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Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess

Author

Listed:
  • Madeline Streiff

    (Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA)

  • Lauren Dundes

    (Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA)

Abstract

Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion.

Suggested Citation

  • Madeline Streiff & Lauren Dundes, 2017. "Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess," Social Sciences, MDPI, vol. 6(2), pages 1-10, March.
  • Handle: RePEc:gam:jscscx:v:6:y:2017:i:2:p:38-:d:94140
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    References listed on IDEAS

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    1. Anna, Petrenko, . "Мaркування готової продукції як складова частина інформаційного забезпечення маркетингової діяльності підприємств овочепродуктового підкомплексу," Agricultural and Resource Economics: International Scientific E-Journal, Agricultural and Resource Economics: International Scientific E-Journal, vol. 2(01).
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    Cited by:

    1. Benjamin Hine & Dawn England & Katie Lopreore & Elizabeth Skora Horgan & Lisa Hartwell, 2018. "The Rise of the Androgynous Princess: Examining Representations of Gender in Prince and Princess Characters of Disney Movies Released 2009–2016," Social Sciences, MDPI, vol. 7(12), pages 1-23, November.
    2. Kailash Koushik & Abigail Reed, 2018. "Star Wars: The Last Jedi, Beauty and the Beast , and Disney’s Commodification of Feminism: A Political Economic Analysis," Social Sciences, MDPI, vol. 7(11), pages 1-21, November.
    3. Haripriya Sreekumar & A. Poongodi, 2024. "The Journey of Women in Disney Movies and Their Impact on Shaping Social Perceptions," Studies in Media and Communication, Redfame publishing, vol. 12(3), pages 255-262, September.
    4. Madeline Streiff & Lauren Dundes, 2017. "From Shapeshifter to Lava Monster: Gender Stereotypes in Disney’s Moana," Social Sciences, MDPI, vol. 6(3), pages 1-12, August.

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