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Jordi Mckenzie

Personal Details

First Name:Jordi
Middle Name:
Last Name:Mckenzie
Suffix:
RePEc Short-ID:pmc169
Terminal Degree:2005 School of Economics; Faculty of Arts and Social Sciences; University of Sydney (from RePEc Genealogy)

Affiliation

Department of Economics
Business School
Macquarie University

Sydney, Australia
https://www.mq.edu.au/macquarie-business-school/our-departments/department-of-economics
RePEc:edi:edmqqau (more details at EDIRC)

Research output

as
Jump to: Working papers Articles Chapters

Working papers

  1. David Court & Benjamin Gillen & Jordi McKenzie & Charles Plott, 2015. "Two Information Aggregation Mechanisms for Predicting the Opening Weekend Box Office Revenues of Films: Boxoffice Prophecy and Guess of Guesses," Natural Field Experiments 00541, The Field Experiments Website.
  2. McKenzie, Jordi & Walls, W. D., 2013. "File-Sharing and Film Revenues: An Empirical Analysis," Working Papers 2013-14, University of Sydney, School of Economics.
  3. W. D. Walls & J. McKenzie, "undated". "Australian films at the Australian box office: Performance, distribution, and subsidies," Working Papers 2014-52, Department of Economics, University of Calgary, revised 23 Sep 2014.
  4. W. D. Walls & J. McKenzie, "undated". "The changing role of Hollywood in the global movie market," Working Papers 2014-51, Department of Economics, University of Calgary, revised 23 Sep 2014.
  5. W. D. Walls & J. McKenzie, "undated". "Black Swan Models for the Entertainment Industry with an Application to the Movie Business," Working Papers 2018-04, Department of Economics, University of Calgary, revised 26 Jan 2018.

Articles

  1. Crosby, Paul & McKenzie, Jordi, 2021. "Should subscription-based content creators display their earnings on crowdfunding platforms? Evidence from Patreon," Journal of Business Venturing Insights, Elsevier, vol. 16(C).
  2. Jordi McKenzie & Paul Crosby & Liam J. A. Lenten, 2021. "It takes two, baby! Feature artist collaborations and streaming demand for music," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(3), pages 385-408, September.
  3. Charles B. Weinberg & Cord Otten & Barak Orbach & Jordi McKenzie & Ricard Gil & Darlene C. Chisholm & Suman Basuroy, 2021. "Technological change and managerial challenges in the movie theater industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(2), pages 239-262, June.
  4. W. D. Walls & Jordi McKenzie, 2020. "Black swan models for the entertainment industry with an application to the movie business," Empirical Economics, Springer, vol. 59(6), pages 3019-3032, December.
  5. Sunny Y. Shin & Jordi McKenzie, 2019. "Asymmetric cultural discounting and pattern of trade in cultural products: Empirical evidence in motion pictures," The World Economy, Wiley Blackwell, vol. 42(11), pages 3350-3367, November.
  6. Lenten, Liam J.A. & Crosby, Paul & McKenzie, Jordi, 2019. "Sentiment and bias in performance evaluation by impartial arbitrators," Economic Modelling, Elsevier, vol. 76(C), pages 128-134.
  7. McKenzie, Jordi & Crosby, Paul & Cox, Joe & Collins, Alan, 2019. "Experimental evidence on demand for “on-demand” entertainment," Journal of Economic Behavior & Organization, Elsevier, vol. 161(C), pages 98-113.
  8. Collins, Alan & McKenzie, Jordi & Vaughan Williams, Leighton, 2019. "When is a talent contest not a talent contest? Sequential performance bias in expert evaluation," Economics Letters, Elsevier, vol. 177(C), pages 94-98.
  9. Crosby, Paul & Lenten, Liam J.A. & McKenzie, Jordi, 2018. "Social media followers as music fans: Analysis of a music poll event," Economics Letters, Elsevier, vol. 168(C), pages 85-89.
  10. Liam J. A. Lenten & Jordi McKenzie, 2018. "The Times They Are A†Changin': On the Ephemeral Nature of Music Polls," The Economic Record, The Economic Society of Australia, vol. 94(304), pages 51-63, March.
  11. David Court & Benjamin Gillen & Jordi McKenzie & Charles R. Plott, 2018. "Two information aggregation mechanisms for predicting the opening weekend box office revenues of films: Boxoffice Prophecy and Guess of Guesses," Economic Theory, Springer;Society for the Advancement of Economic Theory (SAET), vol. 65(1), pages 25-54, January.
  12. Jordi McKenzie & Vladimir Smirnov, 2018. "Blockbusters and market expansion: evidence from the motion picture industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 341-352, May.
  13. McKenzie, Jordi, 2017. "Graduated response policies to digital piracy: Do they increase box office revenues of movies?," Information Economics and Policy, Elsevier, vol. 38(C), pages 1-11.
  14. McKenzie Jordi & Walls W. David, 2016. "File Sharing and Film Revenues: Estimates of Sales Displacement at the Box Office," The B.E. Journal of Economic Analysis & Policy, De Gruyter, vol. 16(1), pages 25-57, January.
  15. Stephan Lenor & Liam J. A. Lenten & Jordi McKenzie, 2016. "Rivalry Effects and Unbalanced Schedule Optimisation in the Australian Football League," Review of Industrial Organization, Springer;The Industrial Organization Society, vol. 49(1), pages 43-69, August.
  16. de Roos, Nicolas & McKenzie, Jordi, 2014. "Cheap Tuesdays and the demand for cinema," International Journal of Industrial Organization, Elsevier, vol. 33(C), pages 93-109.
  17. McKenzie, Jordi, 2013. "Predicting box office with and without markets: Do internet users know anything?," Information Economics and Policy, Elsevier, vol. 25(2), pages 70-80.
  18. Jordi McKenzie & W. Walls, 2013. "Australian films at the Australian box office: performance, distribution, and subsidies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(2), pages 247-269, May.
  19. W. D. Walls & Jordi McKenzie, 2012. "The Changing Role of Hollywood in the Global Movie Market," Journal of Media Economics, Taylor & Francis Journals, vol. 25(4), pages 198-219, December.
  20. Jordi McKenzie, 2012. "The Economics Of Movies: A Literature Survey," Journal of Economic Surveys, Wiley Blackwell, vol. 26(1), pages 42-70, February.
  21. McKenzie, Jordi, 2011. "Mean absolute percentage error and bias in economic forecasting," Economics Letters, Elsevier, vol. 113(3), pages 259-262.
  22. Jared Bullen & Jordi McKenzie, 2010. "Pari-Mutuel Information Aggregation Mechanisms with Public Knowledge," Journal of Prediction Markets, University of Buckingham Press, vol. 4(2), pages 23-43, September.
  23. Jordi McKenzie, 2010. "How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(3), pages 159-179, August.
  24. Jordi McKenzie, 2010. "Movie producers and the statistical distribution of achievement," Applied Economics Letters, Taylor & Francis Journals, vol. 17(17), pages 1657-1661.
  25. Jordi McKenzie, 2010. "Reviews: Rational Decisions," The Economic Record, The Economic Society of Australia, vol. 86(274), pages 453-454, September.
  26. Jordi McKenzie, 2010. "Do 'African American' films perform better or worse at the box office? An empirical analysis of motion picture revenues and profits," Applied Economics Letters, Taylor & Francis Journals, vol. 17(16), pages 1559-1564.
  27. JORDI McKENZIE, 2009. "Illegal Music Downloading And Its Impact On Legitimate Sales: Australian Empirical Evidence," Australian Economic Papers, Wiley Blackwell, vol. 48(4), pages 296-307, December.
  28. Jordi McKenzie, 2009. "Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(4), pages 279-299, November.
  29. Jordi Mckenzie, 2008. "Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office," The Economic Record, The Economic Society of Australia, vol. 84(266), pages 338-353, September.

Chapters

  1. Jordi McKenzie, 2020. "Digital consumption of cultural goods and services," Chapters, in: Trine Bille & Anna Mignosa & Ruth Towse (ed.), Teaching Cultural Economics, chapter 23, pages 175-181, Edward Elgar Publishing.
  2. Jordi McKenzie, 2013. "P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?," Springer Books, in: Peter Tschmuck & Philip L. Pearce & Steven Campbell (ed.), Music Business and the Experience Economy, edition 127, pages 79-97, Springer.

More information

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Statistics

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Co-authorship network on CollEc

NEP Fields

NEP is an announcement service for new working papers, with a weekly report in each of many fields. This author has had 3 papers announced in NEP. These are the fields, ordered by number of announcements, along with their dates. If the author is listed in the directory of specialists for this field, a link is also provided.
  1. NEP-CUL: Cultural Economics (2) 2013-08-23 2016-10-16
  2. NEP-GRO: Economic Growth (1) 2014-07-21
  3. NEP-IPR: Intellectual Property Rights (1) 2013-08-23
  4. NEP-IUE: Informal and Underground Economics (1) 2013-08-23
  5. NEP-NET: Network Economics (1) 2013-08-23

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