Musicians and the Creative Commons: A survey of artists on Jamendo
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DOI: 10.1016/j.infoecopol.2015.07.007
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- Stephen Bazen & Laurence Bouvard & Jean-Benoît Zimmermann, 2015. "Musicians and the Creative Commons: A survey of artists on Jamendo," Post-Print hal-01457307, HAL.
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Citations
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Cited by:
- Jacqmin, Julien, 2018. "Why are some online courses more open than others?," MPRA Paper 89929, University Library of Munich, Germany.
- Mustonen, Mikko, 2019. "Direct publishing and the bargaining between the author and the publisher," Information Economics and Policy, Elsevier, vol. 48(C), pages 40-47.
- Lemeilleur, S. & Allaire, G., 2019.
"Participatory Guarantee Systems for organic farming: reclaiming the commons,"
Working Papers MoISA
201902, UMR MoISA : Montpellier Interdisciplinary center on Sustainable Agri-food systems (social and nutritional sciences): CIHEAM-IAMM, CIRAD, INRAE, L'Institut Agro, Montpellier SupAgro, IRD - Montpellier, France.
- Lemeilleur, Sylvaine & Allaire, Gilles, 2019. "Participatory Guarantee Systems for organic farming: reclaiming the commons," Working Papers MOISA 292325, Institut National de la recherché Agronomique (INRA), UMR MOISA : Marchés, Organisations, Institutions et Stratégies d'Acteurs : CIHEAM-IAMM, CIRAD, INRA, Montpellier SupAgro, Montpellier, France.
- Jacqmin, Julien, 2022. "Why are some Massive Open Online Courses more open than others?," Technovation, Elsevier, vol. 112(C).
- Rory Ridley‐Duff & Mike Bull, 2021. "Common pool resource institutions: The rise of internet platforms in the social solidarity economy," Business Strategy and the Environment, Wiley Blackwell, vol. 30(3), pages 1436-1453, March.
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Keywords
Creative Commons; Intellectual property; Music; Business model;All these keywords.
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