IDEAS home Printed from https://ideas.repec.org/a/sae/urbstu/v46y2009i2p341-367.html
   My bibliography  Save this article

The Shophouse Hotel: Vernacular Heritage in a Creative City

Author

Listed:
  • T.C. Chang

    (Department of Geography, National University of Singapore, 1 Arts Link, Kent Ridge, Singapore 117570, geoctc@nus.edu.sg)

  • Peggy Teo

    (Department of Geography, National University of Singapore, 1 Arts Link, Kent Ridge, Singapore 117570, geoteop@gmail.com)

Abstract

In creative cities, new enterprises emerge all the time catering to the changing needs and lifestyles of visitors and local communities. Reputable institutions, cultural activities, iconic buildings as well as small, local businesses all play a role in `branding' the creative city. This study presents one such small enterprise in the form of historical shophouse hotels in Singapore. These shophouse inns are locally owned, housed in architecturally unique buildings and are regarded as emblems of Singaporean identity. It is argued that the urban vernacular, exemplified through the hotels, is a dynamic concept evolving over time, across place and for different groups of people and users. First, the paper explores how the shophouse vernacular provides a platform for the celebration of Singaporean identity by new boutique hoteliers. Secondly, a critique is presented of the commodification of the shophouse as modern hoteliers (business and budget inns) jump onto the heritage bandwagon to create new urban spaces of identity. Finally, contestations are discussed, as different people consider different vernaculars to be worthy of a place in the transforming city. As Singapore evolves as a creative city, the multidimensionality of the vernacular provides a fitting emblem to showcase the creative possibilities of historical buildings, traditional architecture and urban environments.

Suggested Citation

  • T.C. Chang & Peggy Teo, 2009. "The Shophouse Hotel: Vernacular Heritage in a Creative City," Urban Studies, Urban Studies Journal Limited, vol. 46(2), pages 341-367, February.
  • Handle: RePEc:sae:urbstu:v:46:y:2009:i:2:p:341-367
    DOI: 10.1177/0042098008099358
    as

    Download full text from publisher

    File URL: https://journals.sagepub.com/doi/10.1177/0042098008099358
    Download Restriction: no

    File URL: https://libkey.io/10.1177/0042098008099358?utm_source=ideas
    LibKey link: if access is restricted and if your library uses this service, LibKey will redirect you to where you can use your library subscription to access this item
    ---><---

    References listed on IDEAS

    as
    1. Walter Santagata, 2002. "Cultural districts, property rights, and sustainable economic growth," Others 0210004, University Library of Munich, Germany.
    2. Walter Santagata, 2002. "Cultural Districts, Property Rights and Sustainable Economic Growth," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 26(1), pages 9-23, March.
    3. Robert Hollands & Paul Chatterton, 2003. "Producing nightlife in the new urban entertainment economy: corporatization, branding and market segmentation," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 27(2), pages 361-385, June.
    4. Jamie Peck, 2005. "Struggling with the Creative Class," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 29(4), pages 740-770, December.
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Ingo Bader & Albert Scharenberg, 2010. "The Sound of Berlin: Subculture and the Global Music Industry," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 34(1), pages 76-91, March.
    2. Pier Luigi Sacco & Guido Ferilli & Blessi Giorgio Tavano, 2012. "Sviluppo locale a base culturale: quando funziona e perch?? Alla ricerca di un framework di riferimento," PRISMA Economia - Societ? - Lavoro, FrancoAngeli Editore, vol. 2012(1), pages 9-27.
    3. Pier Luigi Sacco & Guido Ferilli & Giorgio Tavano Blessi & Massimiliano Nuccio, 2013. "Culture as an Engine of Local Development Processes: System-Wide Cultural Districts I: Theory," Growth and Change, Wiley Blackwell, vol. 44(4), pages 555-570, December.
    4. Luciana Lazzeretti & Rafael Boix & Francesco Capone, 2009. "Why do creative industries cluster? An analysis of the determinants of clustering of creative industries," Institut Metròpoli Working Paper in economics 0902, Institut Metròpoli.
    5. Tiziana Cuccia, 2012. "Is it worth being inscribed in the world heritage list? A case study of �The Baroque cities in Val di Noto� (Sicily)," RIEDS - Rivista Italiana di Economia, Demografia e Statistica - The Italian Journal of Economic, Demographic and Statistical Studies, SIEDS Societa' Italiana di Economia Demografia e Statistica, vol. 66(2), pages 169-190.
    6. Friel Martha & Santagata Walter, 2007. "Make Material Cultural Heritage Work," EBLA Working Papers 200710, University of Turin.
    7. Bucci, Alberto & Segre, Giovanna, 2011. "Culture and human capital in a two-sector endogenous growth model," Research in Economics, Elsevier, vol. 65(4), pages 279-293, December.
    8. Riccardo, Borgoni & Alessandra, Michelangeli & Nicola, Pontarollo, 2016. "How Does a City Benefit from Culture? Evidence from Milan," Working Papers 335, University of Milano-Bicocca, Department of Economics, revised 16 May 2016.
    9. repec:pri:cpanda:wp21%20-%20tepper is not listed on IDEAS
    10. Lei Xiong & Cheng-Lein Teng & Bo-Wei Zhu & Gwo-Hshiung Tzeng & Shan-Lin Huang, 2017. "Using the D-DANP-mV Model to Explore the Continuous System Improvement Strategy for Sustainable Development of Creative Communities," IJERPH, MDPI, vol. 14(11), pages 1-37, October.
    11. Steven J? Tepper, 2002. "Creative Assets and the Changing Economy," Working Papers 43, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    12. Marco Guerzoni & Massimiliano Nuccio, 2014. "Music consumption at the dawn of the music industry: the rise of a cultural fad," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(2), pages 145-171, May.
    13. Clara Bocchino & Michael Murphree, 2012. "Overlapping Cultural Commons and Districts in the Great Limpopo Transfrontier Conservation Area," Chapters, in: Enrico Bertacchini & Giangiacomo Bravo & Massimo Marrelli & Walter Santagata (ed.), Cultural Commons, chapter 5, Edward Elgar Publishing.
    14. Aldo Buzio & Alessio Re, 2012. "Cultural Commons and New Concepts in UNESCO World Heritage Sites Recognition and Management," Chapters, in: Enrico Bertacchini & Giangiacomo Bravo & Massimo Marrelli & Walter Santagata (ed.), Cultural Commons, chapter 9, Edward Elgar Publishing.
    15. Arnaboldi, Michela & Spiller, Nicola, 2011. "Actor-network theory and stakeholder collaboration: The case of Cultural Districts," Tourism Management, Elsevier, vol. 32(3), pages 641-654.
    16. Chilese Erica & Russo Antonio Paolo, 2009. "Urban fashion policies: lessons from the Barcelona catwalks," EBLA Working Papers 200803, University of Turin.
    17. Antonio Russo & Alan Quaglieri Domínguez, 2011. "Creative workers and regional development. Towards a classification of spatial effects," ERSA conference papers ersa11p65, European Regional Science Association.
    18. Karima Kourtit & Peter Nijkamp & João Romão, 2019. "Cultural Heritage Appraisal by Visitors to Global Cities: The Use of Social Media and Urban Analytics in Urban Buzz Research," Sustainability, MDPI, vol. 11(12), pages 1-21, June.
    19. Marco Bellandi & Daniela Campus & Alessandro Carraro & Erica Santini, 2020. "Accumulation of cultural capital at the intersection of socio-demographic features and productive specializations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(1), pages 1-34, March.
    20. Christian Barrère, 2016. "Cultural heritages: From official to informal [Patrimoines culturels : des patrimoines officiels aux patrimoines informels]," Post-Print hal-02569029, HAL.
    21. Christian Barrère, 2014. "Les quatre temps du patrimoine," Post-Print hal-02614191, HAL.

    More about this item

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:sae:urbstu:v:46:y:2009:i:2:p:341-367. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: SAGE Publications (email available below). General contact details of provider: http://www.gla.ac.uk/departments/urbanstudiesjournal .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.