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Public funding and repertoire conventionality in the German public theatre sector: an econometric analysis

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  • Adriana Neligan

Abstract

This study empirically examines the relationship between public funding and repertoire decisions in the German public theatre sector. A cross-sectional econometric model is constructed to estimate the effects for a sample of 127 public theatres covering the theatre season 1998/1999 using a conventionality index as the dependent variable which has to be calculated first. The empirical results show that public subsidy, subscription income, multiple venues, the existence of other theatres in a community as well as the size and the level of education of a community have a significant impact on repertoire conventionality.

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  • Adriana Neligan, 2006. "Public funding and repertoire conventionality in the German public theatre sector: an econometric analysis," Applied Economics, Taylor & Francis Journals, vol. 38(10), pages 1111-1121.
  • Handle: RePEc:taf:applec:v:38:y:2006:i:10:p:1111-1121
    DOI: 10.1080/00036840500405961
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    References listed on IDEAS

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    1. Jenkins, Stephen & Austen-Smith, David, 1987. "Interdependent decision-making in non-profit industries: A simultaneous equation analysis of English provincial theatre," International Journal of Industrial Organization, Elsevier, vol. 5(2), pages 149-174.
    2. Günther Schulze & Anselm Rose, 1998. "Public Orchestra Funding in Germany – An Empirical Investigation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 227-247, December.
    3. Throsby, David, 1994. "The Production and Consumption of the Arts: A View of Cultural Economics," Journal of Economic Literature, American Economic Association, vol. 32(1), pages 1-29, March.
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    Cited by:

    1. Víctor Fernández-Blanco & Ana Rodríguez-Álvarez & Aleksandra Wiśniewska, 2019. "Measuring technical efficiency and marginal costs in the performing arts: the case of the municipal theatres of Warsaw," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(1), pages 97-119, March.
    2. Achten-Gozdowski, Jennifer, 2018. "Geschichte und Politökonomie deutscher Theatersubventionen [History and Political Economy of Public Subsidies for German Theatres and Operas]," MPRA Paper 85087, University Library of Munich, Germany.
    3. Castiglione, Concetta & Infante, Davide & Zieba, Marta, 2023. "Public support for performing arts. Efficiency and productivity gains in eleven European countries," Socio-Economic Planning Sciences, Elsevier, vol. 85(C).
    4. Alan Collins & Antonello E. Scorcu & Roberto Zanola, 2009. "Distribution conventionality in the movie sector: an econometric analysis of cinema supply," Managerial and Decision Economics, John Wiley & Sons, Ltd., vol. 30(8), pages 517-527.
    5. Mafalda Gómez-Vega & Luis César Herrero-Prieto, 2019. "Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 211-245, June.
    6. Jeffrey Pompe & Lawrence Tamburri & Johnathan Munn, 2011. "Factors that influence programming decisions of US symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(3), pages 167-184, August.

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