The Determinants of Artistic Innovation: Bringing in the Role of Organizations
Download full text from publisher
As the access to this document is restricted, you may want to search for a different version of it.
References listed on IDEAS
- Theresa K. Lant, 1992. "Aspiration Level Adaptation: An Empirical Exploration," Management Science, INFORMS, vol. 38(5), pages 623-644, May.
- Ross, Stephen A, 1973. "The Economic Theory of Agency: The Principal's Problem," American Economic Review, American Economic Association, vol. 63(2), pages 134-139, May.
- Hirshleifer, Jack, 1977. "Economics from a Biological Viewpoint," Journal of Law and Economics, University of Chicago Press, vol. 20(1), pages 1-52, April.
- Storper, Michael, 1989. "The Transition to Flexible Specialisation in the U.S. Film Industry: External Economies, the Division of Labour, and the Crossing of Industrial Divides," Cambridge Journal of Economics, Oxford University Press, vol. 13(2), pages 273-305, June.
- Van de Ven, Andrew R., 1986. "Central Problems in the Management of Innovation," Agricultural Research Policy Seminar 139708, University of Minnesota Extension.
- Throsby, David, 1994. "The Production and Consumption of the Arts: A View of Cultural Economics," Journal of Economic Literature, American Economic Association, vol. 32(1), pages 1-29, March.
- J. Pierce, 2000. "Programmatic Risk-Taking by American Opera Companies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(1), pages 45-63, February.
- Kamien,Morton I. & Schwartz,Nancy L., 1982. "Market Structure and Innovation," Cambridge Books, Cambridge University Press, number 9780521293853, May.
- Fama, Eugene F, 1980. "Agency Problems and the Theory of the Firm," Journal of Political Economy, University of Chicago Press, vol. 88(2), pages 288-307, April.
- Günther Schulze & Anselm Rose, 1998. "Public Orchestra Funding in Germany – An Empirical Investigation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 227-247, December.
- Bruno Frey, 1999. "State Support and Creativity in the Arts: Some New Considerations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(1), pages 71-85, March.
- William J. Baumol, 1971. "Economics of Athenian Drama: Its Relevance for the Arts in a Small City Today," The Quarterly Journal of Economics, Oxford University Press, vol. 85(3), pages 365-376.
CitationsCitations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
- Daniel Urrutiaguer, 2011. "Theatre," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 59 Edward Elgar Publishing.
- VITKAUSKAITĖ Ieva, 2016. "Opportunities for Innovation Adoption in Art Galleries," European Journal of Interdisciplinary Studies, Bucharest Economic Academy, issue 02, June.
- Sébastien Dubois, 2012. "Recognition and renown, the structure of cultural markets: evidence from French poetry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(1), pages 27-48, February.
- Filculescu Adina & Cantaragiu Ramona, 2013. "Innovation In The Creative Industries - Case Study Of An Event Planning Company," Annals of Faculty of Economics, University of Oradea, Faculty of Economics, vol. 1(1), pages 640-649, July.
- Karol J. Borowiecki & Trilce Navarrete, 2017.
"Digitization of heritage collections as indicator of innovation,"
Economics of Innovation and New Technology,
Taylor & Francis Journals, vol. 26(3), pages 227-246, April.
- Borowiecki, Karol J. & Navarrete, Trilce, 2015. "Digitization of heritage collections as indicator of innovation," Discussion Papers of Business and Economics 14/2015, University of Southern Denmark, Department of Business and Economics.
- Karol Jan Borowiecki & Trilce Navarrete, 2016. "Digitization of heritage collections as indicator of innovation," Trinity Economics Papers tep1616, Trinity College Dublin, Department of Economics.
- Karol J. Borowiecki & Trilce Navarrete, 2015. "Digitization of Heritage Collections as Indicator of Innovation," ACEI Working Paper Series AWP-08-2015, Association for Cultural Economics International, revised Sep 2015.
- Francesco Izzo & Barbara Masiello, 2015. "Strategie di innovazione nelle imprese creative di servizi," ECONOMIA E DIRITTO DEL TERZIARIO, FrancoAngeli Editore, vol. 2015(1), pages 63-104.
- Bruce Seaman, 2004. "Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(3), pages 167-193, August.
- Sapsed, Jonathan & Tschang, Feichin Ted, 2014. "Art is long, innovation is short: Lessons from the Renaissance and the digital age," Technological Forecasting and Social Change, Elsevier, vol. 83(C), pages 127-141.
- William A Luksetich, 2011. "Orchestras," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 44 Edward Elgar Publishing.
- Xavier Castañer, 2016. "Redefining Creativity And Innovation In Organisations: Suggestions For Redirecting Research," International Journal of Innovation Management (ijim), World Scientific Publishing Co. Pte. Ltd., vol. 20(04), pages 1-23, May.
More about this item
Keywordsartistic innovation; cultural economics; organizational determinants; organizational theory; performing arts organizations; sociology of arts;
StatisticsAccess and download statistics
All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:kap:jculte:v:26:y:2002:i:1:p:29-52. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Sonal Shukla) or (Rebekah McClure). General contact details of provider: http://www.springer.com .