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Old master paintings, export veto and price formation: an empirical study

  • Laura Onofri


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    Article provided by Springer in its journal European Journal of Law and Economics.

    Volume (Year): 28 (2009)
    Issue (Month): 2 (October)
    Pages: 149-161

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    Handle: RePEc:kap:ejlwec:v:28:y:2009:i:2:p:149-161
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    1. Richard Agnello & Renée Pierce, 1996. "Financial returns, price determinants, and genre effects in American art investment," Journal of Cultural Economics, Springer, vol. 20(4), pages 359-383, December.
    2. Chanel, O. & Gerard, L.A. & Ginsburgh, V., 1992. "The Relevence of Hedonic Price Indices the Case of Paintings," G.R.E.Q.A.M. 92a19, Universite Aix-Marseille III.
    3. Olivier Chanel & Louis-André Gérard-Varet & Victor Ginsburgh, 1996. "The relevance of hedonic price indices," Journal of Cultural Economics, Springer, vol. 20(1), pages 1-24, March.
    4. Victor Ginsburgh & Pierre-Michel Menger, 1996. "Economics of the Arts: Selected essays," ULB Institutional Repository 2013/152420, ULB -- Universite Libre de Bruxelles.
    5. Chanel, O., 1994. "Is Art Market Behavior Predictable?," G.R.E.Q.A.M. 94b08, Universite Aix-Marseille III.
    6. Ashenfelter, Orley, 1989. "How Auctions Work for Wine and Art," Journal of Economic Perspectives, American Economic Association, vol. 3(3), pages 23-36, Summer.
    7. Marilena Locatelli Biey & Roberto Zanola, 1999. "Investment in Paintings: A Short-Run Price Index," Journal of Cultural Economics, Springer, vol. 23(3), pages 209-219, August.
    8. Paolo Figini & Laura Onofri, 2005. "Old Master paintings: price formation and public policy implications," Chapters, in: Law and the State, chapter 14 Edward Elgar.
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