Are Popular and Classical Music Listeners the Same People?
In this paper we propose a method for analysing the differences between theconsumption of popular and classical music, that we apply to Spain. Using theinformation contained in the Survey of Structure, Conscience and Biography ofClass, we estimate a bivariate probit model to characterise the audience foreach kind of music, we quantify the influence exerted by various socioeconomicfeatures on the demand for these goods and we describe the average profile ofconsumers. Copyright Kluwer Academic Publishers 2000
References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Louis Lévy-Garboua & Claude Montmarquette, 1996. "A microeconometric study of theatre demand," Journal of Cultural Economics, Springer, vol. 20(1), pages 25-50, March.
- John O’Hagan, 1996.
"Access to and participation in the arts: The case of those with low incomes/educational attainment,"
Journal of Cultural Economics,
Springer, vol. 20(4), pages 269-282, December.
- John W. O'Hagan, 1996. "Access to and Participation in the Arts: The Case of Those with Low Income/Educational Attainment," Economics Policy Papers 961, Trinity College Dublin, Department of Economics.
When requesting a correction, please mention this item's handle: RePEc:kap:jculte:v:24:y:2000:i:2:p:147-164. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Guenther Eichhorn)or (Christopher F. Baum)
If references are entirely missing, you can add them using this form.