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Recruiting a self

Author

Listed:
  • Deborah Dean

    (University of Warwick, UK, Deborah.Dean@wbs.ac.uk)

Abstract

Discussion of aesthetic labour has largely been confined to areas of interactive service work. However, current criteria for the presence of aesthetic labour have long been part of the labour process of performers and in an unusually overt and accepted way. Here, embodied characteristics are explicitly rewarded or marginalized. Much of the entertainment industry is predicated on recruitment based on physical characteristics and in this article empirical research with women performers working in theatre and television in the UK is used to extend ideas on issues around aesthetic labour.

Suggested Citation

  • Deborah Dean, 2005. "Recruiting a self," Work, Employment & Society, British Sociological Association, vol. 19(4), pages 761-774, December.
  • Handle: RePEc:sae:woemps:v:19:y:2005:i:4:p:761-774
    DOI: 10.1177/0950017005058061
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    References listed on IDEAS

    as
    1. Harper, Barry, 2000. "Beauty, Stature and the Labour Market: A British Cohort Study," Oxford Bulletin of Economics and Statistics, Department of Economics, University of Oxford, vol. 62(0), pages 771-800, Special I.
    2. Chris Warhurst & DENNIS NICKSON & ANNE WITZ & ANNE MARIE CULLEN, 2000. "Aesthetic Labour in Interactive Service Work: Some Case Study Evidence from the ‘New’ Glasgow," The Service Industries Journal, Taylor & Francis Journals, vol. 20(3), pages 1-18, July.
    3. Marianthi Leontaridi, 1998. "Segmented Labour Markets: Theory and Evidence," Journal of Economic Surveys, Wiley Blackwell, vol. 12(1), pages 103-109, February.
    4. Michael French, 2002. "Physical appearance and earnings: further evidence," Applied Economics, Taylor & Francis Journals, vol. 34(5), pages 569-572.
    5. Leontaridi, Marianthi Rannia, 1998. "Segmented Labour Markets: Theory and Evidence," Journal of Economic Surveys, Wiley Blackwell, vol. 12(1), pages 63-101, February.
    Full references (including those not matched with items on IDEAS)

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