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New methods to compensate artists in music streaming platforms

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  • Gustavo Berganti~nos
  • Juan D. Moreno-Ternero

Abstract

We study the problem of measuring the popularity of artists in music streaming platforms and the ensuing methods to compensate them (from the revenues platforms raise by charging users). We uncover the space of popularity indices upon exploring the implications of several axioms capturing principles with normative appeal. As a result, we characterize several families of indices. Some of them are intimately connected to the Shapley value, the central tool in cooperative game theory. Our characterizations might help to address the rising concern in the music industry to explore new methods that reward artists more appropriately. We actually connect our families to the new royalties models, recently launched by Spotify and Deezer.

Suggested Citation

  • Gustavo Berganti~nos & Juan D. Moreno-Ternero, 2025. "New methods to compensate artists in music streaming platforms," Papers 2510.25275, arXiv.org.
  • Handle: RePEc:arx:papers:2510.25275
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    References listed on IDEAS

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    1. Gustavo Bergantiños & Juan D. Moreno-Ternero, 2025. "Revenue Sharing at Music Streaming Platforms," Management Science, INFORMS, vol. 71(10), pages 8319-8335, October.
    2. Frederik Juul Jensen, 2024. "Rethinking royalties: alternative payment systems on music streaming platforms," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(3), pages 439-462, September.
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    6. Gonçalves-Dosantos, Juan Carlos & Martínez, Ricardo & Sánchez-Soriano, Joaquín, 2025. "Measuring success in streaming platforms," Journal of Economic Behavior & Organization, Elsevier, vol. 232(C).
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    11. Bergantiños, Gustavo & Moreno-Ternero, Juan D., 2015. "The axiomatic approach to the problem of sharing the revenue from museum passes," Games and Economic Behavior, Elsevier, vol. 89(C), pages 78-92.
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