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Creativity and Life Cycles of Artists

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Author Info

  • Victor Ginsburgh
  • Sheila Weyers

Abstract

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File URL: http://hdl.handle.net/10.1007/s10824-006-9011-x
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Bibliographic Info

Article provided by Springer in its journal Journal of Cultural Economics.

Volume (Year): 30 (2006)
Issue (Month): 2 (September)
Pages: 91-107

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Handle: RePEc:kap:jculte:v:30:y:2006:i:2:p:91-107

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Web page: http://www.springerlink.com/link.asp?id=100284

Related research

Keywords: Age curves; disegno and colore ; Modes of artistic creation;

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References

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  1. David W. Galenson & Bruce A. Weinberg, 2001. "Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism," American Economic Review, American Economic Association, vol. 91(4), pages 1063-1071, September.
  2. David W. Galenson & Bruce A. Weinberg, 1999. "Age and the Quality of Work: The Case of Modern American Painters," NBER Working Papers 7122, National Bureau of Economic Research, Inc.
  3. Victor Ginsburgh & Sheila Weyers, 2005. "On the contemporaneity of Roger de Piles' Balance des peintres," ULB Institutional Repository 2013/1863, ULB -- Universite Libre de Bruxelles.
  4. David W. Galenson, 1999. "The Lives of the Painters of Modern Life: The Careers of Artists in France from Impressionism to Cubism," NBER Working Papers 6888, National Bureau of Economic Research, Inc.
  5. David Galenson, 2002. "The Life Cycles of Modern Artists," World Economics, World Economics, Economic & Financial Publishing, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 3(3), pages 161-178, July.
  6. David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer, vol. 24(2), pages 87-112, May.
  7. David W. Galenson & Robert Jensen, 2001. "Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns," NBER Working Papers 8368, National Bureau of Economic Research, Inc.
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Citations

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Cited by:
  1. John Galbraith & Douglas James Hodgson, 2009. "Dimension Reduction and Model Averaging for Estimation of Artists’ Age-Valuation Profiles," CIRANO Working Papers 2009s-41, CIRANO.
  2. Karol Jan BOROWIECKI, 2011. "War and Creativity: Solving the War-Art Puzzle for Classical Music Composition," Trinity Economics Papers tep0711, Trinity College Dublin, Department of Economics.
  3. Bronwyn Coate & Tim R.L. Fry, 2012. "Better off Dead? Prices Realised for Australian Paintings Sold at Auction," ACEI Working Paper Series AWP-02-2012, the Association for Cultural Economics International, revised Feb 2012.
  4. Beckert, Jens & Rössel, Jörg & Schenk, Patrick, 2014. "Wine as a cultural product: Symbolic capital and price formation in the wine field," MPIfG Discussion Paper 14/2, Max Planck Institute for the Study of Societies.
  5. Heinrich W. Ursprung & Christian Wiermann, 2011. "Reputation, Price, And Death: An Empirical Analysis Of Art Price Formation," Economic Inquiry, Western Economic Association International, vol. 49(3), pages 697-715, 07.
  6. Charlin, Ventura & Cifuentes, Arturo, 2013. "A new financial metric for the art market," MPRA Paper 50186, University Library of Munich, Germany.
  7. Hellmanzik, Christiane, 2010. "Location matters: Estimating cluster premiums for prominent modern artists," European Economic Review, Elsevier, vol. 54(2), pages 199-218, February.
  8. Ventura Charlin & Arturo Cifuentes, 2013. "A new financial metric for the art market," Papers 1309.6929, arXiv.org, revised Dec 2013.
  9. Christiane Hellmanzik, 2009. "Artistic styles: revisiting the analysis of modern artists’ careers," Journal of Cultural Economics, Springer, vol. 33(3), pages 201-232, August.
  10. Christiane Hellmanzik, Department of Economics and IIIS, Trinity College Dublin, 2009. "Artistic Clusters and Modern Artists’ Mobility - An Empirical Study," The Institute for International Integration Studies Discussion Paper Series iiisdp296, IIIS.
  11. Jennie Bai & Jia Guo & Benjamin Mandel, 2013. "Going global: markups and product quality in the Chinese art market," Staff Reports 614, Federal Reserve Bank of New York.
  12. Douglas Hodgson, 2011. "Age–price profiles for Canadian painters at auction," Journal of Cultural Economics, Springer, vol. 35(4), pages 287-308, November.
  13. Michael Hutter, 2010. "David Galenson, Conceptual revolutions in twentieth-century art," Journal of Cultural Economics, Springer, vol. 34(2), pages 155-158, May.

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