The Eurovision Song Contest. Is voting political or cultural?
We analyze the voting behavior and ratings of judges in a popular song contest held every year in Europe since 1956. The dataset makes it possible to analyze the determinants of success, and gives a rare opportunity to run a direct test of vote trading. Though the votes cast may appear as resulting from such trading, we show that they are rather driven by quality of the participants as well as by linguistic and cultural proximities between singers and voting countries. Therefore, and contrary to what was recently suggested, there seems to be no reason to take the result of the Contest as mimicking the political conflicts (and friendships).
References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Marco Haan & S. Dijkstra & Peter Dijkstra, 2005.
"Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest,"
Journal of Cultural Economics,
Springer, vol. 29(1), pages 59-78, February.
- Haan, Marco & Dijkstra, Gerhard & Dijkstra, Peter, 2003. "Expert judgment versus public opinion : evidence from the Eurovision Song Contest," CCSO Working Papers 200305, University of Groningen, CCSO Centre for Economic Research.
- Haan, Marco & Dijkstra, Gerhard & Dijkstra, Peter, 2003. "Expert judgment versus public opinion - evidence from the Eurovision Song Contest," Research Report 03F12, University of Groningen, Research Institute SOM (Systems, Organisations and Management).
- Victor Ginsburgh & Renato Flores Galvao, 1996.
"The Queen Elisabeth Musical Competition: how fair is the final ranking,"
ULB Institutional Repository
2013/1713, ULB -- Universite Libre de Bruxelles.
- FLÔRES, R. G. & GINSBURGH, Jr. and V. A., . "The Queen Elisabeth musical competition: how fair is the final ranking?," CORE Discussion Papers RP 1196, Université catholique de Louvain, Center for Operations Research and Econometrics (CORE).
- Victor Ginsburgh, 2003.
"Awards, success and aesthetic quality in the arts,"
ULB Institutional Repository
2013/1679, ULB -- Universite Libre de Bruxelles.
- Derek Gatherer, 2006. "Comparison of Eurovision Song Contest Simulation with Actual Results Reveals Shifting Patterns of Collusive Voting Alliances," Journal of Artificial Societies and Social Simulation, Journal of Artificial Societies and Social Simulation, vol. 9(2), pages 1.
- Voeten, Erik, 2000. "Clashes in the Assembly," International Organization, Cambridge University Press, vol. 54(02), pages 185-215, March.
- Holcombe, Randall G & Sobel, Russell S, 1996. "The Stability of International Coalitions in United Nations Voting from 1946 to 1973," Public Choice, Springer, vol. 86(1-2), pages 17-34, January.
When requesting a correction, please mention this item's handle: RePEc:eee:poleco:v:24:y:2008:i:1:p:41-52. See general information about how to correct material in RePEc.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: (Zhang, Lei)
If references are entirely missing, you can add them using this form.