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Why has cultural economics ignored copyright?

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  • Ruth Towse

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  • Ruth Towse, 2008. "Why has cultural economics ignored copyright?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 243-259, December.
  • Handle: RePEc:kap:jculte:v:32:y:2008:i:4:p:243-259
    DOI: 10.1007/s10824-008-9080-0
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    References listed on IDEAS

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    1. Michael Rushton, 2001. "The Law and Economics of Artists' Inalienable Rights," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 243-257, November.
    2. Andrew Burke, 1996. "How effective are international copyright conventions in the music industry?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(1), pages 51-66, March.
    3. Arthur Snow & Richard Watt, 2005. "Risk sharing and the distribution of copyright collective income," Chapters, in: Lisa N. Takeyama & Wendy J. Gordon & Ruth Towse (ed.), Developments in the Economics of Copyright, chapter 2, Edward Elgar Publishing.
    4. Michele Boldrin & David Levine, 2002. "The Case Against Intellectual Property," American Economic Review, American Economic Association, vol. 92(2), pages 209-212, May.
    5. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 259-281, November.
    6. Henry Hansmann, "undated". "Royalties for Artists Versus Royalties for Authors and Composers," Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy Working Paper Series yale_lepp-1023, Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy.
    7. Michael Rushton, 1998. "The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(1), pages 15-32, March.
    8. Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, September.
    9. Cameron, Samuel & Collins, Alan, 1997. "Transaction costs and partnerships: The case of rock bands," Journal of Economic Behavior & Organization, Elsevier, vol. 32(2), pages 171-183, February.
    10. Hal R. Varian, 2005. "Copying and Copyright," Journal of Economic Perspectives, American Economic Association, vol. 19(2), pages 121-138, Spring.
    11. Shavell, Steven & van Ypersele, Tanguy, 2001. "Rewards versus Intellectual Property Rights," Journal of Law and Economics, University of Chicago Press, vol. 44(2), pages 525-547, October.
    12. Ruth Towse, 2001. "Partly for the Money: Rewards and Incentives to Artists," Kyklos, Wiley Blackwell, vol. 54(2‐3), pages 473-490, May.
    13. Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 513-545, September.
    14. Pamela Samuelson, 1999. "Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(1), pages 95-107, March.
    15. Towse, Ruth, 2001. "Partly for the Money: Rewards and Incentives to Artists," Kyklos, Wiley Blackwell, vol. 54(2-3), pages 473-490.
    16. Landes, William M & Posner, Richard A, 1989. "An Economic Analysis of Copyright Law," The Journal of Legal Studies, University of Chicago Press, vol. 18(2), pages 325-363, June.
    17. Wendy J. Gordon & Richard Watt (ed.), 2003. "The Economics of Copyright," Books, Edward Elgar Publishing, number 2998.
    Full references (including those not matched with items on IDEAS)

    Citations

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    Cited by:

    1. Christian Handke, 2014. "Collective administration," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 11, pages 179-204, Edward Elgar Publishing.
    2. Ruth Towse, 2011. "Creative Industries," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 17, Edward Elgar Publishing.
    3. Antonello E. Scorcu & Laura Vici, 2013. "Economic and cultural factors and illegal copying in the university textbook market," ACEI Working Paper Series AWP-01-2013, Association for Cultural Economics International, revised Feb 2013.
    4. Joost Poort, 2013. "Copyright levies," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 21, pages 235-246, Edward Elgar Publishing.
    5. Ya-Feng Zhang, 2022. "Cultural and Creative Industries and Copyright at the Regional Level: The Cases of Shenzhen and Hangzhou in China," Sustainability, MDPI, vol. 14(9), pages 1-17, April.
    6. Tyler Cowen, 2011. "Creative Economy," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 16, Edward Elgar Publishing.
    7. Michael O’Hare, 2008. "Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 281-291, December.
    8. Christian Jaramillo, 2009. "Research and Development in Culture: A Case for Cross Subsidies in the Arts," Documentos CEDE 5346, Universidad de los Andes, Facultad de Economía, CEDE.
    9. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.

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    More about this item

    Keywords

    Cultural economics; Copyright; Cultural policy; Z11; K11; O34; O38;
    All these keywords.

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • K11 - Law and Economics - - Basic Areas of Law - - - Property Law
    • O34 - Economic Development, Innovation, Technological Change, and Growth - - Innovation; Research and Development; Technological Change; Intellectual Property Rights - - - Intellectual Property and Intellectual Capital
    • O38 - Economic Development, Innovation, Technological Change, and Growth - - Innovation; Research and Development; Technological Change; Intellectual Property Rights - - - Government Policy

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