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Expert judgment versus public opinion - evidence from the Eurovision Song Contest

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Listed:
  • Haan, Marco
  • Dijkstra, Gerhard
  • Dijkstra, Peter

    (Groningen University)

Abstract

For centuries, there have been discussions as to whether only experts can judge the quality of cultural output, or whether the taste of the public also has merit. This paper tries to resolve that question empirically, using national finals of the Eurovision Song Contest. We show that experts are better judges of quality: the outcome of finals judged by experts is less sensitive to factors unrelated to quality than the outcome of finals judged by public opinion. Yet, experts are not perfect: their judgment does still depend on such factors. This is also the case in the European finals of the contest.

Suggested Citation

  • Haan, Marco & Dijkstra, Gerhard & Dijkstra, Peter, 2003. "Expert judgment versus public opinion - evidence from the Eurovision Song Contest," Research Report 03F12, University of Groningen, Research Institute SOM (Systems, Organisations and Management).
  • Handle: RePEc:gro:rugsom:03f12
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    File URL: http://irs.ub.rug.nl/ppn/248290312
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    References listed on IDEAS

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    Cited by:

    1. Ginsburgh, Victor & Noury, Abdul G., 2008. "The Eurovision Song Contest. Is voting political or cultural?," European Journal of Political Economy, Elsevier, vol. 24(1), pages 41-52, March.
    2. Felbermayr, Gabriel J. & Toubal, Farid, 2010. "Cultural proximity and trade," European Economic Review, Elsevier, vol. 54(2), pages 279-293, February.
    3. repec:hal:journl:halshs-00641280 is not listed on IDEAS
    4. Sofronis Clerides & Thanasis Stengos, 2012. "Love thy Neighbour, Love Thy Kin: Strategy and Bias in the Eurovision Song Contest," Ekonomia, Cyprus Economic Society and University of Cyprus, vol. 15(1), pages 22-44, Summer.
    5. Pannicke, Julia, 2015. "Abstimmungsverhalten im Bundesvision Song Contest: Regionale Nähe versus Qualität der Musik," Ilmenau Economics Discussion Papers 95, Ilmenau University of Technology, Institute of Economics.
    6. Brinja Meiseberg, 2014. "Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(1), pages 9-42, February.
    7. Stefan D. Haigner & Stefan Jenewein & Hans-Christian Müller & Florian Wakolbinger, 2010. "The first shall be last: Serial position effects in the case contestants evaluate each other," Economics Bulletin, AccessEcon, vol. 30(4), pages 3170-3176.
    8. repec:jdm:journl:v:12:y:2017:i:4:p:415-421 is not listed on IDEAS
    9. Ari Kokko & Patrik Gustavsson Tingvall, 2014. "Distance, Transaction Costs, and Preferences in European Trade," The International Trade Journal, Taylor & Francis Journals, vol. 28(2), pages 87-120, June.
    10. Budzinski, Oliver & Pannicke, Julia, 2016. "Do preferences for pop music converge across countries? Empirical evidence from the Eurovision Song Contest," Ilmenau Economics Discussion Papers 101, Ilmenau University of Technology, Institute of Economics.
    11. Saavedra, Serguei & Efstathiou, Janet & Reed-Tsochas, Felix, 2007. "Identifying the underlying structure and dynamic interactions in a voting network," Physica A: Statistical Mechanics and its Applications, Elsevier, vol. 377(2), pages 672-688.
    12. GINSBURGH, Victor & NOURY, Abdul, 2005. "Cultural voting : The Eurovision Song Contest," CORE Discussion Papers 2005006, Université catholique de Louvain, Center for Operations Research and Econometrics (CORE).
    13. repec:kap:jculte:v:41:y:2017:i:4:d:10.1007_s10824-016-9272-y is not listed on IDEAS
    14. Budzinski, Oliver & Pannicke, Julia, 2017. "Does popularity matter in a TV song competition? Evidence from a national music contest," Ilmenau Economics Discussion Papers 106, Ilmenau University of Technology, Institute of Economics.
    15. Victor Ginsburgh, 2005. "Languages, Genes, and Cultures," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(1), pages 1-17, February.
    16. Dogru, Bülent, 2013. "Modeling Voting Behavior in the Eurovision Song Contest," MPRA Paper 42801, University Library of Munich, Germany.
    17. repec:kap:jculte:v:41:y:2017:i:4:d:10.1007_s10824-016-9277-6 is not listed on IDEAS
    18. Oliver Budzinski & Julia Pannicke, 2017. "Culturally biased voting in the Eurovision Song Contest: Do national contests differ?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 343-378, November.
    19. Sofronis Clerides & Thanasis Stengos, 2006. "Love thy Neighbor, Love thy Kin: Voting Biases in the Eurovision Song Contest," University of Cyprus Working Papers in Economics 1-2006, University of Cyprus Department of Economics.
    20. Novarese, Marco & Wilson, Chris M., 2013. "Being in the Right Place: A Natural Field Experiment on List Position and Consumer Choice," MPRA Paper 48074, University Library of Munich, Germany.
    21. Derek Gatherer, 2006. "Comparison of Eurovision Song Contest Simulation with Actual Results Reveals Shifting Patterns of Collusive Voting Alliances," Journal of Artificial Societies and Social Simulation, Journal of Artificial Societies and Social Simulation, vol. 9(2), pages 1-1.

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