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Public Funding of Controversial Art

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Author Info
Michael Rushton
Abstract

In 1990, the Act governing theUnited States' National Endowment for the Arts wasamended requiring the Chairperson to ensure thatjudges of grant applications should take intoconsideration ``general standards of decency andrespect for the diverse beliefs and values of theAmerican public''. This provision has been widelydebated, and was challenged on the basis of whether itviolated the right of freedom of expression. But arecent decision by the U.S. Supreme Court found theprovision to be constitutional. This paper examinesrationales that have been put forward by philosophicalliberals, economists, and communitarians in support ofpublic funding of the arts. It finds that for each ofthese rationales the decency-and-respect provision onfunding is justifiable. The paper concludes with aspeculative discussion of the economics of the``artworld''. Copyright Kluwer Academic Publishers 2000

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File URL: http://hdl.handle.net/10.1023/A:1007682121108
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Publisher Info
Article provided by Springer in its journal Journal of Cultural Economics.

Volume (Year): 24 (2000)
Issue (Month): 4 (November)
Pages: 267-282
Download reference. The following formats are available: HTML (with abstract), plain text (with abstract), BibTeX, RIS (EndNote, RefMan, ProCite), ReDIF
Handle: RePEc:kap:jculte:v:24:y:2000:i:4:p:267-282

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Web page: http://www.springerlink.com/link.asp?id=100284

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Related research
Keywords: cultural economics; freedom of expression; public funding of art;

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References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
  1. Coase, R H, 1974. "The Market for Goods and the Market for Ideas," American Economic Review, American Economic Association, vol. 64(2), pages 384-91, May. [Downloadable!] (restricted)
  2. Bruno Frey, 1999. "State Support and Creativity in the Arts: Some New Considerations," Journal of Cultural Economics, Springer, vol. 23(1), pages 71-85, March. [Downloadable!] (restricted)
  3. Trine Hansen, 1997. "The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good," Journal of Cultural Economics, Springer, vol. 21(1), pages 1-28, March. [Downloadable!] (restricted)
  4. Michael Rushton, 1999. "Methodological Individualism and Cultural Economics," Journal of Cultural Economics, Springer, vol. 23(3), pages 137-146, August. [Downloadable!] (restricted)
  5. Frey, Bruno S, 1994. "Cultural Economics and Museum Behaviour," Scottish Journal of Political Economy, Scottish Economic Society, vol. 41(3), pages 325-35, August.
  6. Charles T. Clotfelter, 1991. "Government Policy Toward Art Museums in the United States," NBER Chapters, in: The Economics of Art Museums, pages 237-270 National Bureau of Economic Research, Inc. [Downloadable!]
  7. Throsby, David, 1994. "The Production and Consumption of the Arts: A View of Cultural Economics," Journal of Economic Literature, American Economic Association, vol. 32(1), pages 1-29, March. [Downloadable!] (restricted)
  8. Holger Bonus & Dieter Ronte, 1997. "Credibility and Economic Value in the Visual Arts," Journal of Cultural Economics, Springer, vol. 21(2), pages 103-118, June. [Downloadable!] (restricted)
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