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Où placer l'étiquette de marque du film ? Une nouvelle approche à travers le réalisateur

Listed author(s):
  • Camille Pluntz


    (ERMES - DRM - Dauphine Recherches en Management - Université Paris-Dauphine - CNRS - Centre National de la Recherche Scientifique)

Registered author(s):

    Cette communication a pour objectif d'établir une nouvelle conceptualisation de l'étiquette de marque du film, à travers le réalisateur. Nous voyons, dans un premier temps, quelles conceptualisations de l'étiquette de marque du film sont couramment utilisées dans les recherches en marketing. Puis, dans un deuxième temps, en rapprochant la théorie de la valeur culturelle de Smith (1983) et Frow (1995) avec la définition de la marque par la valeur de Kapferer (2007), il s'agit de montrer comment le réalisateur peut être envisagé comme marque de ses propres films. En conclusion, nous proposons un cadre de recherche marketing dans lequel cette nouvelle étiquette de marque du film peut être utilisée.

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    Paper provided by HAL in its series Post-Print with number halshs-00693578.

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    Date of creation: 05 Apr 2012
    Publication status: Published in La stratégie de marque dans le secteur audiovisuel, Apr 2012, Toulouse, France
    Handle: RePEc:hal:journl:halshs-00693578
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    1. Basuroy, Suman & Chatterjee, Subimal, 2008. "Fast and frequent: Investigating box office revenues of motion picture sequels," Journal of Business Research, Elsevier, vol. 61(7), pages 798-803, July.
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