IDEAS home Printed from https://ideas.repec.org/a/ejw/journl/v13y2016i3p373-396.html
   My bibliography  Save this article

Why the Oberholzer-Gee/Strumpf Article on File Sharing Is Not Credible

Author

Listed:
  • Stan J. Liebowitz

Abstract

This article examines the data, results, and methods underlying an influential 2007 article on music piracy published in the Journal of Political Economy. The article concluded that piracy had no impact on record sales, even though the birth of file sharing coincided with what in hindsight can be described as a financial near-collapse of the sound recording industry. The authors of that article had access to music download data from actual pirate servers—data that the authors have never made public—providing much of the article’s novelty and lending it an aura of authenticity. They also relied upon an esoteric instrument, the number of German kids on school vacations, which they claimed had a powerful effect on American piracy. My examination identifies several important concerns and problems. First, the measured aggregate piracy data contain extremely large weekly variations that are inconsistent with other, comparable data. Then, the first-stage instrumented regression results imply, counterfactually, that American piracy is dominated by whether German children are in school or not. Further, their reported values erroneously indicate that German students spend most of their time on holiday, indicating an error in the construction of that variable. In addition, the weekly aggregate relationship between American piracy and German school vacations is the opposite of the hypothesized relationship underlying the use of the instrument. Most importantly, a careful investigation reveals that the extra files available to Americans because of German school holidays made up less than two-tenths of one percent of all files available to Americans, which is a much smaller share than the article authors suggest and far too small to have had a measurable impact on American piracy.

Suggested Citation

  • Stan J. Liebowitz, 2016. "Why the Oberholzer-Gee/Strumpf Article on File Sharing Is Not Credible," Econ Journal Watch, Econ Journal Watch, vol. 13(3), pages 373–396-3, September.
  • Handle: RePEc:ejw:journl:v:13:y:2016:i:3:p:373-396
    as

    Download full text from publisher

    File URL: https://econjwatch.org/File+download/946/LiebowitzSept2016.pdf?mimetype=pdf
    Download Restriction: no

    File URL: https://econjwatch.org/1043
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Stan Liebowitz, 2016. "How much of the decline in sound recording sales is due to file-sharing?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 40(1), pages 13-28, February.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Bradley, Wendy A. & Kolev, Julian, 2023. "How does digital piracy affect innovation? Evidence from software firms," Research Policy, Elsevier, vol. 52(3).
    2. Fukugawa Nobuya, 2018. "Are Heavy Pirates also Heavy Buyers?: A Case of the Video Game Industry in Japan," Asian Journal of Law and Economics, De Gruyter, vol. 9(1), pages 1-13, April.
    3. Tatsuo Tanaka, 2019. "The Effects of Internet Book Piracy: Case of Comics," Keio-IES Discussion Paper Series 2019-016, Institute for Economics Studies, Keio University.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Hardy, Wojciech, 2021. "Displacement from piracy in the American comic book market," Information Economics and Policy, Elsevier, vol. 57(C).
    2. Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang, 2024. "Displacement and complementarity in the recorded music industry: evidence from France," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 43-94, March.
    3. Samuel Cameron, 2016. "Past, present and future: music economics at the crossroads," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 40(1), pages 1-12, February.
    4. Joel Waldfogel, 2017. "How Digitization Has Created a Golden Age of Music, Movies, Books, and Television," Journal of Economic Perspectives, American Economic Association, vol. 31(3), pages 195-214, Summer.
    5. Anna Kukla-Gryz & Joanna Tyrowicz & Michał Krawczyk, 2021. "Digital piracy and the perception of price fairness: evidence from a field experiment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(1), pages 105-131, March.
    6. Wojciech Hardy, 2020. "Effects of piracy on the American comic book market and the role of digital formats," IBS Working Papers 01/2020, Instytut Badan Strukturalnych.
    7. Rojas, Christian & Briceño, Arturo, 2019. "The effects of piracy on competition: Evidence from subscription TV," International Journal of Industrial Organization, Elsevier, vol. 63(C), pages 18-43.
    8. Liebowitz, Stan J., 2017. "A replication of four quasi-experiments and three facts from "The effect of file sharing on record sales: an empirical analysis" (Journal of Political Economy, 2007)," Economics - The Open-Access, Open-Assessment E-Journal (2007-2020), Kiel Institute for the World Economy (IfW Kiel), vol. 11, pages 1-22.
    9. Mary J. Benner & Joel Waldfogel, 2016. "The Song Remains the Same? Technological Change and Positioning in the Recorded Music Industry," Strategy Science, INFORMS, vol. 1(3), pages 129-147, September.
    10. Wlömert, Nils & Papies, Dominik, 2019. "International heterogeneity in the associations of new business models and broadband Internet with music revenue and piracy," International Journal of Research in Marketing, Elsevier, vol. 36(3), pages 400-419.
    11. Tyrowicz, Joanna & Krawczyk, Michal & Hardy, Wojciech, 2020. "Friends or foes? A meta-analysis of the relationship between “online piracy” and the sales of cultural goods," Information Economics and Policy, Elsevier, vol. 53(C).
    12. Tobias Kretschmer & Christian Peukert, 2020. "Video Killed the Radio Star? Online Music Videos and Recorded Music Sales," Information Systems Research, INFORMS, vol. 31(3), pages 776-800, September.
    13. Meg Elkins & Tim R. L. Fry, 2022. "Beyond the realm of cash: street performers and payments in the online world," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 231-248, June.
    14. Shinichi Yamaguchi & Hirohide Sakaguchi & Kotaro Iyanaga & Hidetaka Oshima & Tatsuo Tanaka, 2023. "The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan," SN Business & Economics, Springer, vol. 3(3), pages 1-22, March.
    15. Wojciech Hardy & Michal Krawczyk & Joanna Tyrowicz, 2015. "Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods," Working Papers 2015-23, Faculty of Economic Sciences, University of Warsaw.

    More about this item

    Keywords

    Popular music; album sales; intellectual property; illegal downloading; instrumental variables;
    All these keywords.

    JEL classification:

    • Z1 - Other Special Topics - - Cultural Economics
    • O3 - Economic Development, Innovation, Technological Change, and Growth - - Innovation; Research and Development; Technological Change; Intellectual Property Rights
    • L8 - Industrial Organization - - Industry Studies: Services

    Lists

    This item is featured on the following reading lists, Wikipedia, or ReplicationWiki pages:
    1. Why the Oberholzer-Gee/Strumpf Article on File Sharing Is Not Credible (EJW 2016) in ReplicationWiki

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:ejw:journl:v:13:y:2016:i:3:p:373-396. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Jason Briggeman (email available below). General contact details of provider: https://edirc.repec.org/data/edgmuus.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.