War and Creativity: Solving the War-Art Puzzle for Classical Music Composition
The relationship between conflict and artistic output is ambiguous. This paper proposes an explanation for the contradiction in research, which we term the war-art puzzle. We employ a global sample of 115 prominent classical composers born after 1800 and link their annual productivity with the incidence of wars. We construct age-productivity profiles and find that the impact of wars on creative production is markedly heterogeneous - composers' productivity was significantly higher during defensive or victorious international wars and lower during intra-state conflicts, offensive or lost international wars. the long-run.
|Date of creation:||Mar 2011|
|Contact details of provider:|| Postal: Trinity College, Dublin 2|
Phone: (+ 353 1) 6081325
Web page: http://www.tcd.ie/Economics/
More information through EDIRC
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- David W. Galenson & Bruce A. Weinberg, 2000.
"Age and the Quality of Work: The Case of Modern American Painters,"
Journal of Political Economy,
University of Chicago Press, vol. 108(4), pages 761-777, August.
- David W. Galenson & Bruce A. Weinberg, 1999. "Age and the Quality of Work: The Case of Modern American Painters," NBER Working Papers 7122, National Bureau of Economic Research, Inc.
- Victor Ginsburgh & Sheila Weyers, 2006. "Creativity and Life Cycles of Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(2), pages 91-107, September.
- Victor Ginsburgh & Sheila Weyers, 2006. "Creativity and life cycles of artists," ULB Institutional Repository 2013/99270, ULB -- Universite Libre de Bruxelles.
- Karol Jan Borowiecki, 2012. "Are composers different? Historical evidence on conflict-induced migration (1816-1997)," European Review of Economic History, Oxford University Press, vol. 16(3), pages 270-291, August.
- Karol Jan Borowiecki, 2010. "Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997)," The Institute for International Integration Studies Discussion Paper Series iiisdp342, IIIS.
- Karol Jan BOROWIECKI, 2011. "Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997)," Trinity Economics Papers tep0811, Trinity College Dublin, Department of Economics.
- David W. Galenson & Bruce A. Weinberg, 2001. "Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism," American Economic Review, American Economic Association, vol. 91(4), pages 1063-1071, September.
- Hellmanzik, Christiane, 2010. "Location matters: Estimating cluster premiums for prominent modern artists," European Economic Review, Elsevier, vol. 54(2), pages 199-218, February.
- David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(2), pages 87-112, May. Full references (including those not matched with items on IDEAS)