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Francoise Benhamou

Personal Details

First Name:Francoise
Middle Name:
Last Name:Benhamou
Suffix:
RePEc Short-ID:pbe574
http://www.univ-paris13.fr/CEPN/IMG/pdf/cv_francoise_benhamou.pdf

Affiliation

Centre d'Économie de l'Université Paris-Nord (CEPN)
Université Paris-13

Paris, France
http://cepn.univ-paris13.fr/

: 33 (0)1 49 40 33 18
01 49 40 33 34
99, avenue Jean-Baptiste Clément, 93430 Villetaneuse
RePEc:edi:cep13fr (more details at EDIRC)

Research output

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Jump to: Working papers Articles Chapters

Working papers

  1. Pierre-Jean Benghozi & Françoise Benhamou, 2008. "La longue traîne : levier numérique de la diversité culturelle ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) hal-00406526, HAL.
  2. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.
  3. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.
  4. Françoise Benhamou & Victor Ginsburgh, 2002. "Is there a market for copies," ULB Institutional Repository 2013/1687, ULB -- Universite Libre de Bruxelles.

Articles

  1. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.
  2. françoise Benhamou, 2004. "Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(2), pages 157-160, May.
  3. FranÇoise Benhamou, 2004. "Comment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 263-266, November.
  4. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.
  5. Francoise Benhamou, 1996. "Is increased public spending for the preservation of historic monuments inevitable? The French case," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 115-131, June.

Chapters

  1. Benhamou, Francoise & Ginsburgh, Victor, 2006. "Copies of Artworks: The Case of Paintings and Prints," Handbook of the Economics of Art and Culture, Elsevier.

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Working papers

  1. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.

    Cited by:

  2. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.

    Cited by:

    1. Bertacchini, Enrico & Friel, Martha, 2014. "Determining the Value of Modern and Contemporary Furniture Design: an Exploratory Investigation," Department of Economics and Statistics Cognetti de Martiis. Working Papers 201437, University of Turin.

  3. Françoise Benhamou & Victor Ginsburgh, 2002. "Is there a market for copies," ULB Institutional Repository 2013/1687, ULB -- Universite Libre de Bruxelles.

    Cited by:

    1. Elisabetta Lazzaro, 2006. "Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 15-40, March.
    2. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.
    3. Michael Rushton, 2008. "Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(1), pages 79-81, March.

Articles

  1. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.

    Cited by:

    1. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.
    2. Aday Hernandez & Juan Luis Jimenez, 2011. "Do supermarkets reduce the number of traditional bookshops? An empirical application to the textbook market in Spain," ACEI Working Paper Series AWP-02-2011, Association for Cultural Economics International, revised Jul 2011.
    3. Sjaak Braster & Jaap Dronkers, 2013. "The positive effects of ethnic diversity in class on the educational performance of pupils in a multi-ethnic European metropole," CReAM Discussion Paper Series 1318, Centre for Research and Analysis of Migration (CReAM), Department of Economics, University College London.
    4. Fernández Blanco, Víctor & Prieto Rodríguez,Juan, 2009. "Análisis de los hábitos de lectura como una decisión económica/," Estudios de Economía Aplicada, Estudios de Economía Aplicada, vol. 27, pages 113-138, Abril.

  2. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.

    Cited by:

    1. Frederick Van der Ploeg, 2005. "The Making of Cultural Policy: A European Perspective," CESifo Working Paper Series 1524, CESifo Group Munich.
    2. Wojdyło-Preisner Monika & Zawadzki Kamil, 2015. "Specificity Of Long-Term Unemployment Risk Among Creative Economy Workers / Specyfika Ryzyka Długookresowego Bezrobocia Wśród Pracowników Ekonomii Kreatywnej," Comparative Economic Research, De Gruyter Open, vol. 18(3), pages 37-58, August.
    3. Haak, Carroll, 2005. "Künstler zwischen selbständiger und abhängiger Erwerbsarbeit," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2005-107, Social Science Research Center Berlin (WZB).
    4. Björn Frank, 2003. "Location Decisions in a Changing Labour Market Environment," Discussion Papers of DIW Berlin 380, DIW Berlin, German Institute for Economic Research.

  3. Francoise Benhamou, 1996. "Is increased public spending for the preservation of historic monuments inevitable? The French case," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 115-131, June.

    Cited by:

    1. Victoria Ateca Amestoy, 2013. "Demand for cultural heritage," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 4, pages i-i Edward Elgar Publishing.
    2. Bruno S. Frey & Paolo Pamini, 2009. "Making World Heritage Truly Global: The Culture Certificate Scheme," CREMA Working Paper Series 2009-13, Center for Research in Economics, Management and the Arts (CREMA).
    3. Bruce A. Seaman, 2013. "The role of the private sector in cultural heritage," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 5, pages i-i Edward Elgar Publishing.
    4. Bruno S. Frey & Paolo Pamini & Lasse Steiner, 2011. "What determines the World Heritage List? An econometric analysis," ECON - Working Papers 001, Department of Economics - University of Zurich.
    5. Douglas S. Noonan, 2013. "Market effects of historic preservation," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 17, pages i-i Edward Elgar Publishing.
    6. Bruno S. Frey & Lasse Steiner, 2010. "World Heritage List: Does it Make Sense?," CESifo Working Paper Series 3078, CESifo Group Munich.
    7. Steiner, Lasse & Frey, Bruno S., 2012. "Correcting the Imbalances of the World Heritage List," EBLA Working Papers 201206, University of Turin.
    8. Françoise Benhamou, 2011. "Heritage," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 32 Edward Elgar Publishing.
    9. Françoise Benhamou, 2013. "Public intervention for cultural heritage: normative issues and tools," Chapters,in: Handbook on the Economics of Cultural Heritage, chapter 1, pages i-i Edward Elgar Publishing.
    10. Yan Zhang, 2012. "Towards an Institutional Approach of Self-governance on Cultural Heritage," Chapters,in: Cultural Commons, chapter 8 Edward Elgar Publishing.
    11. Karin Sable & Robert Kling, 2001. "The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(2), pages 77-89, May.
    12. Aabo, Svanhild, 2005. "Valuing the benefits of public libraries," Information Economics and Policy, Elsevier, vol. 17(2), pages 175-198, March.

Chapters

  1. Benhamou, Francoise & Ginsburgh, Victor, 2006. "Copies of Artworks: The Case of Paintings and Prints," Handbook of the Economics of Art and Culture, Elsevier.
    See citations under working paper version above.Sorry, no citations of chapters recorded.

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