Content
2016, Issue 3
- 399-402 Book publishing in Italy: market and critical issues
by Alessandro Monti - 403-412 European Union and the audiovisual
by Francesca Medolago Albani - 413-420 Tools & rules. Technological Innovation and Legislative Innovation in European Publishing
by Piero Attanasio - 421-432 Audiovisual production resources: crisis, prospects, problems
by Giuseppe Richeri - 433-444 Digital Revolution in the Cultural Industries. The Regulation of a Schumpeterian Cycle
by Philippe Chantepie - 445-456 Cultural industries in the digital age: creative or technological?
by Pierre-Jean Benghozi - 457-466 Guizhou, Southwest China: cultural challenges in ethnic villages
by Kuang Han Li - 467-476 The Italian art of XX century and the cultural diplomacy. The Farnesina Collection
by Greta Alberta Tirloni - 477-478 Luca Dal Pozzolo, Aldo Garbarini in conversazione con Francesco De Biase, Oltre la sindrome del Vilcoyote. Politiche culturali per disegnare il futuro
by A. Taormina
2016, Issue 2
- 225-240 Paolo Leon and cultural economics
by Marco Causi - 241-244 I met a courteous wise man
by Celestino Spada - 245-248 Nota introduttiva / Introductory note
by Annalisa Cicerchia - 249-260 Culture and development. The Global Quest for Indicators
by Annalisa Cicerchia - 261-268 Cooperation towards development: the biased value of culture
by Mercedes Giovinazzo - 269-284 Is culture a key factor in the European Union's macro-regional strategies?
by Pietro Celotti & Maria Giulia Settanni & Nicola Brignani & Andrea Gramillano - 285-300 Culture in danger - Culture as a danger. Cultural heritage at the frontline of recent worldwide conflicts
by Anna Dal Maso - 301-314 Culture and economy: numbering and encoding
by Françoise Benhamou & Philippe Chantepie - 315-322 Creativity, young people and culture for urban regeneration in Italy
by Leonardo Punginelli & Luigi Ratclif & Mario Santercole - 323-334 African comic authors and the publication in the framework of the social communication
by Sandra Federici - 335-340 Conflict-affected countries in MENA region. Training and emergency management tools
by Bijan Rouhani - 341-346 The Indicator Framework on Culture and Democracy. An innovative project of the Council of Europe
by Giulia Masini - 347-352 When risk and heritage create a team
by AbdelHamid Salah El-Sharief & Amira Sadik Aly El-Sayed & HebatAllah AbdelHamid - 353-354 UNESCO, Reshaping cultural policies-2005
by C. Bodo - 355-356 Simona Bodo, Silvia Mascheroni e Maria Grazia Panigada (a cura di), Un patrimonio di storie
by C. Da Milano
2016, Issue 1
- 1-2 Ricordo di Trezzini
by Economia della Cultura - 3-14 Nota Introduttiva/Introductory note
by Carla Bodo & Mariagrazia Bellisario - 15-20 EU: a new role of culture in the intermediterranean cooperation
by Silvia Costa - 21-24 The MiBACT engagement
by Antonia Pasqua Recchia - 25-30 Cultural rights and reception policies
by Leoluca Orlando & Andrea Cusumano - 31-36 From medieval Cordoba to the Charter of Palermo: rethinking and rebuilding the reception of migrants, dialogue between cultures and respect for diversity
by François de Bernard - 37-40 Knowledge and religious illiteracy
by Alberto Melloni - 41-48 Governing cultural diversity. Common goods, shared experiences, spaces for exchange
by Riccardo Pozzo & Vania Virgili - 49-56 The Mediterranean and the UNESCO. The intangible cultural heritage and cultural diversity' notions as factors of sustainable development
by Elena Sinibaldi & Emilio Cabasino - 57-62 A new «cultural dividend» for Mediterranean development policies
by Maurizio Carta - 63-68 Culture and sustainable development in the Mediterranean: the Italian perspective
by Vincenzo De Luca - 69-78 Towards a renewed cultural cooperation in the Mediterranean region
by Giovanna Tanzarella - 79-86 Cooperation in the Mediterranean: lessons from the cultural sector
by Mercedes Giovinazzo - 87-92 Mobility, social-cultural policies and new perspectives between Europe and the Mediterranean Sea
by Dora Bei & Luigi Ratclif - 93-98 Ancient theatres as expression of Mediterranean complexity, cultural joint of globalization
by Roberto Albergoni & Carlo Bianchini - 99-106 The intermediterranean cooperation in the field of music
by Francesco Giambrone & Angela Fodale - 107-112 The present contemporary dance situation in the Mediterranean
by Gerarda Ventura - 113-120 Italy and inter-Mediterranean cooperation in the visual arts
by Cristiana Perrella & Ludovico Pratesi - 121-124 The challenges in film coproduction in the Mediterranean area
by Pierre Emmanuel Lecerf - 125-132 Cinema and Audiovisual in the Euromed public space. Challenges and critical points
by Bruno Zambardino - 133-148 Culture, economic development and social mobility in Italy: the territorial gaps
by Giulio Guarini & Tiziana Laureti & Giuseppe Garofalo - 149-164 Social and economic impacts of culture in ECoC Italian candidate cities
by Annalisa Cicerchia - 165-170 Marseille, welcoming city?
by Jean François Chougnet - 171-174 DARB 1718: Contemporary Art and Culture Center in Old Cairo
by Reem Hatem - 175-180 The MEDNETA project from heritage to artistic creation
by Sofia Avgerinou-Kolonias - 181-186 The ARCHEOMEDSITES Project
by Michele Colavito - 187-194 Managing Palestinian cultural heritage: between threats and opportunities
by Osama Hamdan - 195-198 HOLOGRAMME: a Tuniso-Sicilian cross-border cultural project
by Fatma Fekih-Ahmed Kilani - 199-202 Dichiarazione finale di Palermo
by Economia della Cultura - 203-206 Palermo Final Declaration
by Economia della Cultura - 207-216 Carta di Palermo 2015
by Economia della Cultura - 217-219 Francesco Erbani, Pompei, Italia
by A.F. Leon - 220-220 Maria Rosaria Napolitano e Vittoria Marino (a cura di), Cultural heritage e made in Italy
by D. Bizjak
2015, Issue 3-4
- 321-328 Nota Introduttiva/Introductory note
by Economia della Cultura - 329-340 Landscape and territory as factors of identity and development
by Angela Barbanente - 341-350 Landscape plan as a cultural event
by Francesco Erbani - 351-366 Cultural policies for local development. Aims,means, first resulte
by Francesco Palumbo - 367-376 Recent innovations in cultural legislation in the Puglia Region
by Silvia Pellegrini - 377-386 Cultural policies and local development: theory and practices
by Pierluigi Montalbano & Pietro Antonio Valentino - 387-406 The role of creative and cultural enterprises in local development processes
by Aldo Bonomi - 407-418 Local resources and economic devolopment processes
by Raffaele Colaizzo - 419-432 Italy's National Catalogue of Cultural Heritage: a new hub for new objectives
by Laura Moro - 433-446 Twenty Years of Changing Employment Patterns in the Cultural Professions
by Marie Gouyon & Frédérique Patureau - 447-466 Creativity and culture in the Apulian Region development policies: a selection of experiences between 2005-2015
by Elena Alessandrini - 467-486 The Environmental and Cultural System of the Valle d'Itria: a promising evolution
by Gianfranco Ciola & Filomena Tanzarella - 487-494 Crowdsourcing and crowdfunding: ideas, collectivism and resources
by Madel Crasta - 495-496 Francesco De Biase (a cura di), I pubblici della cultura. Audience development, audience engagement
by A. Taormina
2015, Issue 2
- 171-178 Introductory note / Note d'introduction
by Economia della Cultura - 179-188 The Recorded Music Market in Germany 2003-2014
by Peter Tschmuck - 189-210 The Italian book publishing industry in the years 2005-2015
by Riccardo Fedriga - 211-222 Audiovisual production in Spain. Fewer resources, same problems, new challenges
by José M. Álvarez-Monzoncillo & Antonio Baraybar-Fernández & Javier López-Villanueva - 223-230 The cultural exception: strength and weakness in the French cinema industry
by Benoît Danard - 231-244 Between industry and culture: Québec and Canada's broadcasting policy
by Sylvain Lafrance & Eloi Lafontaine Beaumier - 245-254 The Chinese video game industry in the Internet age
by Minyu Shi & Wenjun Deng - 255-268 Technological innovation and R&D. The disregarded dimension of the creative industries: the case of book publishing
by Pierre-Jean Benghozi & Elisa Salvador - 269-276 The European Union copyright policy: culture, oblivion and enchantment for the cultural industries in the European Commission Strategy
by Alain Strowel - 277-284 «World Cultural Heritage» between the contradictions in economic theory and tragedies in the news
by Amedeo Di Maio & Elina De Simone - 285-296 In search of economic balance in an opera house. The Teatro La Fenice case
by Giorgio Brunetti - 297-302 «My Iran»: History and stories in dialogue
by Marta Morelli & Silvia Mascheroni - 303-304 Terry Flew, Global Creative Industries
by G.P. Manzella - 305-305 Orietta Rossi Pinelli (a cura di ), La storia delle storie dell'arte
by M. De Luca - 305-307 Alessandro Monti, Il MAXXI a raggi X. Indagine sulla gestione privata di un museo pubblico
by A.F. Leon
2015, Issue 1
- 3-9 Nota Introduttiva / Editor's Note
by Economia della Cultura - 11-22 Why we should measure, what we should measure
by Annalisa Cicerchia - 23-46 Outcome indicators for the cultural sector
by Marco Ratti - 47-56 L'impatto sociale che vorremmo
by Luca Dal Pozzolo - 57-64 From GDP to Wellbeing: the measurable contribution of culture
by Luca Bergamo - 65-80 ECoC: impatti, sfide del- la valutazione. Il caso italiano
by Roberto Albano & Alessandro Bollo - 81-90 Garanzia d'insequestrabilità per le opere d'arte nel diritto internazionale
by Mario De Simoni - 91-104 I terremoti salveranno i centri storici minori dall'abbandono?
by Gian Ludovico Rolli - 105-108 Cultural investments: from economic development to social cohesion
by Claudio Bocci - 109-118 I programmi europei per la cultura: finalità, opportunità e impatto
by Cristina Da Milano - 119-126 Periferie urbane e partecipazione sociale: l'esperienza di Corviale
by Maria Grazia Bellisario - 127-132 Un progetto per Bologna città metropolitana
by Antonio Taormina - 133-140 Come valutare l'impatto della cultura in carcere: l'esperienza anglosassone
by Carla Bodo - 141-144 L'impatto sociale del dialogo tra calcio e cultura
by Paolo Serafini - 145-154 Qualche definizione da esperienze mirate all'innovazione culturale
by Alessia Zabatino - 155-156 Luigi Maria Sicca e Luca Zan (a cura di), Management arti culture. Resoconto del primo anno del GSA Accademia italiana di economia aziendale
by Economia della Cultura
2014, Issue 3-4
- 277-282 Nota introduttiva
by Economia della Cultura - 283-294 Earthquakes and towns: a long-term picture
by Emanuela Guidoboni - 295-302 Reconstructions: the extemporariness as a rule
by Roberto De Marco - 303-320 Risk Map, Guidelines and some recent laws: a critical approach
by Pietro Petraroia - 321-334 Pompei since the Irpinia earthquake in 1980 up till now: costs and strategies
by Salvatore D'Agostino - 335-346 Marche 1997: A coordinated pathway from damage to restoration
by Mario Canti & Maria Luisa Polichetti - 347-356 The 1997 earthquake in Umbria: ups and downs of a project. A dialogue
by Letizia Abbondanza & Bruno Toscano - 357-372 The works of art diaspora. The Abruzzo case
by Valentina Valerio - 373-384 Emilia 2012. The Repository Centre for recovered art works in Sassuolo
by Stefano Casciu & Marco Mozzo - 385-394 L'Aquila 2009. Urban planning in emergency and the primer of degradation processes
by Antonello Ciccozzi - 395-406 Seismic prevention applied to the architectural heritage: rules and fiscal deduction
by Francesco Doglioni & Michele Bondanelli - 407-420 What's a performing arts funding mechanism for?
by Fabio Donato - 421-428 What's the Catalogue of Hard Earthquakes in Italy
by Emanuela Guidoboni - 429-438 The Seismic Risk Map of monuments in Sicily and Calabria
by Carlo Cacace - 439-444 La televisione: come la vedo, come l'ho fatta
by Angelo Guglielmi - 445-447 Francesco Giambrone, Politiche per la cultura in Europa. Modelli di governance a confronto
by C. Bodo - 448-450 Simone Verde, Cultura senza capitale. Storia e tradimento di un'idea italiana
by G.A. Tirloni
2014, Issue 2
- 137-140 Nota Introduttiva
by Economia della Cultura - 141-158 European Capital of Culture 2019. An Italian Candidates Analysis
by Lucio Argano & Gennaro Iasevoli - 159-170 Cities Awarded the ECoC Title from 2014 to 2018: An Overview
by Adina Curta - 171-182 The Evaluation of the ECoC: Evolutions and Challenges
by Valentina Montalto & Maria Iglesias - 183-194 Evaluation and Legacy of the ECoC: Event Owners' and Event Hosts' Perspectives
by Eleni Theodoraki - 195-202 The European Capitals of Culture between employment and voluntary work
by Antonio Taormina & Giada Calvano - 203-212 Pushing cultural strategic planning on the ECoC model basis
by Claudio Bocci - 213-232 Macroeconomic effects of subsiding the production of culture in Marche Region
by Maurizio Ciaschini & Rosita Pretaroli & Francesca Severini & Claudio Socci - 233-238 Many factors blocking the Italian audio-visual industry
by Celestino Spada - 239-244 Plovdiv 2019: The First European Capital of Culture from Bulgaria
by Radostina Georgieva - 245-260 Le Capitali europee della cultura per gli anni 2020-2033. La Decisione n. 445/2014 del Parlamento e del Consiglio Europeo (16 aprile 2014)
by Economia della Cultura - 261-264 Anna Galluzzi, Libraries and Public Perception. A comparative analysis of the European press
by C. Faggiolani
2014, Issue 1
- 3-4 Nota introduttiva
by Economia della Cultura - 5-18 Contemporary in Italy: art regulatory developments and model to manage
by Pierpaolo Forte - 19-30 Public policies for contemporary art in Italy: building a Network
by Maria Grazia Bellisario - 31-40 Museums of contemporary arts in Italy
by Annalisa Cicerchia - 41-50 The reproduction of contemporary works of art (also in catalogues)
by Silvia Stabile - 51-62 A challenge for Art: Urban Regeneration in the critical spaces of the City
by Anna Detheridge - 63-68 Communicating the contemporary: methods and experiences
by Maria Paola Orlandini - 69-74 Contemporary art museum and cultural mediation
by Martina De Luca - 75-90 Made in Italy: positioning Italian Opera in the global context
by Paola Dubini - 91-98 A cosmopolitical cultural policy as the answer to the present Grande Crise?
by François de Bernard - 99-108 The participatory approach to the museums: the «Capodimonte per te» experience
by Ludovico Solima & Erminia Sciacchitano - 109-112 A Network for the South
by Angela Tecce - 113-118 Plaidoyer pour le FRAC. The FRAC are thirty years old and are still questioned
by Claude Mollard - 119-124 A migrant creativity: young artists in the international contest
by Luigi Ratclif - 125-126 Giovanni Solimine, Senza sapere. Il costo dell'ignoranza in Italia
by M. Crasta
2013, Issue 4
- 407-412 Nota introduttiva
by Economia della Cultura - 413-422 Culture in prison: an European overview
by Patrick Facchinetti - 423-432 The cultural system in Italian prisons
by Carmelo Cantone - 433-440 The library in prison. When reading becomes a necessity
by Emanuela Costanzo - 441-454 The Italian way to theatre in prison
by Antonio Taormina & Cristina Valenti - 455-460 Arts workshops in the Catalan penitentiary system
by Xavi Buscà Huertas - 461-474 Museums in Italy: data, dynamics and policy questions
by Annalisa Cicerchia - 475-488 The "cinepanettone" in the framework of Italian cinema's economics
by Marco Cucco - 489-494 Freeing spirits through music
by Sara Lee - 495-500 Cinema and audiovisuals in French prisons
by Carolina Caccavale - 501-502 Evaluating Writing in Prison Network
by Clive Hopwood - 503-508 Writers in Prison Network - Evaluation Summary Statement
by Sheffield Hallam University - 509-518 Visual arts as a threshold between prison and the museum
by Giovanna Brambilla - 519-526 The e.s.t.i.a. cooperative: a bridge between prison and "the outside"
by Michelina Capato Sartore - 527-532 Protocollo d'intesa per la promozione e gestione dei servizi di biblioteca negli istituti penitenziari italiani
by Economia della Cultura - 533-536 Protocollo d'intesa tra Ministero della Giustizia, Dipartimento dell'Amministrazione Penitenziaria, Istituto Superiore di Studi Penitenziari e Coordinamento Nazionale dei Teatri in Carcere
by Economia della Cultura - 537-537 Ugo Carughi, Maledetti Vincoli. La tutela dell'architettura contemporanea
by M.G. Bellisario - 538-538 Marco Cucco e Giuseppe Richeri, Il mercato delle location cinematografiche
by G. Dagnino
2013, Issue 3
- 271-272 Nota introduttiva
by Economia della Cultura - 273-288 L'impresa culturale e creativa: verso una definizione condivisa
by Pietro Antonio Valentino - 289-296 Le industrie culturali e creative: confronti statistici europei
by Fabio Bacchini - 297-308 Europa: dalla cultura alla creatività e ritorno. Proposte e dilemmi politici
by Annalisa Cicerchia - 309-324 The role of clusters to strengthen the transformative power of creative industries
by Reinhard Büscher & Carsten Schierenbeck - 325-330 Le imprese culturali e creative e i fondi coesione: una prima ricognizione
by Flavia Barca - 331-342 I «beni culturali» fra sopravvivenza e indipendenza
by Luigi Covatta - 343-356 The demand for art from Giffen to Sweezy
by Anna Pellanda - 357-364 L'arte di produrre arte: sintesi dell'indagine e indicazioni per le politiche di settore
by Pietro Antonio Valentino - 365-376 Imprese e autoimpiego culturale. Gli interventi di Invitalia
by Domenico Arcuri - 377-392 RomaProvinciaCreativa: un'esperienza amministrativa
by Gian Paolo Manzella - 393-394 Maryvonne de Saint Pulgent, Jack Lang: Batailles pour la Culture. Dix ans de politiques culturelles
by C. Bodo - 395-395 Luigi Maria Sicca, Alla fonte dei saperi manageriali. Il ruolo della musica nella ricerca per l'innovazione e per la formazione delle risorse umane
by F. Chiappetta - 396-396 Sergio Cherubini, Marketing culturale. Prodotti, servizi, event
by G. Iasevoli
2013, Issue 2
- 121-122 Nota introduttiva
by Economia della Cultura - 123-128 The Bank Foundations and the incentives to cultural non profit young entrepreneurs
by Andrea Rebaglio - 129-140 The cultural nonprofit young entrepreneurs: new evidence
by Alessandro F. Leon - 141-158 Third millennium generation: The production of the Independent contemporary art organizations
by Luigi Ratclif & Luca Castelli - 159-174 Cultural young entrepreneurs and the firm incentive and income allowances system in UK
by Alberto Masetti-Zanetti - 175-188 When crowds produce and finance culture
by Annalisa Cicerchia - 189-202 The social value of the cultural nonprofit young entrepreneurs
by Alessandro F. Leon - 203-216 Evaluating the demand for cultural goods: just income and tastes do matter?
by Marta Meleddu & Manuela Pulina & Maria Gabriela Ladu - 217-230 Cultural events as a source of creativity and of attractiveness a territory
by Edina Soldo & Olivier Keramidas & Charlène Arnaud - 231-244 Ecologia di sistema per le imprese di spettacolo dal vivo
by Luca Ricci - 245-252 SMartIt: lo studio di fattibilità per l'apertura dello sportello italiano
by Davide D'Antonio - 253-254 Il GAI, creatività giovanile e istituzioni: un modello italiano
by Luigi Ratclif - 255-256 CReSCo
by Luca Ricci - 257-258 Gianni Borgna, Una città aperta. Il «nuovo rinascimento romano» negli anni di Rutelli e Veltroni nel racconto dell'assessore alla Cultura di allora
by C. Spada - 259-260 Mario Abis e Gianni Canova (a cura di), I festival di cinema. Quando la cultura rende
by R. Vignati
2013, Issue 1
- 3-6 Nota Introduttiva
by Economia della Cultura - 7-14 The Holy See at the Biennale
by Gianfranco Ravasi - 15-24 The birth of the Contemporary Art Collection in the Vatican Museums
by Micol Forti - 20-24 Appendice iconografica a Micol Forti
by Economia della Cultura - 25-32 The painting of religious subjects at the Venice Biennali 1895-1914
by Paolo Serafini
Printed from https://ideas.repec.org/s/mul/jkrece4.html