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Análisis económico de la demanda de un festival cultural/

Listed author(s):


    (Departamento de Economía Aplicada. UNIVERSIDAD DE VALLADOLID)


    (Departamento de Economía Aplicada UNIVERSIDAD DE VALLADOLID)


    (Departamento de Economía Financiera y Contabilidad. UNIVERSIDAD DE VALLADOLID)

La expansión del número de festivales culturales en los últimos años hace de este fenómeno un tema de interés creciente en el ámbito de la economía de la cultura. De este modo, el objetivo de este artículo es analizar la función de demanda de un festival cultural, concretamente un festival cinematográfico, y estudiar el grado de significación de variables de tipo sociodemográfico y otras relacionadas con el consumo cultural y la experiencia acumulada de los individuos en estos eventos, demostrando que estas variables resultan ser más determinantes que las exclusivamente monetarias. La estimación se realiza a través de un modelo econométrico de datos de recuento, o modelo binomial negativo, utilizando para ello los resultados de una encuesta realizada al público asistente a la Semana Internacional de Cine de Valladolid. The expansion of the number of cultural festivals in recent years makes this phenomenon a topic of growing interest in the field of cultural economics. Thus, the purpose of this article is to analyse the demand of a cultural festival –specifically a film festival- and to study the significance of some socio demographic variables, as well as variables related to cultural consumption and accumulated experience on these events, showing that this kind of variables are more important than monetary ones. The estimate was made through an econometric model for count data, or negative binomial model, using the results of a survey carried out to the public attending the Valladolid International Film Festival.

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Article provided by Estudios de Economía Aplicada in its journal Estudios de Economía Aplicada.

Volume (Year): 27 (2009)
Issue (Month): (Abril)
Pages: 139-160

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Handle: RePEc:lrk:eeaart:27_1_2
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Beatriz Rodríguez Prado. Facultad de CC.EE. y EE. Avda. Valle del Esgueva. Valladolid 47011 SPAIN

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  1. Throsby, David, 1994. "The Production and Consumption of the Arts: A View of Cultural Economics," Journal of Economic Literature, American Economic Association, vol. 32(1), pages 1-29, March.
  2. Pierre-Jean Benghozi, 2006. "Mutations et articulations contemporaines des industries culturelles," Post-Print hal-00263104, HAL.
  3. Gapinski, James H, 1986. "The Lively Arts as Substitutes for the Lively Arts," American Economic Review, American Economic Association, vol. 76(2), pages 20-25, May.
  4. Gapinski, James H, 1984. "The Economics of Performing Shakespeare," American Economic Review, American Economic Association, vol. 74(3), pages 458-466, June.
  5. Juan Prieto-Rodríguez & Víctor Fernández-Blanco, 2000. "Are Popular and Classical Music Listeners the Same People?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(2), pages 147-164, May.
  6. Thierry RAYNA, 2008. "Understanding the Challenges of the Digital Economy: The Nature of Digital Goods," Communications & Strategies, IDATE, Com&Strat dept., vol. 1(71), pages 13-36, 3rd quart.
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