On the perceived quality of movies
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- Victor Ginsburgh & Sheila Weyers, 1999. "On the Perceived Quality of Movies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(4), pages 269-283, November.
References listed on IDEAS
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Citations
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Cited by:
- Allègre L. Hadida & Joseph Lampel & W. David Walls & Amit Joshi, 2021.
"Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(2), pages 213-238, June.
- Allègre L. Hadida & Joseph Lampel & Amit Joshi & W. D. Walls, "undated". "Hollywood Studio Filmmaking in the Age of Netflix: A Tale of Two Institutional Logics," Working Papers 2019-13, Department of Economics, University of Calgary.
- Alexis Dantec & Florence Levy, 2005. "Stars et box office : un état des approches théoriques et empiriques," Documents de Travail de l'OFCE 2005-13, Observatoire Francais des Conjonctures Economiques (OFCE).
- Fernanda Gutierrez-Navratil & Victor Fernandez-Blanco & Luis Orea & Juan Prieto-Rodriguez, 2014.
"How do your rivals’ releasing dates affect your box office?,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(1), pages 71-84, February.
- Fernanda Gutierrez-Navratil & Victor Fernandez-Blanco & Luis Orea & Juan Prieto-Rodriguez, 2011. "How do your rivals' releasing dates affect your box office?," ACEI Working Paper Series AWP-04-2011, Association for Cultural Economics International, revised Nov 2011.
- Marco Haan & S. Dijkstra & Peter Dijkstra, 2005.
"Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(1), pages 59-78, February.
- Haan, Marco & Dijkstra, Gerhard & Dijkstra, Peter, 2003. "Expert judgment versus public opinion - evidence from the Eurovision Song Contest," Research Report 03F12, University of Groningen, Research Institute SOM (Systems, Organisations and Management).
- Haan, Marco & Dijkstra, Gerhard & Dijkstra, Peter, 2003. "Expert judgment versus public opinion : evidence from the Eurovision Song Contest," CCSO Working Papers 200305, University of Groningen, CCSO Centre for Economic Research.
- repec:dgr:rugsom:03f12 is not listed on IDEAS
- Elisabetta Lazzaro, 2006. "Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 15-40, March.
- Durand, Rodolphe & Hadida, Allègre L., 2016. "Logic combination and performance across occupational communities: The case of French film directors," Journal of Business Research, Elsevier, vol. 69(7), pages 2371-2379.
- Francesco Angelini & Massimiliano Castellani, 2019.
"Cultural and economic value: a critical review,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 173-188, June.
- Francesco Angelini & Massimiliano Castellani, 2017. "Cultural and economic value: A (p)review," Working Paper series 17-10, Rimini Centre for Economic Analysis, revised Jan 2018.
- Victor Ginsburgh & Sheila Weyers, 2002. "Does the motion picture indusrtry have the television it deserves," ULB Institutional Repository 2013/152098, ULB -- Universite Libre de Bruxelles.
- M. Rimscha, 2013. "It’s not the economy, stupid! External effects on the supply and demand of cinema entertainment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(4), pages 433-455, November.
- Nathalie Moureau & Olivier Gergaud & Françoise Benhamou, 2009.
"Le financement du cinéma par la télévision : une analyse économétrique des investissements des chaînes,"
Économie et Prévision, Programme National Persée, vol. 188(2), pages 101-112.
- Françoise Benhamou & Olivier Gergaud & Nathalie Moureau, 2009. "Le financement du cinéma par la télévision : une analyse économétrique des investissements des chaînes," Economie & Prévision, La Documentation Française, vol. 0(2), pages 101-112.
- Françoise Benhamou & Olivier Gergaud & Nathalie Moureau, 2009. "Le financement du cinéma par la télévision : une analyse économétrique des investissements des chaînes," Post-Print halshs-00307752, HAL.
- Françoise Benhamou & Olivier Gergaud & Nathalie Moureau, 2009. "Le financement du cinéma par la télévision : une analyse économétrique des investissements des chaînes," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00307752, HAL.
- Azuela Flores José Ignacio & Fernandez Blanco Víctor & Sanzo Pérez María José, 2012. "The effects of critics reviews on movie demand," Contaduría y Administración, Accounting and Management, vol. 57(2), pages 201-222, abril-jun.
- Ralf Dewenter & Michael Westermann, 2005.
"Cinema Demand In Germany,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(3), pages 213-231, August.
- Dewenter, Ralf & Westermann, Michael, 2003. "Cinema demand in Germany," IBES Diskussionsbeiträge 125, University of Duisburg-Essen, Institute of Business and Economic Studie (IBES).
- Cuccia, Tiziana, 2009. "A Contingent Ranking Study on the Preferences of Tourists across Seasons/A Contingent Ranking Study on the Preferences of Tourists across Seasons," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 161-176, Abril.
- Martina Dattilo & Fabio Padovano & Yvon Rocaboy, 2023.
"More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(1), pages 71-96, March.
- Martina Dattilo & Fabio Padovano & Yvon Rocaboy, 2022. "More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants," Post-Print hal-03554241, HAL.
- Martina Dattilo & Fabio Padovano, 2023. "Evaluating the quality of UNESCO World Heritage List: a comparison with the Baedeker's guidebooks," Post-Print hal-04388046, HAL.
- Erwin Dekker, 2015. "Two approaches to study the value of art and culture, and the emergence of a third," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(4), pages 309-326, November.
- Sangho KIM & Donghyun PARK, 2010. "Addictive behavior in cinema demand: evidence from Korea," Economic Growth Centre Working Paper Series 1002, Nanyang Technological University, School of Social Sciences, Economic Growth Centre.
- Natalia Gmerek, 2015. "The determinants of Polish movies’ box office performance in Poland," Journal of Marketing and Consumer Behaviour in Emerging Markets, University of Warsaw, Faculty of Management, vol. 1(1), pages 15-35.
- Jose Ignacio Azuela Flores & Victor Fernandez-Blanco & Maria Jose Sanzo-Perez, 2012. "Movie reviews: Who are the readers?," ACEI Working Paper Series AWP-03-2012, Association for Cultural Economics International, revised May 2012.
- Brian Goff & Dennis Wilson & David Zimmer, 2017. "Movies, Mass Consumers, And Critics: Economics And Politics Of A Two-Sided Market," Contemporary Economic Policy, Western Economic Association International, vol. 35(2), pages 269-277, April.
- Wallentin, Erik, 2016. "Demand for cinema and diverging tastes of critics and audiences," Journal of Retailing and Consumer Services, Elsevier, vol. 33(C), pages 72-81.
- repec:dgr:rugccs:200305 is not listed on IDEAS
- Allègre Hadida, 2010. "Commercial success and artistic recognition of motion picture projects," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(1), pages 45-80, February.
- Francesco Angelini & Massimiliano Castellani & Lorenzo Zirulia, 2022. "Overconfidence in the art market: a bargaining pricing model with asymmetric disinformation," Economia Politica: Journal of Analytical and Institutional Economics, Springer;Fondazione Edison, vol. 39(3), pages 961-988, October.
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