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Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion

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  • Stefan Tobias

Abstract

The article is concerned with the issue of quality in drama, opera, and ballet, respectively. Relying on data from an expert opinion survey and from the statistical yearbook on theatres in Germany, the problem is addressed to what extent quality is linked to certain economic variables. After appropriately aggregating the ordinal expert judgments while controlling for expert-specific standards it is shown that this link is considerably closer for ballet and opera than for drama. Furthermore, in all three art forms positive but decreasing marginal returns of artistic expenses in terms of quality prevail. Copyright Kluwer Academic Publishers 2004

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  • Stefan Tobias, 2004. "Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(2), pages 109-124, May.
    • Handle: RePEc:kap:jculte:v:28:y:2004:i:2:p:109-124
    DOI: 10.1023/B:JCEC.0000019472.97483.8c
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    References listed on IDEAS

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    1. Louis Lévy-Garboua & Claude Montmarquette, 1996. "A microeconometric study of theatre demand," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(1), pages 25-50, March.
    2. Jenkins, Stephen & Austen-Smith, David, 1987. "Interdependent decision-making in non-profit industries: A simultaneous equation analysis of English provincial theatre," International Journal of Industrial Organization, Elsevier, vol. 5(2), pages 149-174.
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    Cited by:

    1. Karol J. Borowiecki & Catarina Marvao, 2015. "Dance Participation and Attendance in Denmark," ACEI Working Paper Series AWP-01-2015, Association for Cultural Economics International, revised Apr 2015.
    2. Wiśniewska Aleksandra, 2019. "Quality attributes in the non-market stated-preference based valuation of cultural goods," Central European Economic Journal, Sciendo, vol. 6(53), pages 132-150, January.
    3. Maria Jose Del Barrio-Tellado & Luis Cesar Herrero-Prieto, 2018. "Supporting the Dance Sector. Does Efficiency Clash with Success When Programming?," ACEI Working Paper Series AWP-03-2018, Association for Cultural Economics International, revised Jul 2018.
    4. Traub, Stefan, 2005. "Quality Investment and Price Formation in the Performing Arts Sector: A Spatial Analysis," Economics Working Papers 2005-16, Christian-Albrechts-University of Kiel, Department of Economics.
    5. Ana Suárez-Vázquez, 2011. "Critic power or star power? The influence of hallmarks of quality of motion pictures: an experimental approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(2), pages 119-135, May.
    6. Daniel Urrutiaguer, 2011. "Theatre," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 59, Edward Elgar Publishing.
    7. Martina Dattilo & Fabio Padovano & Yvon Rocaboy, 2020. "More is worse: Decreasing marginal quality of the Unesco World Heritage list," Economics Working Paper from Condorcet Center for political Economy at CREM-CNRS 2020-01-ccr, Condorcet Center for political Economy.
    8. Erwin Dekker, 2015. "Two approaches to study the value of art and culture, and the emergence of a third," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(4), pages 309-326, November.
    9. Andrea Baldin & Trine Bille & Raghava Rao Mukkamala & Ravi Vatrapu, 2024. "The impact of social media activities on theater demand," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(2), pages 199-220, June.
    10. Francesco Angelini & Massimiliano Castellani, 2019. "Cultural and economic value: a critical review," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 173-188, June.
    11. Sibelle Diniz & Ana Machado, 2011. "Analysis of the consumption of artistic-cultural goods and services in Brazil," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 1-18, February.
    12. Mafalda Gómez-Vega & Luis César Herrero-Prieto, 2019. "Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 211-245, June.

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