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Determining heterogeneous behavior for theater attendance

Citations

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Cited by:

  1. Concetta Castiglione & Roberto Zanola, 2019. "The Demand and Supply for Popular Culture: Evidence from Italian Circuses," Italian Economic Journal: A Continuation of Rivista Italiana degli Economisti and Giornale degli Economisti, Springer;Società Italiana degli Economisti (Italian Economic Association), vol. 5(3), pages 349-367, October.
  2. Karol Jan Borowiecki & Trilce Navarrete, 2018. "Fiscal and economic aspects of book consumption in the European Union," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 309-339, May.
  3. María Palma & Luis Palma & Luis Aguado, 2013. "Determinants of cultural and popular celebration attendance: the case study of Seville Spring Fiestas," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(1), pages 87-107, February.
  4. Borowiecki, Karol Jan & Dahl, Christian Møller, 2021. "What makes an artist? The evolution and clustering of creative activity in the US since 1850," Regional Science and Urban Economics, Elsevier, vol. 86(C).
  5. Andrew E. Clark & Anthony Lepinteur, 2022. "Pandemic Policy and Life Satisfaction in Europe," Review of Income and Wealth, International Association for Research in Income and Wealth, vol. 68(2), pages 393-408, June.
  6. Staffan Albinsson, 2023. "Workers’ access to Swedish opera houses and concert halls, 1898–2019," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(1), pages 1-30, March.
  7. Victoria Ateca-Amestoy & Concetta Castiglione, 2023. "Live and digital engagement with the visual arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 643-692, December.
  8. Kirstin Hallmann & Cristina Muñiz Artime & Christoph Breuer & Sören Dallmeyer & Magnus Metz, 2017. "Leisure participation: modelling the decision to engage in sports and culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 467-487, November.
  9. Alan Collins & Chris Hand & Maggie Linnell, 2008. "Analyzing repeat consumption of identical cultural goods: some exploratory evidence from moviegoing," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(3), pages 187-199, September.
  10. Marvao, Catarina & Borowiecki, Karol, 2015. "Dance Participation and Attendance in Denmark," SITE Working Paper Series 33, Stockholm School of Economics, Stockholm Institute of Transition Economics.
  11. Borowiecki, Karol J. & Bakhshi, Hasan, 2018. "Did you really take a hit? Understanding how video games playing affects individuals," Research in Economics, Elsevier, vol. 72(2), pages 313-326.
  12. Ateca Amestoy, Victoria Maria, 2009. "El capital humano como determinante del consumo cultural/," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 89-112, Abril.
  13. Calogero Guccio & Domenico Lisi & Anna Mignosa & Ilde Rizzo, 2017. "Has cultural heritage monetary value an impact on visits? An assessment using Italian official data," ACEI Working Paper Series AWP-02-2017, Association for Cultural Economics International, revised Feb 2017.
  14. Frank Crowley & John Eakins & Declan Jordan, 2012. "Participation,Expenditure and Regressivity in the Irish Lottery:Evidence from Irish Household Budget Survey 2004/2005," The Economic and Social Review, Economic and Social Studies, vol. 43(2), pages 199-225.
  15. Suarez-Fernandez, Sara & Perez-Villadoniga, Maria J. & Prieto-Rodriguez, Juan, 2022. "Price salience in opinion polls and observed behavior: The case of Spanish cinema," Economic Modelling, Elsevier, vol. 111(C).
  16. Jesús Manuel De Sancha-Navarro & Juan Lara-Rubio & María Dolores Oliver-Alfonso & Luis Palma-Martos, 2021. "Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach," Sustainability, MDPI, vol. 13(5), pages 1-15, March.
  17. Castiglione, Concetta & Infante, Davide, 2014. "The evolution of theatre attendance in Italy: patrons and companies," MPRA Paper 63301, University Library of Munich, Germany, revised 07 Mar 2015.
  18. Montoro Pons, Juan D. & Cuadrado García, Manuel, 2009. "Determinantes del éxito comercial en las industrias culturales. Análisis del sector fonográfico en España/," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 253-272, Abril.
  19. Ana Flávia Machado & André Braz Golgher & Sibelle Diniz & Luiz Carlos Day Gama, 2017. "Consumption of cultural goods and services and time allocation in Brazil [Consumption of cultural goods and services and time allocation in Brazil]," Nova Economia, Economics Department, Universidade Federal de Minas Gerais (Brazil), vol. 27(1), pages 35-63, January-A.
  20. Concetta Castiglione, 2019. "Revealed individual attendance at Italian theatre: a microeconomic investigation," Economia Politica: Journal of Analytical and Institutional Economics, Springer;Fondazione Edison, vol. 36(3), pages 731-759, October.
  21. Elisabetta Lazzaro & Carlofilippo Frateschi, 2015. "Couples' arts participation: assessing individual and joint time use," ULB Institutional Repository 2013/185658, ULB -- Universite Libre de Bruxelles.
  22. Giovanis, Eleftherios & Akdede, Sacit Hadi, 2022. "The socio-cultural integration of immigrants in Germany: changes across generations," MPRA Paper 115679, University Library of Munich, Germany.
  23. Louis Lévy-Garboua & Claude Montmarquette, 2011. "Demand," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 26, Edward Elgar Publishing.
  24. Victoria Ateca-Amestoy & Concetta Castiglione, 2016. "The consumption of cultural goods through the internet. How is it affected by the digital divide?," ACEI Working Paper Series AWP-04-2016, Association for Cultural Economics International, revised May 2016.
  25. Caterina Adelaide Mauri & Alexander Friedrich Wolf, 2021. "Battle of the ballet household decisions on arts consumption," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(3), pages 359-383, September.
  26. K. Willis & J. Snowball & C. Wymer & José Grisolía, 2012. "A count data travel cost model of theatre demand using aggregate theatre booking data," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(2), pages 91-112, May.
  27. Victor Fernandez-Blanco & Juan Prieto-Rodriguez & Javier Suarez-Pandiello, 2015. "A quantitative analysis of reading habits," ACEI Working Paper Series AWP-05-2015, Association for Cultural Economics International, revised May 2015.
  28. Karol Borowiecki & Juan Prieto-Rodriguez, 2015. "Video games playing: A substitute for cultural consumptions?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(3), pages 239-258, August.
  29. Sara Suarez-Fernandez & Maria Jose Perez-Villadoniga & Juan Prieto-Rodriguez, 2018. "Are We (Un)Consciously Driven by First Impressions? Price Declarations vs. Observed Cinema Demand when VAT Increases," ACEI Working Paper Series AWP-02-2018, Association for Cultural Economics International, revised Jul 2018.
  30. Daniel Urrutiaguer, 2011. "Theatre," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 59, Edward Elgar Publishing.
  31. Michael Getzner, 2020. "Spatially Disaggregated Cultural Consumption: Empirical Evidence of Cultural Sustainability from Austria," Sustainability, MDPI, vol. 12(23), pages 1-19, December.
  32. Borowiecki, Karol Jan, 2019. "The Origins of Creativity: The Case of the Arts in the United States since 1850," Discussion Papers on Economics 11/2019, University of Southern Denmark, Department of Economics.
  33. E. Bertacchini & A. Venturini & R. Zotti, 2022. "Drivers of cultural participation of immigrants: evidence from an Italian survey," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 57-100, March.
  34. Javier Gardeazabal & Eduardo Polo-Muro, 2022. "Cultural expenditure of those who enter (or exit) unemployment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(4), pages 571-596, December.
  35. Juan Gabriel Brida & Chiara Dalle Nogare & Raffaele Scuderi, 2014. "How often to a museum? Motivations matter," BEMPS - Bozen Economics & Management Paper Series BEMPS16, Faculty of Economics and Management at the Free University of Bozen.
  36. Cuccia, Tiziana, 2009. "A Contingent Ranking Study on the Preferences of Tourists across Seasons/A Contingent Ranking Study on the Preferences of Tourists across Seasons," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 161-176, Abril.
  37. Aaron Espinosa Espinosa & Luis Palma Martos & Luis Aguado Quintero, 2021. "Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia)," Scientific Annals of Economics and Business (continues Analele Stiintifice), Alexandru Ioan Cuza University, Faculty of Economics and Business Administration, vol. 68(si), pages 79-103, December.
  38. Sara Suarez-Fernandez & Juan Prieto-Rodriguez & Maria Jose Perez-Villadoniga, 2020. "The changing role of education as we move from popular to highbrow culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(2), pages 189-212, June.
  39. Junlong Wu & Keshen Jiang & Chaoqing Yuan, 2019. "Determinants of demand for traditional Chinese opera," Empirical Economics, Springer, vol. 57(6), pages 2129-2148, December.
  40. Juan Montoro-Pons & Manuel Cuadrado-García, 2011. "Live and prerecorded popular music consumption," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 19-48, February.
  41. Jobst, Johanna & Boerner, Sabine, 2014. "„Und wie fanden Sie es heute Abend?“ Eine empirische Analyse des Zuschauerurteils im Sprechtheater," ZögU - Zeitschrift für öffentliche und gemeinwirtschaftliche Unternehmen, Nomos Verlagsgesellschaft mbH & Co. KG, vol. 37(4), pages 253-270.
  42. Karol Jan Borowiecki, 2015. "Historical origins of cultural supply in Italy," Oxford Economic Papers, Oxford University Press, vol. 67(3), pages 781-805.
  43. Calogero Guccio & Domenico Lisi & Marco Martorana & Anna Mignosa, 2017. "On the role of cultural participation in tourism destination performance: an assessment using robust conditional efficiency approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(2), pages 129-154, May.
  44. Muñiz, Cristina & Rodríguez, Plácido & Suárez, María J., 2014. "Sports and cultural habits by gender: An application using count data models," Economic Modelling, Elsevier, vol. 36(C), pages 288-297.
  45. Geng Chen & Pei Tang, 2021. "Similar but special: an econometric analysis of live performing arts attendance in mainland China," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(3), pages 459-490, September.
  46. Flores-Zamora, Javier & García-Madariaga, Jesús, 2017. "Does opinion leadership influence service evaluation and loyalty intentions? Evidence from an arts services provider," Journal of Retailing and Consumer Services, Elsevier, vol. 39(C), pages 114-122.
  47. Cristina Muñiz & Plácido Rodríguez & María José Suárez, 2017. "Participation in cultural activities: specification issues," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(1), pages 71-93, February.
  48. Elisabetta Lazzaro & Carlofilippo Frateschi, 2017. "Couples’ arts participation: assessing individual and joint time use," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(1), pages 47-69, February.
  49. Roberto Cellini & Tiziana Cuccia, 2019. "Do behaviours in cultural markets affect economic resilience? An analysis of Italian regions," European Planning Studies, Taylor & Francis Journals, vol. 27(4), pages 784-801, April.
  50. Masaki Katsuura, 2012. "Lead–lag relationship between household cultural expenditures and business cycles," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(1), pages 49-65, February.
  51. Ateca-Amestoy, Victoria & Prieto-Rodriguez, Juan, 2013. "Forecasting accuracy of behavioural models for participation in the arts," European Journal of Operational Research, Elsevier, vol. 229(1), pages 124-131.
  52. Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
  53. Marta Zieba, 2017. "Cultural participation of tourists – Evidence from travel habits of Austrian residents," Tourism Economics, , vol. 23(2), pages 295-315, March.
  54. Calogero Guccio & Domenico Lisi & Anna Mignosa & Ilde Rizzo, 2018. "Does cultural heritage monetary value have an impact on visits? An assessment using official Italian data," Tourism Economics, , vol. 24(3), pages 297-318, May.
  55. Pascal Courty & Fenghua Zhang, 2018. "Cultural participation in major Chinese cities," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(4), pages 543-592, November.
  56. Elisabetta Lazzaro & Carlofilippo Frateschi, 2008. "Attendance to cultural events and spousal influences: the Italian case," "Marco Fanno" Working Papers 0084, Dipartimento di Scienze Economiche "Marco Fanno".
  57. Carla Cristina Rosa de Almeida & João Policarpo Rodrigues Lima & Maria Fernanda Freire Gatto, 2020. "Expenditure on cultural events: preferences or opportunities? An analysis of Brazilian consumer data," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 451-480, September.
  58. Eleftherios Giovanis, 2021. "Participation in socio-cultural activities and subjective well-being of natives and migrants: evidence from Germany and the UK," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 68(4), pages 423-463, December.
  59. Massimo Finocchiaro Castro & Isidoro Mazza & Domenica Romeo, 2021. "The Role of Cultural Capital on the Voluntary Contributions to Cultural Goods: A Differential Game Approach," Games, MDPI, vol. 12(1), pages 1-11, March.
  60. José Grisolía & Kenneth Willis, 2012. "A latent class model of theatre demand," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(2), pages 113-139, May.
  61. Borowiecki, Karol J. & Bakshi, Hasan, 2017. "Video games as cultural participation: understanding games playing in England using the Taking Part survey," Discussion Papers on Economics 5/2017, University of Southern Denmark, Department of Economics.
  62. Luisa Fernanda Bernat & Jhon James Mora & Blanca Zuluaga, 2012. "La elasticidad ingreso del consumo cultural en Cali," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 14(27), pages 165-192, July-Dece.
  63. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
  64. Wei-Jen Wen & Tsung-Chi Cheng, 2013. "Performing arts attendance in Taiwan: who and how often?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(2), pages 309-325, May.
  65. Caterina Adelaide Mauri & Alexander Wolf, 2016. "Household Decisions on Arts Consumption: How Men Can Avoid the Ballet," Working Papers ECARES ECARES 2016-36, ULB -- Universite Libre de Bruxelles.
  66. Andrey David Ramos Ramírez & Nora Elena Espinal Monsalve, 2020. "Aplicación de modelos de elección discreta regularizados para el análisis de los determinantes del consumo cultural en Colombia: el caso de los bienes del patrimonio cultural [Aplicação de modelos reg," Nova Economia, Economics Department, Universidade Federal de Minas Gerais (Brazil), vol. 30(1), pages 37-68, January-A.
  67. Sibelle Diniz & Ana Machado, 2011. "Analysis of the consumption of artistic-cultural goods and services in Brazil," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 1-18, February.
  68. Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez, 2020. "Playing a play: online and live performing arts consumers profiles and the role of supply constraints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 425-450, September.
  69. Kevin E. Staub & Rainer Winkelmann, 2013. "Consistent Estimation Of Zero‐Inflated Count Models," Health Economics, John Wiley & Sons, Ltd., vol. 22(6), pages 673-686, June.
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