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The Significance of Commercial Music Festivals

In: Handbook on the Economics of Leisure

Author

Listed:
  • Gretchen Larsen
  • Stephanie Hussels

Abstract

Surprisingly, the field of leisure economics is not, thus far, a particularly integrated or coherent one. In this Handbook a wide ranging body of international scholars get to grips with the core issues, taking in the traditional income/leisure choice model of textbook microeconomics and Becker’s allocation of time model along the way. They expertly apply economics to some usually neglected topics, such as boredom and sleeping, work–life balance, dating, tourism, health and fitness, sport, video games, social networking, music festivals and sex. Contributions from further afield by Veblen, Sctivosky and Bourdieu also feature prominently.

Suggested Citation

  • Gretchen Larsen & Stephanie Hussels, 2011. "The Significance of Commercial Music Festivals," Chapters, in: Samuel Cameron (ed.), Handbook on the Economics of Leisure, chapter 13, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:13469_13
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    References listed on IDEAS

    as
    1. Samuel Cameron (ed.), 2011. "Handbook on the Economics of Leisure," Books, Edward Elgar Publishing, number 13469.
    2. Kozinets, Robert V, 2002. "Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man," Journal of Consumer Research, Journal of Consumer Research Inc., vol. 29(1), pages 20-38, June.
    3. V. Rao, 2001. "Celebrations as Social Investments: Festival Expenditures, Unit Price Variation and Social Status in Rural India," Journal of Development Studies, Taylor & Francis Journals, vol. 38(1), pages 71-97.
    Full references (including those not matched with items on IDEAS)

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