The Law and Economics of Artists' Inalienable Rights
AbstractThis paper provides an overview of the economic analysis of inalienability, here defined in the narrow sense of restrictions on whether and how ownership of a right may be transferred to someone else. It then considers three aspects of the laws relating to artists and their works that are subject to some inalienability restrictions: droit de suite, moralrights, and unconstitutional conditions. It is suggested that inalienability restrictions designed to achieve distributional goals are probably misguided, and that although in theory one could derive some efficiency arguments for inalienability rules, in practice it is not clear that they apply to these examples from the laws relating to artists. Copyright Kluwer Academic Publishers 2001
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Bibliographic InfoArticle provided by Springer in its journal Journal of Cultural Economics.
Volume (Year): 25 (2001)
Issue (Month): 4 (November)
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Web page: http://www.springerlink.com/link.asp?id=100284
droit de suite; inalienability; moral rights; unconstitutional conditions;
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
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- John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer, vol. 22(4), pages 209-226, December.
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qt33f9k5bw, Department of Agricultural & Resource Economics, UC Berkeley.
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- Epstein, Richard A, 1975. "Unconscionability: A Critical Reappraisal," Journal of Law and Economics, University of Chicago Press, vol. 18(2), pages 293-315, October.
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"Moral Rights Protection for the Visual Arts,"
0809, College of the Holy Cross, Department of Economics.
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