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Où placer l'étiquette de marque du film ? Une nouvelle approche à travers le réalisateur

Author

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  • Camille Pluntz

    (ERMES - DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris sciences et lettres - CNRS - Centre National de la Recherche Scientifique)

Abstract

Cette communication a pour objectif d'établir une nouvelle conceptualisation de l'étiquette de marque du film, à travers le réalisateur. Nous voyons, dans un premier temps, quelles conceptualisations de l'étiquette de marque du film sont couramment utilisées dans les recherches en marketing. Puis, dans un deuxième temps, en rapprochant la théorie de la valeur culturelle de Smith (1983) et Frow (1995) avec la définition de la marque par la valeur de Kapferer (2007), il s'agit de montrer comment le réalisateur peut être envisagé comme marque de ses propres films. En conclusion, nous proposons un cadre de recherche marketing dans lequel cette nouvelle étiquette de marque du film peut être utilisée.

Suggested Citation

  • Camille Pluntz, 2012. "Où placer l'étiquette de marque du film ? Une nouvelle approche à travers le réalisateur," Post-Print halshs-00693578, HAL.
    • Handle: RePEc:hal:journl:halshs-00693578
    Note: View the original document on HAL open archive server: https://shs.hal.science/halshs-00693578
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    References listed on IDEAS

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    1. Basuroy, Suman & Chatterjee, Subimal, 2008. "Fast and frequent: Investigating box office revenues of motion picture sequels," Journal of Business Research, Elsevier, vol. 61(7), pages 798-803, July.
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    Keywords

    marque; film; réalisateur;
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