IDEAS home Printed from https://ideas.repec.org/a/bla/ijurrs/v33y2009i2p517-541.html
   My bibliography  Save this article

Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City

Author

Listed:
  • HARVEY MOLOTCH
  • MARK TRESKON

Abstract

We examine New York's SoHo and Chelsea districts for evidence of how art and place interact over time. More specifically, we trace the decline of New York's SoHo as a gallery district and the concomitant rise of nearby Chelsea, concluding that such a transition cannot simply be explained, as it usually is, by rises in property rents that ‘force out’ the art. Of equal significance, and following a different trajectory, is the change in art prices — particularly for the kind of art with which these places have been in reciprocal relation. A final factor in determining neighborhood fates is how difficult or easy it is to reassemble social scenes from one place to another. We show how artifact specifics, including their shape, form and aesthetic appeal, conjoin with property markets and scene sociality to affect urban morphology. Résumé Dans le cadre des recherches consacrées aux liens entre économie créative et processus urbains, cet article s'intéresse à la manière dont art et lieu interagissent sur le long terme dans les quartiers new‐yorkais de Soho et Chelsea. Plus précisément, il retrace le déclin de Soho en tant que haut‐lieu des galeries et l'ascension simultanée du quartier voisin de Chelsea devenu un marché d'art. On ne peut se contenter de l'explication habituelle de cette transition, selon laquelle l'augmentation des loyers a ‘expulsé’ l'art. Sur un même plan, quoique sur un axe différent, se trouve l'évolution du prix des œuvres – en particulier dans le type d'art auquel ces lieux ont été associés réciproquement –, évolution qui se reflète sur l'occupation des terrains. Ce qui influe également sur le destin de ces quartiers est la plus ou moins grande difficultéà reconstituer les scènes sociales d'un lieu à l'autre. L'article montre comment les spécificités des objets d'art, qu'il s'agisse de leur valeur financière ou de leur forme, se combinent aux marchés immobiliers et à la nature sociale des scènes pour modifier la morphologie urbaine.

Suggested Citation

  • Harvey Molotch & Mark Treskon, 2009. "Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 33(2), pages 517-541, June.
  • Handle: RePEc:bla:ijurrs:v:33:y:2009:i:2:p:517-541
    DOI: 10.1111/j.1468-2427.2009.00866.x
    as

    Download full text from publisher

    File URL: https://doi.org/10.1111/j.1468-2427.2009.00866.x
    Download Restriction: no

    File URL: https://libkey.io/10.1111/j.1468-2427.2009.00866.x?utm_source=ideas
    LibKey link: if access is restricted and if your library uses this service, LibKey will redirect you to where you can use your library subscription to access this item
    ---><---

    References listed on IDEAS

    as
    1. Michael Storper & Anthony J. Venables, 2004. "Buzz: face-to-face contact and the urban economy," Journal of Economic Geography, Oxford University Press, vol. 4(4), pages 351-370, August.
    2. David Ley, 2003. "Artists, Aestheticisation and the Field of Gentrification," Urban Studies, Urban Studies Journal Limited, vol. 40(12), pages 2527-2544, November.
    3. Steven D. Levitt & Chad Syverson, 2008. "Market Distortions When Agents Are Better Informed: The Value of Information in Real Estate Transactions," The Review of Economics and Statistics, MIT Press, vol. 90(4), pages 599-611, November.
    4. Graeme Evans, 2003. "Hard‐branding the cultural city – from Prado to Prada," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 27(2), pages 417-440, June.
    5. Winifred Curran, 2007. "'From the Frying Pan to the Oven': Gentrification and the Experience of Industrial Displacement in Williamsburg, Brooklyn," Urban Studies, Urban Studies Journal Limited, vol. 44(8), pages 1427-1440, July.
    6. Richard E. Caves, 2003. "Contracts Between Art and Commerce," Journal of Economic Perspectives, American Economic Association, vol. 17(2), pages 73-83, Spring.
    7. Goetzmann, William N, 1993. "Accounting for Taste: Art and the Financial Markets over Three Centuries," American Economic Review, American Economic Association, vol. 83(5), pages 1370-1376, December.
    8. Meric S. Gertler, 2003. "Tacit knowledge and the economic geography of context, or The undefinable tacitness of being (there)," Journal of Economic Geography, Oxford University Press, vol. 3(1), pages 75-99, January.
    9. Orley Ashenfelter & Kathryn Graddy, 2003. "Auctions and the Price of Art," Journal of Economic Literature, American Economic Association, vol. 41(3), pages 763-787, September.
    10. Stuart Cameron & Jon Coaffee, 2005. "Art, Gentrification and Regeneration -- From Artist as Pioneer to Public Arts," European Journal of Housing Policy, Taylor and Francis Journals, vol. 5(1), pages 39-58, April.
    11. Tom Slater, 2008. "‘A Literal Necessity to be Re‐Placed’: A Rejoinder to the Gentrification Debate," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 32(1), pages 212-223, March.
    12. Weiping Wu, 2005. "Dynamic cities and creative clusters," Policy Research Working Paper Series 3509, The World Bank.
    13. Ash Amin, 1999. "An Institutionalist Perspective on Regional Economic Development," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 23(2), pages 365-378, June.
    14. Hans Mommaas, 2004. "Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban Cultural Policy," Urban Studies, Urban Studies Journal Limited, vol. 41(3), pages 507-532, March.
    15. Tom Slater, 2006. "The Eviction of Critical Perspectives from Gentrification Research," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 30(4), pages 737-757, December.
    16. Stuart Cameron & Jon Coaffee, 2005. "Art, Gentrification and Regeneration - From Artist as Pioneer to Public Arts," International Journal of Housing Policy, Taylor & Francis Journals, vol. 5(1), pages 39-58.
    17. Jamie Peck, 2005. "Struggling with the Creative Class," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 29(4), pages 740-770, December.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Heeyeun Yoon & Elizabeth Currid-Halkett, 2015. "Industrial gentrification in West Chelsea, New York: Who survived and who did not? Empirical evidence from discrete-time survival analysis," Urban Studies, Urban Studies Journal Limited, vol. 52(1), pages 20-49, January.
    2. Jansson Johan, 2014. "Temporary events and spaces in the Swedish primary art market," ZFW – Advances in Economic Geography, De Gruyter, vol. 58(1), pages 202-215, October.
    3. Minjin Lee & Hangil Kim & SangHyun Cheon, 2021. "A Network Approach to Revealing Dynamic Succession Processes of Urban Land Use and User Experience," Sustainability, MDPI, vol. 13(21), pages 1-16, October.
    4. Schuetz, Jenny, 2014. "Do art galleries stimulate redevelopment?," Journal of Urban Economics, Elsevier, vol. 83(C), pages 59-72.
    5. Meghan Ashlin Rich & William Tsitsos, 2016. "Avoiding the ‘SoHo Effect’ in Baltimore: Neighborhood Revitalization and Arts and Entertainment Districts," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(4), pages 736-756, July.
    6. Jenny Schuettz, 2013. "Do Art Galleries Stimulate Redevelopment?," Working Paper 9121, USC Lusk Center for Real Estate.
    7. Vanessa Mathews, 2014. "Incoherence and Tension in Culture-Led Redevelopment," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(3), pages 1019-1036, May.
    8. Pappalepore, Ilaria & Duignan, Michael B., 2016. "The London 2012 cultural programme: A consideration of Olympic impacts and legacies for small creative organisations in east London," Tourism Management, Elsevier, vol. 54(C), pages 344-355.
    9. Jenny Schuetz & Richard K. Green, 2014. "Is The Art Market More Bourgeois Than Bohemian?," Journal of Regional Science, Wiley Blackwell, vol. 54(2), pages 273-303, March.
    10. Andrea Pollio & Liam Magee & Ien Ang & David Rowe & Deborah Stevenson & Teresa Swist & Alexandra Wong, 2021. "SURVIVING SUPERGENTRIFICATION IN INNER CITY SYDNEY: Adaptive Spaces and Makeshift Economies of Cultural Production," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 45(5), pages 778-794, September.
    11. Steven Lang & Julia Rothenberg, 2017. "Neoliberal urbanism, public space, and the greening of the growth machine: New York City’s High Line park," Environment and Planning A, , vol. 49(8), pages 1743-1761, August.
    12. Elena-Lavinia Ciuculescu & Florin-Alexandru Luca, 2024. "How Can Cities Build Their Brand through Arts and Culture? An Analysis of ECoC Bidbooks from 2020 to 2026," Sustainability, MDPI, vol. 16(8), pages 1-20, April.
    13. Joanna P. Ganning, 2016. "Arts Stability and Growth Amid Redevelopment in U.S. Shrinking Cities’ Downtowns," Economic Development Quarterly, , vol. 30(3), pages 239-251, August.
    14. Joaquim Rius Ulldemolins, 2014. "Culture and authenticity in urban regeneration processes: Place branding in central Barcelona," Urban Studies, Urban Studies Journal Limited, vol. 51(14), pages 3026-3045, November.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Vanessa Mathews, 2014. "Incoherence and Tension in Culture-Led Redevelopment," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(3), pages 1019-1036, May.
    2. Pier Luigi Sacco & Guido Ferilli & Giorgio Tavano Blessi & Massimiliano Nuccio, 2013. "Culture as an Engine of Local Development Processes: System-Wide Cultural Districts II: Prototype Cases," Growth and Change, Wiley Blackwell, vol. 44(4), pages 571-588, December.
    3. David J. Madden, 2014. "Neighborhood as Spatial Project: Making the Urban Order on the Downtown Brooklyn Waterfront," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(2), pages 471-497, March.
    4. Meghan Ashlin Rich & William Tsitsos, 2016. "Avoiding the ‘SoHo Effect’ in Baltimore: Neighborhood Revitalization and Arts and Entertainment Districts," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(4), pages 736-756, July.
    5. Loretta Lees & David Ley, 2008. "Introduction to Special Issue on Gentrification and Public Policy," Urban Studies, Urban Studies Journal Limited, vol. 45(12), pages 2379-2384, November.
    6. Brunella Bruno & Emilia Garcia‐Appendini & Giacomo Nocera, 2018. "Experience and Brokerage in Asset Markets: Evidence from Art Auctions," Financial Management, Financial Management Association International, vol. 47(4), pages 833-864, December.
    7. Stefano Bloch, 2016. "Why do Graffiti Writers Write on Murals? The Birth, Life, and Slow Death of Freeway Murals in Los Angeles," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(2), pages 451-471, March.
    8. Wedemeier, Jan, 2009. "Creative cities and the concept of diversity," HWWI Research Papers 1-20, Hamburg Institute of International Economics (HWWI).
    9. Jan Suchacek, 2019. "The Benefit of Failure: On the Development of Ostrava’s Culture," Sustainability, MDPI, vol. 11(9), pages 1-15, May.
    10. Charlie Karlsson, 2011. "Clusters, Networks and Creativity," Chapters, in: David Emanuel Andersson & Åke E. Andersson & Charlotta Mellander (ed.), Handbook of Creative Cities, chapter 5, Edward Elgar Publishing.
    11. Alan Beggs & Kathryn Graddy, 2008. "Failure to meet the reserve price: the impact on returns to art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 301-320, December.
    12. Heather E. McLean, 2014. "Cracks in the Creative City: The Contradictions of Community Arts Practice," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(6), pages 2156-2173, November.
    13. Carl Grodach & Nicole Foster & James Murdoch, 2018. "Gentrification, displacement and the arts: Untangling the relationship between arts industries and place change," Urban Studies, Urban Studies Journal Limited, vol. 55(4), pages 807-825, March.
    14. Lauren Haaften-Schick & Amy Whitaker, 2022. "From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 287-315, June.
    15. Andersen, Kristina Vaarst, 2013. "The problem of embeddedness revisited: Collaboration and market types," Research Policy, Elsevier, vol. 42(1), pages 139-148.
    16. Sébastien Breau & Dieter F. Kogler & Kenyon C. Bolton, 2014. "On the Relationship between Innovation and Wage Inequality: New Evidence from Canadian Cities," Economic Geography, Clark University, vol. 90(4), pages 351-373, October.
    17. Joaquim Rius Ulldemolins, 2014. "Culture and authenticity in urban regeneration processes: Place branding in central Barcelona," Urban Studies, Urban Studies Journal Limited, vol. 51(14), pages 3026-3045, November.
    18. Schuetz, Jenny, 2014. "Do art galleries stimulate redevelopment?," Journal of Urban Economics, Elsevier, vol. 83(C), pages 59-72.
    19. Darshan Vigneswaran, 2020. "International Migration and Gentrification: Territorial Exclusion at National and Urban Scales," Environment and Planning C, , vol. 38(3), pages 557-576, May.
    20. Graeme Evans, 2009. "Creative Cities, Creative Spaces and Urban Policy," Urban Studies, Urban Studies Journal Limited, vol. 46(5-6), pages 1003-1040, May.

    More about this item

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:bla:ijurrs:v:33:y:2009:i:2:p:517-541. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Wiley Content Delivery (email available below). General contact details of provider: http://www.blackwellpublishing.com/journal.asp?ref=0309-1317 .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.