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Recognition and renown, the structure of cultural markets: evidence from French poetry

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  • Sébastien Dubois

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  • Sébastien Dubois, 2012. "Recognition and renown, the structure of cultural markets: evidence from French poetry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(1), pages 27-48, February.
    • Handle: RePEc:kap:jculte:v:36:y:2012:i:1:p:27-48
    DOI: 10.1007/s10824-011-9153-3
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    References listed on IDEAS

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    1. Albert Greco, 2000. "Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 321-336, November.
    2. Nachoem M. Wijnberg & Gerda Gemser, 2000. "Adding Value to Innovation: Impressionism and the Transformation of the Selection System in Visual Arts," Organization Science, INFORMS, vol. 11(3), pages 323-329, June.
    3. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
    4. Gino Cattani & Simone Ferriani, 2008. "A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry," Organization Science, INFORMS, vol. 19(6), pages 824-844, December.
    5. Morris Holbrook & Michela Addis, 2008. "Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(2), pages 87-107, June.
    6. Andrea Ordanini, 2006. "Selection models in the music industry: How a prior independent experience may affect chart success," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(3), pages 183-200, December.
    7. Bénédicte Reynaud-Cressent, 1982. "La dynamique d'un oligopole avec frange : Le cas de la branche d'édition de livres en France," Revue d'Économie Industrielle, Programme National Persée, vol. 22(1), pages 61-71.
    8. Susan Christopherson & Michael Storper, 1989. "The Effects of Flexible Specialization on Industrial Politics and the Labor Market: The Motion Picture Industry," ILR Review, Cornell University, ILR School, vol. 42(3), pages 331-347, April.
    9. Victor Ginsburgh & Sheila Weyers, 2006. "Persistence and fashion in art: the Italian Renaissance from Vasari to Berenson and beyond," ULB Institutional Repository 2013/5261, ULB -- Universite Libre de Bruxelles.
    10. Hayagreeva Rao, 1994. "The Social Construction of Reputation: Certification Contests, Legitimation, and the Survival of Organizations in the American Automobile Industry: 1895–1912," Strategic Management Journal, Wiley Blackwell, vol. 15(S1), pages 29-44, December.
    11. Abhijit V. Banerjee, 1992. "A Simple Model of Herd Behavior," The Quarterly Journal of Economics, President and Fellows of Harvard College, vol. 107(3), pages 797-817.
    12. Xavier Castañer & Lorenzo Campos, 2002. "The Determinants of Artistic Innovation: Bringing in the Role of Organizations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 26(1), pages 29-52, February.
    13. Sébastien Dubois, 2006. "The French Poetry Economy," Post-Print hal-00568831, HAL.
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    Cited by:

    1. Jost, Mathilde, 2024. "“A show of good taste” – How creative individuals can employ signal observability strategies to influence their reputation among experts: Evidence from French gastronomy," European Management Journal, Elsevier, vol. 42(5), pages 779-790.

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