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Opera 2.0: Crowdsourcing the Stage

In: Cultural Commons

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  • Alessandra Carbone
  • Michele Trimarchi

Abstract

This compelling book offers a fresh and novel approach to study cultural and artistic expression from the perspective of ‘the commons’. It demonstrates how identifying cultures as shared resources is useful in eliciting the main factors and social dilemmas affecting the production and evolution of cultural expression.

Suggested Citation

  • Alessandra Carbone & Michele Trimarchi, 2012. "Opera 2.0: Crowdsourcing the Stage," Chapters, in: Enrico Bertacchini & Giangiacomo Bravo & Massimo Marrelli & Walter Santagata (ed.), Cultural Commons, chapter 12, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:14715_12
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    References listed on IDEAS

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    1. Scott E. Page, 2007. "Prologue to The Difference: How the Power of Diversity Creates Better Groups, Firms, Schools, and Societies," Introductory Chapters, in: The Difference: How the Power of Diversity Creates Better Groups, Firms, Schools, and Societies, Princeton University Press.
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