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Comparison of Eurovision Song Contest Simulation with Actual Results Reveals Shifting Patterns of Collusive Voting Alliances

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Abstract

The voting patterns in the Eurovision Song Contest have attracted attention from various researchers, spawning a small cross-disciplinary field of what might be called 'eurovisiopsephology' incorporating insights from politics, sociology and computer science. Although the outcome of the contest is decided using a simple electoral system, its single parameter - the number of countries casting a vote - varies from year to year. Analytical identification of statistically significant trends in voting patterns over a period of several years is therefore mathematically complex. Simulation provides a method for reconstructing the contest's history using Monte Carlo methods. Comparison of simulated histories with the actual history of the contest allows the identification of statistically significant changes in patterns of voting behaviour, without requiring a full mathematical solution. In particular, the period since the mid-90s has seen the emergence of large geographical voting blocs from previously small voting partnerships, which initially appeared in the early 90s. On at least two occasions, the outcome of the contest has been crucially affected by voting blocs. The structure of these blocs implies that a handful of centrally placed countries have a higher probability of being future winners.

Suggested Citation

  • Derek Gatherer, 2006. "Comparison of Eurovision Song Contest Simulation with Actual Results Reveals Shifting Patterns of Collusive Voting Alliances," Journal of Artificial Societies and Social Simulation, Journal of Artificial Societies and Social Simulation, vol. 9(2), pages 1-1.
  • Handle: RePEc:jas:jasssj:2005-57-2
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    1. Marco Haan & S. Dijkstra & Peter Dijkstra, 2005. "Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(1), pages 59-78, February.
    2. Stratmann, Thomas, 1992. "The Effects of Logrolling on Congressional Voting," American Economic Review, American Economic Association, vol. 82(5), pages 1162-1176, December.
    3. GINSBURGH, Victor & NOURY, Abdul, 2005. "Cultural voting : The Eurovision Song Contest," LIDAM Discussion Papers CORE 2005006, Université catholique de Louvain, Center for Operations Research and Econometrics (CORE).
    4. Crombez, Christophe, 2000. "Spatial models of logrolling in the European Union," European Journal of Political Economy, Elsevier, vol. 16(4), pages 707-737, November.
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    Cited by:

    1. Felbermayr, Gabriel J. & Toubal, Farid, 2010. "Cultural proximity and trade," European Economic Review, Elsevier, vol. 54(2), pages 279-293, February.
    2. Sofronis Clerides & Thanasis Stengos, 2012. "Love thy Neighbour, Love Thy Kin: Strategy and Bias in the Eurovision Song Contest," Ekonomia, Cyprus Economic Society and University of Cyprus, vol. 15(1), pages 22-44, Summer.
    3. Frank, Björn & Krabel, Stefan, 2013. "Gens una sumus?!—Or does political ideology affect experts’ esthetic judgment of chess games?," Journal of Economic Behavior & Organization, Elsevier, vol. 92(C), pages 66-78.
    4. Alexander V. Mantzaris & Samuel R. Rein & Alexander D. Hopkins, 2018. "Preference and neglect amongst countries in the Eurovision Song Contest," Journal of Computational Social Science, Springer, vol. 1(2), pages 377-390, September.
    5. Aloys Prinz, 2017. "Rankings as coordination games: the Dutch Top 2000 pop song ranking," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 379-401, November.
    6. Ginsburgh, Victor & Noury, Abdul G., 2008. "The Eurovision Song Contest. Is voting political or cultural?," European Journal of Political Economy, Elsevier, vol. 24(1), pages 41-52, March.
    7. Victor Ginsburgh & Juan D. Moreno-Ternero, 2023. "The Eurovision Song Contest: voting rules, biases and rationality," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(2), pages 247-277, June.
    8. Oliver Budzinski & Julia Pannicke, 2017. "Culturally biased voting in the Eurovision Song Contest: Do national contests differ?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 343-378, November.
    9. Budzinski, Oliver & Gänßle, Sophia & Weimar, Daniel, 2023. "Disentangling individual biases in jury voting: An empirical analysis of voting behavior in the Eurovision Song Contest," Ilmenau Economics Discussion Papers 171, Ilmenau University of Technology, Institute of Economics.

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