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Creativity and life cycles of artists

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  • Victor Ginsburgh
  • Sheila Weyers

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  • Victor Ginsburgh & Sheila Weyers, 2006. "Creativity and life cycles of artists," ULB Institutional Repository 2013/99270, ULB -- Universite Libre de Bruxelles.
    • Handle: RePEc:ulb:ulbeco:2013/99270
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    References listed on IDEAS

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    1. David W. Galenson & Robert Jensen, 2001. "Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns," NBER Working Papers 8368, National Bureau of Economic Research, Inc.
    2. David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(2), pages 87-112, May.
    3. Robert Ekelund, 2002. "Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(4), pages 325-327, November.
    4. David W. Galenson & Bruce A. Weinberg, 2000. "Age and the Quality of Work: The Case of Modern American Painters," Journal of Political Economy, University of Chicago Press, vol. 108(4), pages 761-777, August.
    5. David Galenson, 2002. "The Life Cycles of Modern Artists," World Economics, World Economics, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 3(3), pages 161-178, July.
    6. David W. Galenson & Bruce A. Weinberg, 2001. "Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism," American Economic Review, American Economic Association, vol. 91(4), pages 1063-1071, September.
    7. David W. Galenson, 1999. "The Lives of the Painters of Modern Life: The Careers of Artists in France from Impressionism to Cubism," NBER Working Papers 6888, National Bureau of Economic Research, Inc.
    8. David W. Galenson, 1999. "Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism," NBER Working Papers 7407, National Bureau of Economic Research, Inc.
    9. David W. Galenson, 2003. "The Life Cycles of Modern Artists: Theory, Measurement, and Implications," NBER Working Papers 9539, National Bureau of Economic Research, Inc.
    10. Martin Bruegel & David W. Galenson, 2001. "Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism," NBER Working Papers 8266, National Bureau of Economic Research, Inc.
    11. Victor Ginsburgh & Sheila Weyers, 2005. "On the contemporaneity of Roger de Piles' Balance des peintres," ULB Institutional Repository 2013/1863, ULB -- Universite Libre de Bruxelles.
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    Citations

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    Cited by:

    1. Robert B. Ekelund & John D. Jackson & Robert D. Tollison, 2013. "Are Art Auction Estimates Biased?," Southern Economic Journal, John Wiley & Sons, vol. 80(2), pages 454-465, October.
    2. Douglas J. Hodgson & Christiane Hellmanzik, 2019. "Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 309-337, June.
    3. Christiane Hellmanzik, Department of Economics and IIIS, Trinity College Dublin, 2009. "Artistic Clusters and Modern Artists’ Mobility - An Empirical Study," The Institute for International Integration Studies Discussion Paper Series iiisdp296, IIIS.
    4. Kathryn Graddy & Carl Lieberman, 2018. "Death, Bereavement, and Creativity," Management Science, INFORMS, vol. 64(10), pages 4505-4514, October.
    5. Karol Jan Borowiecki & Nicholas Martin Ford & Maria Marchenko, 2023. "Harmonious relations: quality transmission among composers in the very long run," European Review of Economic History, European Historical Economics Society, vol. 27(3), pages 454-476.
    6. Beckert, Jens & Rössel, Jörg & Schenk, Patrick, 2014. "Wine as a cultural product: Symbolic capital and price formation in the wine field," MPIfG Discussion Paper 14/2, Max Planck Institute for the Study of Societies.
    7. Ventura Charlin & Arturo Cifuentes, 2013. "A new financial metric for the art market," Papers 1309.6929, arXiv.org, revised Jul 2015.
    8. John Galbraith & Douglas Hodgson, 2015. "Innovation, experience and artists’ age-valuation profiles: evidence from eighteenth-century rococo and neoclassical painters," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(3), pages 259-275, August.
    9. Michael Hutter, 2010. "David Galenson, Conceptual revolutions in twentieth-century art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(2), pages 155-158, May.
    10. Françoise Benhamou, 2011. "Artists’ Labour Markets," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 7, Edward Elgar Publishing.
    11. Anne-Sophie V. Radermecker & Koenraad Brosens, 2023. "Valuing European tapestry: from riches to rags," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(3), pages 359-406, September.
    12. Galbraith, John W. & Hodgson, Douglas J., 2012. "Dimension reduction and model averaging for estimation of artists' age-valuation profiles," European Economic Review, Elsevier, vol. 56(3), pages 422-435.
    13. Douglas Hodgson, 2011. "Age–price profiles for Canadian painters at auction," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(4), pages 287-308, November.
    14. Luigi Di Gaetano & Isidoro Mazza & Anna Mignosa, 2019. "On the allocation of talents in the contemporary art market," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(1), pages 121-143, March.
    15. Christiane Hellmanzik, 2009. "Artistic styles: revisiting the analysis of modern artists’ careers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(3), pages 201-232, August.
    16. Ginsburgh, Victor & Radermecker, Anne-Sophie & Tommasi, Denni, 2019. "The effect of experts’ opinion on prices of art works: The case of Peter Brueghel the Younger," Journal of Economic Behavior & Organization, Elsevier, vol. 159(C), pages 36-50.
    17. Karol Jan BOROWIECKI, 2011. "War and Creativity: Solving the War-Art Puzzle for Classical Music Composition," Trinity Economics Papers tep0711, Trinity College Dublin, Department of Economics.
    18. Zanola, Roberto & Vecco, Marilena & Jones, Andrew, 2021. "A place for everything and everything in its place: New York's role in the art market," Research in Economics, Elsevier, vol. 75(3), pages 215-224.
    19. Hellmanzik, Christiane, 2010. "Location matters: Estimating cluster premiums for prominent modern artists," European Economic Review, Elsevier, vol. 54(2), pages 199-218, February.
    20. Heinrich W. Ursprung & Christian Wiermann, 2011. "Reputation, Price, And Death: An Empirical Analysis Of Art Price Formation," Economic Inquiry, Western Economic Association International, vol. 49(3), pages 697-715, July.
    21. Robert B. Ekelund & John D. Jackson & Robert D. Tollison, 2015. "Age and productivity: An empirical study of early American artists," Southern Economic Journal, John Wiley & Sons, vol. 81(4), pages 1096-1116, April.
    22. Bronwyn Coate & Tim R.L. Fry, 2012. "Better off Dead? Prices Realised for Australian Paintings Sold at Auction," ACEI Working Paper Series AWP-02-2012, Association for Cultural Economics International, revised Feb 2012.
    23. Jennie Bai & Jia Guo & Benjamin R. Mandel, 2013. "Going global: markups and product quality in the Chinese art market," Staff Reports 614, Federal Reserve Bank of New York.
    24. Jose Sanchez-Fung, 2019. "Examining the life-cycle artistic productivity of Latin American photographers," ACEI Working Paper Series AWP-05-2019, Association for Cultural Economics International, revised Dec 2019.

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