-242 The Big Picture: The New Logic Of Money And Power In Hollywood
by S. Ravid - 243-245 On Hollywood: The Place, The Industry
by Michael Pokorny
May 2005, Volume 29, Issue 2
- 81-81 Editorial
by Günther Schulze & J. Schuster - 83-106 Learning-by-Consuming and the Dynamics of the Demand and Prices of Cultural Goods
by Paulo Brito & Carlos Barros - 107-125 Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa
by J. Snowball - 127-136 The Market for Picasso Prints: A Hybrid Model Approach
by Marilena Biey & Roberto Zanola - 137-141 Bayesian Learning from Arts Goods? – A Comment
by Carlos Ulibarri - 143-146 Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries
by Peter Tschmuck - 146-148 Kreativität und Innovation in der Musikindustrie (Creativity and Innovation in the Music Industry
by Michael Getzner - 148-152 Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity
by Michael O’Hare - 152-155 Terry Nichols Clark: 2004, The City as an Entertainment Machine, Research in Urban Policy, Vol. 9, Elsevier – JAI Press, Amsterdam, ISBN 0-76231-060-X
by Roland Kushner
February 2005, Volume 29, Issue 1
- 1-17 Languages, Genes, and Cultures
by Victor Ginsburgh - 19-33 Employing Travel Time to Compare the Value of Competing Cultural Organizations
by Jaap Boter & Jan Rouwendal & Michel Wedel - 35-57 State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis
by John O’Hagan & Adriana Neligan - 59-78 Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest
by Marco Haan & S. Dijkstra & Peter Dijkstra - 79-79 Call for Papers
by Patricia Dewey & Laura Young
November 2004, Volume 28, Issue 4
- 243-256 Convention on Cultural Diversity
by Keith Acheson & Christopher Maule - 257-261 Comment
by Frederick Ploeg - 263-266 Comment
by FranÇoise Benhamou - 267-273 Comment
by Lelio Iapadre - 275-284 Do People Really Care About the Arts for Future Generations?
by Arthur Brooks - 285-302 Price Indices for Artists – A Proposal
by Guido Candela & Paolo Figini & Antonello Scorcu - 303-315 Government Grants to Private Cultural Institutions–The Effects of a Change in the Italian Legislation
by Bruno Bises & Fabio Padovano - 317-323 Michael F. Brown: 2003, Who Owns Native Culture?, Harvard University Press, Cambridge, MA, 315 pp., ISBN 0-67401-171-6
by Tyler Cowen - 320-323 Niva Elkin-Koren and Neil Weinstock Netanel (eds.): 2002, The Commodification of Information, Kluwer Law International, The Hague, ISBN 9-041-19876-8
by Ruth Towse
August 2004, Volume 28, Issue 3
- 167-193 Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda
by Bruce Seaman - 195-216 A Quantitative Approach to Evaluate the Relative Efficiency of Museums
by Antonella Basso & Stefania Funari - 217-229 Travel Cost Analysis of a Cultural Heritage Site: The Case of Historic St. Mary's City of Maryland
by P. Poor & Jamie Smith - 231-234 Ruth Towse (ed.): 2003, A Handbook of Cultural Economics
by Trine Bille - 235-236 Xavier Greffe: 2002, Arts and Artists from an Economic Perspective
by Walter Santagata - 236-238 Ilde Rizzo and Ruth Towse (eds.): 2002, The Economics of Heritage. A Study in the Political Economy of Culture in Sicily
by Michael Hutter - 239-241 Hans Abbing, Why Are Artists Poor? The Exceptional Economy of the Arts
by David Throsby
May 2004, Volume 28, Issue 2
- 89-108 Causality and Museum Subsidies
by David Maddison - 109-124 Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion
by Stefan Tobias - 125-141 Art Auctions and Bidding Rings: Empirical Evidence from German Auction Data
by Michael Beckmann - 143-156 Are Small Recipients Overlooked by Sponsors? An Empirical Note
by Björn Frank & Kurt Geppert - 157-160 Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age
by françoise Benhamou - 160-163 Joëlle Farchy: 2003, Internet et le droit d'auteur – La culture Napster
by Ejan Mackaay
February 2004, Volume 28, Issue 1
- 1-20 Beyond the Dogma of the Fixed Book Price Agreement
by Frederick van der Ploeg - 21-36 The Impact of the National Endowment for the Arts in the United States: Institutional and Sectoral Effects on Private Funding
by Francesca Borgonovi & Michael O'Hare - 37-56 Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts
by Darlene Chisholm - 57-79 How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry?
by Jonathan Gander & Alison Rieple - 81-83 Tyler Cowen: 2002, Creative Destruction: How Globalization is Changing the World's Cultures
by Michael Rushton - 83-88 J. Mark Schuster: 2002, Informing Cultural Policy: The Research and Information Infrastructure
by Steven Tepper
November 2003, Volume 27, Issue 3
- 159-176 Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature
by Douglas Noonan - 177-192 Valuing the Canadian Broadcasting Corporation
by Adam Finn & Stuart McFadyen & Colin Hoskins - 193-213 Can People Value the Aesthetic and Use Services of Urban Sites? Evidence from a Survey of Belfast Residents
by Anna Alberini & Patrizia Riganti & Alberto Longo - 215-229 Using Stated-Preference Questions to Investigate Variations in Willingness to Pay for Preserving Marble Monuments: Classic Heterogeneity, Random Parameters, and Mixture Models
by Edward Morey & Kathleen Greer Rossmann - 231-240 Willingness to Pay for Submerged Maritime Cultural Resources
by John Whitehead & Suzanne Finney - 241-257 Contingent Valuation and Semiparametric Methods: A Case Study of the National Museum of Sculpture in Valladolid, Spain
by José Sanz & Luis Herrero & Ana Bedate - 259-274 The Regrettable Necessity of Contingent Valuation
by Richard Epstein - 275-285 Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?
by David Throsby - 287-290 Ståle Navrud and Richard C. Ready (eds.): 2002, Valuing Cultural Heritage: Applying Environmental Valuation Techniques to Historic Buildings, Monuments and Artifacts
by Lesley Hitchens - 290-293 Gillian Doyle: 2002, Media Ownership – The Economics and Politics of Convergence and Concentration in the U.K. and European Media
by Lesley Hitchens - 294-298 Kevin McCarthy, Arthur Brooks, Julia Lowell and Laura Zakaras: 2001, The Performing Arts in a New Era
by Neil Alper - 298-301 John Sedgwick: 2001, Popular Filmgoing in 1930s Britain: A Choice of Pleasures
by W. Walls
May 2003, Volume 27, Issue 2
- 79-79 Editorial
by Günther Schulze & J. Schuster - 81-126 Cultural and Sport Economics: Conceptual Twins?
by Bruce Seaman - 127-141 Expert Opinion and Gastronomy: The Recipe for Success
by Véronique Chossat & Olivier Gergaud - 143-146 Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s
by J. Schuster - 146-149 Ruth Towse (ed.), Copyright in the Cultural Industries
by Andrew Burke - 149-151 Michael Benedikt (ed.), Value, 1 & 2 (Center 10 & 11). Architecture and Design in America
by Arjo Klamer - 151-153 John Trumpbour, Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920–1950
by John Sedgwick
February 2003, Volume 27, Issue 1
- 1-1 Editorial
by J. Schuster - 3-7 Farewell Editorial
by Ruth Towse - 9-30 The Economic Dimension of the Culture and Leisure Industry in Spain: National, Sectoral and Regional Analysis
by María García & Yolanda Fernández & José Zofío - 31-56 Public Broadcasting in Europe: Rationale, Licence Fee and Other Issues
by John O'Hagan & Michael Jennings - 57-71 What Becomes of Undergraduate Dance Majors?
by Sarah Montgomery & Michael Robinson - 73-75 David Throsby: 2001, Economics and Culture (Book Review)
by Paul DiMaggio
November 2002, Volume 26, Issue 4
- 245-260 More Means Worse: Asymmetric Information, Spatial Displacement and Sustainable Heritage Tourism
by Silvia Caserta & Antonio Russo - 261-286 Museum Assessment and FDH Technology: Towards a Global Approach
by François Mairesse & Philippe Vanden Eeckaut - 287-306 Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria
by Michael Getzner - 307-324 Research Note: Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good
by K.G. Willis - 325-327 Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art
by Robert Ekelund
August 2002, Volume 26, Issue 3
- 167-184 Maledizione! or the Perilous Prospects of Beethoven's Patrons
by Hilda Baumol & William Baumol - 185-202 Quality Judgements and Demand for French Public Theatre
by Daniel Urrutiaguer - 203-216 Canadian versus American Art: What Pays Off and Why
by Calin Valsan - 217-235 Demand for Live Theater with Market Segmentation and Seasonality
by Jonathan Corning & Armando Levy - 237-239 Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine
by Olivier Chanel - 239-241 Malcolm Goldstein, Landscape with Figures, a History of Art Dealing in the United States
by Martha White Paas - 241-244 Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds
by Neil De Marchi
May 2002, Volume 26, Issue 2
- 87-113 Valuing the Arts: A Contingent Valuation Approach
by Eric Thompson & Mark Berger & Glenn Blomquist & Steven Allen - 115-138 The Consumption of Cultural Products: An Analysis of the Spanish Social Space
by Jordi Sintas & Ercilia Álvarez - 139-156 Cost-Benefit Analysis Using Economic Surpluses: A Case Study of a Televised Event
by Aliza Fleischer & Daniel Felsenstein - 157-160 Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America
by Bruce Seaman - 161-163 Gigi Bradford, Michael Gary and Glenn Wallach (eds.), The Politics of Culture – Policy Perspectives for Individuals, Institutions, and Communities
by John O'Hagan - 163-166 Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures
by J. Schuster
February 2002, Volume 26, Issue 1
- 1-28 Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998
by Merijn Rengers & Olav Velthuis - 29-52 The Determinants of Artistic Innovation: Bringing in the Role of Organizations
by Xavier Castañer & Lorenzo Campos - 53-64 The Distribution and Predictability of Cinema Admissions
by Chris Hand - 65-78 The Sculpture Market: An Adjacent Year Regression Index
by Marilena Locatelli-Biey & Roberto Zanola - 79-81 Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy
by Stefan Toepler - 82-84 Richard E. Caves, Creative Industries: Contracts between Art and Commerce
by Michael Rushton
November 2001, Volume 25, Issue 4
- 243-257 The Law and Economics of Artists' Inalienable Rights
by Michael Rushton - 259-281 Royalties for Artists versus Royalties for Authors and Composers
by Henry Hansmann & Marina Santilli - 283-306 What Has the Visual Artist's Rights Act of 1990 Accomplished?
by William Landes - 307-319 The Evolution of Free-Lance Music Composition, 1650–1900
by F. Scherer
August 2001, Volume 25, Issue 3
- 157-184 Stardom and the Profitability of Film Making: Warner Bros. in the 1930s
by Michael Pokorny & John Sedgwick - 185-201 The Supply of Arts Labour : Towards a Dynamic Approach
by Maurizio Caserta & Tiziana Cuccia - 203-217 A Model of Translations
by Chr. Hjorth-Andersen - 219-231 In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy
by Guido Candela & Antonello Scorcu - 233-235 Peter Boorsma, Annemoon van Hemel, and Niki van der Wielen (eds.): Privatisation and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe
by Ilde Rizzo - 235-238 Dennis R. Judd and Susan S. Fainstein (eds.): The Tourist City
by Pascal Tremblay
May 2001, Volume 25, Issue 2
- 77-89 The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation
by Karin Sable & Robert Kling - 91-108 Explaining Post-War Cinema Attendance in Great Britain
by Peter Macmillan & Ian Smith - 109-129 Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest
by Herbert Glejser & Bruno Heyndels - 131-148 Valuing the Benefits of Cleaning Lincoln Cathedral
by Marilena Pollicino & David Maddison - 149-150 A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts
by James Heilbrun - 151-154 Tyler Cowen, What Price Fame?
by Sherwin Rosen - 154-155 Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art
by Mark Blaug
February 2001, Volume 25, Issue 1
- 1-20 Private or Public?
by Merijn Rengers & Erik Plug - 21-45 Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property
by Timothy King - 47-62 The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century
by Peter Tschmuck - 63-72 Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98
by James Heilbrun - 73-75 Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters
by William Baumol & Hilda Baumol
November 2000, Volume 24, Issue 4
- 267-282 Public Funding of Controversial Art
by Michael Rushton - 283-300 The ``Death-Effect'' in Art Prices: A Demand-Side Exploration
by R. Ekelund & Rand Ressler & John Watson - 301-319 The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period
by Françoise Benhamou - 321-336 Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996
by Albert Greco - 337-340 Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business
by Keith Acheson - 340-342 Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes
by Steven Globerman - 342-343 James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming
by Stuart McFadyen
August 2000, Volume 24, Issue 3
- 181-204 Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti''
by Walter Santagata & Giovanni Signorello - 205-224 Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification
by John O'Hagan & Denice Harvey - 225-241 Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving?
by Mark LeClair & Kelly Gordon - 243-255 Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits
by Dick Stanley & Judy Rogers & Sandra Smeltzer & Luc Perron - 257-260 Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage
by Rosemary Clarke - 260-262 J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation
by Peter Johnson - 262-265 Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America
by Sheila Petty
May 2000, Volume 24, Issue 2
- 87-112 The Careers of Modern Artists
by David Galenson