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An Artistic Production Function: Theory and an Application to Australian Visual Artists

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  • David Throsby

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  • David Throsby, 2006. "An Artistic Production Function: Theory and an Application to Australian Visual Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 1-14, March.
    • Handle: RePEc:kap:jculte:v:30:y:2006:i:1:p:1-14
    DOI: 10.1007/s10824-005-9001-4
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    References listed on IDEAS

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    1. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    2. Gapinski, James H, 1984. "The Economics of Performing Shakespeare," American Economic Review, American Economic Association, vol. 74(3), pages 458-466, June.
    3. Victor Ginsburgh & Pierre-Michel Menger, 1996. "Economics of the arts: selected essays," ULB Institutional Repository 2013/1655, ULB -- Universite Libre de Bruxelles.
    4. Maurizio Caserta & Tiziana Cuccia, 2001. "The Supply of Arts Labour : Towards a Dynamic Approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(3), pages 185-201, August.
    5. Abbing, Hans, 2002. "Why Are Artists Poor?," University of Chicago Press Economics Books, University of Chicago Press, number 9789053565650.
    6. V.A. Ginsburgh & D. Throsby (ed.), 2006. "Handbook of the Economics of Art and Culture," Handbook of the Economics of Art and Culture, Elsevier, edition 1, volume 1, number 1, December.
    7. Tyler Cowen & Alexander Tabarrok, 2000. "An Economic Theory of Avant-Garde and Popular Art, or High and Low Culture," Southern Economic Journal, John Wiley & Sons, vol. 67(2), pages 232-253, July.
    8. Paul Bishop & Steven Brand, 2003. "The efficiency of museums: a stochastic frontier production function approach," Applied Economics, Taylor & Francis Journals, vol. 35(17), pages 1853-1858.
    9. Gapinski, James H, 1980. "The Production of Culture," The Review of Economics and Statistics, MIT Press, vol. 62(4), pages 578-586, November.
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    Cited by:

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    2. Marc Bourreau & Michel Gensollen & François Moreau & Patrick Waelbroeck, 2013. "“Selling less of more?” The impact of digitization on record companies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(3), pages 327-346, August.
    3. Bertacchini, Enrico & Friel, Martha, 2013. "Understanding Creativity and Innovation in Industrial Design: an Historical and Empirical Assessment," EBLA Working Papers 201301, University of Turin.
    4. Ana Rita Cruz & Rodrigo Nicolau Almeida & Pedro Costa & Maria Assunção Gato & Margarida Perestrelo, 2019. "Knowledge Transfer in the Cultural and Creative Sector: Institutional Aspects and Perspectives from Actors in Selected Atlantic Regions," Social Sciences, MDPI, vol. 8(3), pages 1-22, March.
    5. Alden Porter & Amitrajeet A. Batabyal, 2016. "Physical capital mobility, the educational and quality aspects of creative capital, and output production," Regional Science Policy & Practice, Wiley Blackwell, vol. 8(4), pages 167-175, November.
    6. Joanna Woronkowicz & Douglas S. Noonan, 2019. "Who Goes Freelance? The Determinants of Self-Employment for Artists," Entrepreneurship Theory and Practice, , vol. 43(4), pages 651-672, July.
    7. Duncan McKay, 2014. "The labour of visual art in Western Australia," The Economic and Labour Relations Review, , vol. 25(1), pages 99-114, March.
    8. Ruth Towse, 2011. "Creativity," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 18, Edward Elgar Publishing.
    9. Bardt Hubertus & Bardt Juliane, 2006. "Kunstunternehmer im Spannungsfeld zwischen Kunst und Marktwirtschaft / Art Entrepreneurs between Arts and Markets," ORDO. Jahrbuch für die Ordnung von Wirtschaft und Gesellschaft, De Gruyter, vol. 57(1), pages 241-259, January.

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