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Creativity and Life Cycles of Artists

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  • Victor Ginsburgh
  • Sheila Weyers

Abstract

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  • Victor Ginsburgh & Sheila Weyers, 2006. "Creativity and Life Cycles of Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(2), pages 91-107, September.
  • Handle: RePEc:kap:jculte:v:30:y:2006:i:2:p:91-107
    DOI: 10.1007/s10824-006-9011-x
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    References listed on IDEAS

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    1. Robert Ekelund, 2002. "Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(4), pages 325-327, November.
    2. David W. Galenson & Bruce A. Weinberg, 2000. "Age and the Quality of Work: The Case of Modern American Painters," Journal of Political Economy, University of Chicago Press, vol. 108(4), pages 761-777, August.
    3. Martin Bruegel & David W. Galenson, 2001. "Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism," NBER Working Papers 8266, National Bureau of Economic Research, Inc.
    4. David Galenson, 2002. "The Life Cycles of Modern Artists," World Economics, World Economics, 1 Ivory Square, Plantation Wharf, London, United Kingdom, SW11 3UE, vol. 3(3), pages 161-178, July.
    5. David W. Galenson, 1999. "The Lives of the Painters of Modern Life: The Careers of Artists in France from Impressionism to Cubism," NBER Working Papers 6888, National Bureau of Economic Research, Inc.
    6. David W. Galenson, 1999. "Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism," NBER Working Papers 7407, National Bureau of Economic Research, Inc.
    7. Victor Ginsburgh & Sheila Weyers, 2005. "On the contemporaneity of Roger de Piles' Balance des peintres," ULB Institutional Repository 2013/1863, ULB -- Universite Libre de Bruxelles.
    8. David W. Galenson & Robert Jensen, 2001. "Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns," NBER Working Papers 8368, National Bureau of Economic Research, Inc.
    9. David W. Galenson & Bruce A. Weinberg, 2001. "Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism," American Economic Review, American Economic Association, vol. 91(4), pages 1063-1071, September.
    10. David W. Galenson, 2003. "The Life Cycles of Modern Artists: Theory, Measurement, and Implications," NBER Working Papers 9539, National Bureau of Economic Research, Inc.
    11. David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(2), pages 87-112, May.
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    Citations

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    Cited by:

    1. Galbraith, John W. & Hodgson, Douglas J., 2012. "Dimension reduction and model averaging for estimation of artists' age-valuation profiles," European Economic Review, Elsevier, vol. 56(3), pages 422-435.
    2. Douglas Hodgson, 2011. "Age–price profiles for Canadian painters at auction," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(4), pages 287-308, November.
    3. Christiane Hellmanzik, Department of Economics and IIIS, Trinity College Dublin, 2009. "Artistic Clusters and Modern Artists’ Mobility - An Empirical Study," The Institute for International Integration Studies Discussion Paper Series iiisdp296, IIIS.
    4. Charlin, Ventura & Cifuentes, Arturo, 2013. "A new financial metric for the art market," MPRA Paper 50186, University Library of Munich, Germany.
    5. Jennie Bai & Jia Guo & Benjamin R. Mandel, 2013. "Going global: markups and product quality in the Chinese art market," Staff Reports 614, Federal Reserve Bank of New York.
    6. Beckert, Jens & Rössel, Jörg & Schenk, Patrick, 2014. "Wine as a cultural product: Symbolic capital and price formation in the wine field," MPIfG Discussion Paper 14/2, Max Planck Institute for the Study of Societies.
    7. Heinrich W. Ursprung & Christian Wiermann, 2011. "Reputation, Price, And Death: An Empirical Analysis Of Art Price Formation," Economic Inquiry, Western Economic Association International, vol. 49(3), pages 697-715, July.
    8. Christiane Hellmanzik, 2009. "Artistic styles: revisiting the analysis of modern artists’ careers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(3), pages 201-232, August.
    9. John Galbraith & Douglas Hodgson, 2015. "Innovation, experience and artists’ age-valuation profiles: evidence from eighteenth-century rococo and neoclassical painters," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(3), pages 259-275, August.
    10. Michael Hutter, 2010. "David Galenson, Conceptual revolutions in twentieth-century art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(2), pages 155-158, May.
    11. Françoise Benhamou, 2011. "Artists’ Labour Markets," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 7 Edward Elgar Publishing.
    12. Karol Jan BOROWIECKI, 2011. "War and Creativity: Solving the War-Art Puzzle for Classical Music Composition," Trinity Economics Papers tep0711, Trinity College Dublin, Department of Economics.
    13. Hellmanzik, Christiane, 2010. "Location matters: Estimating cluster premiums for prominent modern artists," European Economic Review, Elsevier, vol. 54(2), pages 199-218, February.
    14. Bronwyn Coate & Tim R.L. Fry, 2012. "Better off Dead? Prices Realised for Australian Paintings Sold at Auction," ACEI Working Paper Series AWP-02-2012, Association for Cultural Economics International, revised Feb 2012.

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