IDEAS home Printed from https://ideas.repec.org/a/sgh/gosnar/y2014i2p153-176.html
   My bibliography  Save this article

Sektor kreatywny w gospodarce

Author

Listed:
  • Beata Namyślak

Abstract

Celem artykułu jest usystematyzowanie podstawowych pojęć związanych z sektorem kreatywnym. Najwięcej uwagi poświęcono dwóm pojęciom: działalności twórcze i przemysły kultury. Zwrócono również uwagę na wzrastającą rolę przemysłów kultury oraz dokonano zestawienia najważniejszych problemów związanych z rozwojem i badaniem działalności twórczych. Artykuł ma charakter teoretyczny. Realizacja wyznaczonych celów pracy wymagała obszernych studiów literatury, w dużej mierze zagranicznej. Za sektor kreatywny (creative knowledge sector) w gospodarce narodowej uważa się ten, na który składają się działalności oparte na własności intelektualnej, mające korzenie w kulturze i nauce. W sektorze tym wyróżnia się dwie podstawowe grupy: działalności twórcze (creative industries) oraz tzw. działalności o dużym stopniu nasycenia wiedzą (knowledge intensive industries). Znaczenie tych przemysłów we współczesnej gospodarce wzrasta, a ich stan wpływa bezpośrednio lub pośrednio na rozwój miasta/regionu m.in. przez aktywizację potencjału ludzkiego, tworzenie miejsc pracy, rozwój sektorów komplementarnych związanych pośrednio z kulturą (np. turystyki i rekreacji), stymulowanie rewitalizacji obiektów poprzemysłowych czy udział w tworzeniu pozytywnego wizerunku miasta/regionu. Niemniej jednak rozwojowi działalności twórczych towarzyszą liczne problemy, w tym brak zaufania wobec tych dziedzin, powszechna opinia o ich nieproduktywności oraz brak metodologii oceny działalności twórczych.

Suggested Citation

  • Beata Namyślak, 2014. "Sektor kreatywny w gospodarce," Gospodarka Narodowa. The Polish Journal of Economics, Warsaw School of Economics, issue 2, pages 153-176.
    • Handle: RePEc:sgh:gosnar:y:2014:i:2:p:153-176
    as

    Download full text from publisher

    File URL: http://www.journalssystem.com/gna/pdf-100904-33046
    File Function: Full text
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Ramello Giovanni B., 2005. "Intellectual Property and the Markets of Ideas," Review of Network Economics, De Gruyter, vol. 4(2), pages 1-20, June.
    2. Mark Blaug, 2001. "Where Are We Now On Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 15(2), pages 123-143, April.
    3. Blaug, Mark, 2001. "Where Are We Now on Cultural Economics?," Journal of Economic Surveys, Wiley Blackwell, vol. 15(2), pages 123-143, April.
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Victor Ginsburgh, 2013. "Mark Blaug and the economics of the arts," Chapters, in: Marcel Boumans & Matthias Klaes (ed.), Mark Blaug: Rebel with Many Causes, chapter 15, pages 208-224, Edward Elgar Publishing.
    2. Carlos Casacuberta & N鳴or Gandelman, 2012. "Multiple job holding: the artist's labour supply approach," Applied Economics, Taylor & Francis Journals, vol. 44(3), pages 323-337, January.
    3. Nijkamp, Peter & Poot, Jacques, 2015. "Cultural Diversity: A Matter of Measurement," IZA Discussion Papers 8782, Institute of Labor Economics (IZA).
    4. Douglas S. Noonan & Ilde Rizzo, 2017. "Economics of cultural tourism: issues and perspectives," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(2), pages 95-107, May.
    5. Музычук, 2012. "Должно Ли Государство Финансировать Культуру? (Научный Доклад) [Should the state finance culture?]," Working papers a:pmu374:1, Institute of Economics.
    6. Traub, Stefan & Missong, Martin, 2005. "On the public provision of the performing arts," Regional Science and Urban Economics, Elsevier, vol. 35(6), pages 862-882, November.
    7. Nadia Campaniello & Matteo Richiardi, 2018. "The role of museums in bilateral tourist flows: evidence from Italy," Oxford Economic Papers, Oxford University Press, vol. 70(3), pages 658-679.
    8. Traub, Stefan, 2005. "Quality Investment and Price Formation in the Performing Arts Sector: A Spatial Analysis," Economics Working Papers 2005-16, Christian-Albrechts-University of Kiel, Department of Economics.
    9. Cecile Wetzels, 2008. "Are workers in the cultural industries paid differently?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(1), pages 59-77, March.
    10. Lawson A.W. Hunter, Q.C. & Edward Iacobucci & Michael J. Trebilcock, 2010. "Scrambled Signals: Canadian Content Policies in a World of Technological Abundance," C.D. Howe Institute Commentary, C.D. Howe Institute, issue 301, January.
    11. Bruno Frey & Alois Stutzer, 2005. "Happiness Research: State and Prospects," Review of Social Economy, Taylor & Francis Journals, vol. 63(2), pages 207-228.
    12. Francesco Angelini & Massimiliano Castellani & Lorenzo Zirulia, 2022. "Overconfidence in the art market: a bargaining pricing model with asymmetric disinformation," Economia Politica: Journal of Analytical and Institutional Economics, Springer;Fondazione Edison, vol. 39(3), pages 961-988, October.
    13. Frey, Bruno S. & Meier, Stephan, 2006. "The Economics of Museums," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 29, pages 1017-1047, Elsevier.
    14. Aubert, Cècile & Bardhan, Pranab & Dayton-Johnson, Jeff, 2003. "Artfilms, Handicrafts and Other Cultural Goods: The Case for Subsidy," Department of Economics, Working Paper Series qt62n4f3bh, Department of Economics, Institute for Business and Economic Research, UC Berkeley.
    15. Tara McGrath & Renaud Legoux & Sylvain Sénécal, 2017. "Balancing the score: the financial impact of resource dependence on symphony orchestras," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(4), pages 421-439, November.
    16. Erwin Dekker, 2015. "Two approaches to study the value of art and culture, and the emergence of a third," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 39(4), pages 309-326, November.
    17. Christian Handke & Carolina Dalla Chiesa, 2022. "The art of crowdfunding arts and innovation: the cultural economic perspective," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 249-284, June.
    18. Guccio, Calogero & Mazza, Isidoro, 2014. "On the political determinants of the allocation of funds to heritage authorities," European Journal of Political Economy, Elsevier, vol. 34(C), pages 18-38.
    19. Brida, Juan Gabriel & Monterubbianesi, Pablo Daniel & Zapata Aguirre, Sandra, 2012. "Análisis de los factores que afectan la repetición de la visita a una atracción cultural: una aplicación al museo de Antioquia [Analysis of factors affecting repeat visit to a cultural attraction: ," MPRA Paper 37622, University Library of Munich, Germany.
    20. Tekindor, Arzu Aysin & McCracken, Vicki A., 2012. "Uniqueness in Art Market: Specialization in Visual Art," 2012 Annual Meeting, August 12-14, 2012, Seattle, Washington 124922, Agricultural and Applied Economics Association.

    More about this item

    Keywords

    działalności twórcze; sektor kultury; dystrybucja; prawa autorskie;
    All these keywords.

    JEL classification:

    • B41 - Schools of Economic Thought and Methodology - - Economic Methodology - - - Economic Methodology
    • E20 - Macroeconomics and Monetary Economics - - Consumption, Saving, Production, Employment, and Investment - - - General (includes Measurement and Data)
    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:sgh:gosnar:y:2014:i:2:p:153-176. See general information about how to correct material in RePEc.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: . General contact details of provider: https://edirc.repec.org/data/sgwawpl.html .

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Grzegorz Konat (email available below). General contact details of provider: https://edirc.repec.org/data/sgwawpl.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service hosted by the Research Division of the Federal Reserve Bank of St. Louis . RePEc uses bibliographic data supplied by the respective publishers.