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Impact of Mediation devices on the Museum Visit Experience and on Visitors' Behavioural Intentions

Author

Listed:
  • Elodie Jarrier

    (UB - Université de Bourgogne)

  • Dominique Bourgeon-Renault

    (LEG - Laboratoire d'Economie et de Gestion - UB - Université de Bourgogne - CNRS - Centre National de la Recherche Scientifique)

Abstract

No abstract is available for this item.

Suggested Citation

  • Elodie Jarrier & Dominique Bourgeon-Renault, 2012. "Impact of Mediation devices on the Museum Visit Experience and on Visitors' Behavioural Intentions," Post-Print hal-02139835, HAL.
    • Handle: RePEc:hal:journl:hal-02139835
    Note: View the original document on HAL open archive server: https://hal.science/hal-02139835
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    File URL: https://hal.science/hal-02139835/document
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    References listed on IDEAS

    as
    1. Dominique Bourgeon & M. Le Gall-Ely & A. Gombault & Christine Petr & C. Urbain, 2005. "Experiential Approach to the Value of Cultural Consumption - The Case of Museums and Monuments," Post-Print halshs-00498181, HAL.
    2. Séverine Marteaux & Rémi Mencarelli & Mathilde Pulh, 2009. "Quand les institutions culturelles s'ouvrent au marketing sensoriel... et s'en défendent : enjeux et paradoxes," Post-Print hal-00416379, HAL.
    3. Jessie Pallud & Emmanuel Monod, 2010. "User experience of museum technologies: the phenomenological scales," Post-Print halshs-00666659, HAL.
    4. repec:dau:papers:123456789/1070 is not listed on IDEAS
    5. repec:dau:papers:123456789/7856 is not listed on IDEAS
    6. Holbrook, Morris B & Hirschman, Elizabeth C, 1982. "The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun," Journal of Consumer Research, Journal of Consumer Research Inc., vol. 9(2), pages 132-140, September.
    7. repec:dau:papers:123456789/4667 is not listed on IDEAS
    Full references (including those not matched with items on IDEAS)

    Citations

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    Cited by:

    1. Andreea STRÂMBU-DIMA, 2021. "A Model Of Marketing Product In Religious Heritage Sites: Case Study For The Monastery Of Hodos-Bodrog," Annales Universitatis Apulensis Series Oeconomica, Faculty of Sciences, "1 Decembrie 1918" University, Alba Iulia, vol. 2(23), pages 1-10.
    2. Izzo, Filomena & Camminatiello, Ida & Sasso, Pasquale & Solima, Ludovico & Lombardo, Rosaria, 2023. "Creating customer, museum and social value through digital technologies: Evidence from the MANN Assiri project," Socio-Economic Planning Sciences, Elsevier, vol. 85(C).
    3. Siqi Emily Lu & Brent Moyle & Sacha Reid & Elaine Yang & Biqiang Liu, 2023. "Technology and museum visitor experiences: a four stage model of evolution," Information Technology & Tourism, Springer, vol. 25(2), pages 151-174, June.
    4. Juliette Passebois- Ducrot & Florence Euzéby & Sarah Machat & Jeanne Lallement, 2015. "La gamification des dispositifs de médiation culturelle : Quelle perception et quel impact sur l’expérience de visite ? Le cas de la corderie Royale," Post-Print hal-01675348, HAL.
    5. Sujin Bae & Timothy Hyungsoo Jung & Natasha Moorhouse & Minjeong Suh & Ohbyung Kwon, 2020. "The Influence of Mixed Reality on Satisfaction and Brand Loyalty in Cultural Heritage Attractions: A Brand Equity Perspective," Sustainability, MDPI, vol. 12(7), pages 1-22, April.
    6. Fabrizio Mosca & Bernardo Bertoldi & Chiara Giachino & Margherita Stupino, 2018. "Facebook and Twitter, social networks for culture. An investigation on museums," MERCATI & COMPETITIVIT?, FrancoAngeli Editore, vol. 2018(2), pages 39-59.
    7. Ana Slavec & Nežka Sajinčič & Vesna Starman, 2021. "Use of Smartphone Cameras and Other Applications While Traveling to Sustain Outdoor Cultural Heritage," Sustainability, MDPI, vol. 13(13), pages 1-20, June.
    8. Manuel Cuadrado & María José Miquel & Juan D. Montoro, 2015. "Analyzing Music Services Positioning Through Qualitative Research," Tržište/Market, Faculty of Economics and Business, University of Zagreb, vol. 27(2), pages 251-263.
    9. Marta de Miguel de Blas & Dominique Bourgeon-Renault & Elodie Jarrier, 2015. "Can Interactive Mediation Tools Bridge the Identity Gap Between the Public and the Art Museum?," Post-Print hal-02139827, HAL.

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