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Limits of the platform economy: Digitalization and marketization in live music

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  • Azzellini, Dario
  • Greer, Ian
  • Umney, Charles

Abstract

Online platforms have disrupted parts of the capitalist economy, with allegedly severe consequences in the world of work. This study examines live music in Germany and the UK, where online platforms do not dominate, despite considerable digitalization of market intermediaries. The analysis shows that, as the degree of digitalization increases, matching services tend to work less as a workers' representative – which is traditionally the case for live music agents – and more as a force of marketization that disciplines workers by orchestrating price-based competition

Suggested Citation

  • Azzellini, Dario & Greer, Ian & Umney, Charles, 2019. "Limits of the platform economy: Digitalization and marketization in live music," Working Paper Forschungsförderung 154, Hans-Böckler-Stiftung, Düsseldorf.
    • Handle: RePEc:zbw:hbsfof:154
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    References listed on IDEAS

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    Cited by:

    1. Wenceslas Lizé & Ian Greer & Charles Umney, 2022. "Artistic work intermediaries as industrial relations institutions: The case of musicians," Economic and Industrial Democracy, Department of Economic History, Uppsala University, Sweden, vol. 43(2), pages 793-809, May.
    2. de Pedraza, Pablo & Vollbracht, Ian, 2020. "The Semicircular Flow of the Data Economy and the Data Sharing Laffer curve," GLO Discussion Paper Series 515, Global Labor Organization (GLO).

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    Keywords

    platform economy; creative work; digitalisation; marketization; live music; digitalisation;
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