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The cultural entrepreneur and the creative industries: beginning in Vienna

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  • Richard Swedberg

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Abstract

In this paper on the creative industries and cultural entrepreneurship I take my point of departure in Richard Caves’ Creative Industries [Caves, R. (2000). Creative industries: Contacts between art and commerce. Cambridge, MA: Harvard University Press.]. While Caves draws heavily on economic analysis and contemporary sociology in his excellent analysis of these two topics, he does not use the sociological classics at all. The main purpose of the paper is an attempt to remedy this, by drawing attention to the possible contribution that the works of Max Weber, Emile Durkheim, and Georg Simmel can make to our understanding of the creative industries and cultural entrepreneurship. Since this paper was prepared as a keynote address for the 2006 conference of the Association for Cultural Economics International in Vienna, I also discuss Schumpeter’s ideas on art and entrepreneurship, ideas which grew out of Viennese culture. Copyright Springer Science+Business Media, LLC 2006

Suggested Citation

  • Richard Swedberg, 2006. "The cultural entrepreneur and the creative industries: beginning in Vienna," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(4), pages 243-261, December.
  • Handle: RePEc:kap:jculte:v:30:y:2006:i:4:p:243-261 DOI: 10.1007/s10824-006-9016-5
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    References listed on IDEAS

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    1. M. Bagella & L. Becchetti, 1999. "The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(4), pages 237-256, November.
    2. Victor Ginsburgh & Sheila Weyers, 1999. "On the Perceived Quality of Movies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, pages 269-283.
    3. Perino, Grischa & Schulze, Günther G., 2003. "Competition, cultural autonomy and global governance: The audio-visual sector in Germany," HWWA Reports 232, Hamburg Institute of International Economics (HWWA).
    4. Peter Macmillan & Ian Smith, 2001. "Explaining Post-War Cinema Attendance in Great Britain," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(2), pages 91-108, May.
    5. Arthur De Vany & W. Walls, 1999. "Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(4), pages 285-318, November.
    6. VÍctor Blanco & JosÉ BaÑos Pino, 1997. "Cinema Demand in Spain: A Cointegration Analysis," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 21(1), pages 57-75, March.
    7. Chris Hand, 2002. "The Distribution and Predictability of Cinema Admissions," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, pages 53-64.
    8. James G. MacKinnon, 1990. "Critical Values for Cointegration Tests," Working Papers 1227, Queen's University, Department of Economics.
    9. Stock, James H, 1987. "Asymptotic Properties of Least Squares Estimators of Cointegrating Vectors," Econometrica, Econometric Society, vol. 55(5), pages 1035-1056, September.
    10. Steven Albert, 1998. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 249-270, December.
    11. Samuel Cameron, 1999. "Rational addiction and the demand for cinema," Applied Economics Letters, Taylor & Francis Journals, vol. 6(9), pages 617-620.
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    Citations

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    Cited by:

    1. Alina Daniela MIHALCEA & Andreea MITAN & Alexandra VI?ELAR, 2012. "Generation Y: Views on Entrepreneurship," Economia. Seria Management, Faculty of Management, Academy of Economic Studies, Bucharest, Romania, vol. 15(2), pages 277-287, December.
    2. repec:bpj:erjour:v:7:y:2017:i:3:p:15:n:1 is not listed on IDEAS
    3. Jason Potts & Stuart Cunningham & John Hartley & Paul Ormerod, 2008. "Social network markets: a new definition of the creative industries," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(3), pages 167-185, September.
    4. Lisa Balzarin & Chiara Monica Calcagno, 2016. "Traces of entrepreneurship in the artistic context," Working Papers 1, Department of Management, Università Ca' Foscari Venezia.
    5. Elmar D. Konrad, 2015. "Cultural Entrepreneurship and Money: Start-Up Financing Structures in the Creative Industries (Przedsiebiorczosc w sektorze kultury a srodki finansowe – struktury finansowania nowych przedsiebiorstw w," Problemy Zarzadzania, University of Warsaw, Faculty of Management, vol. 13(56), pages 159-176.
    6. PURCAREA, Irina, 2015. "Cultural entrepreneurship. The importance of developing cultural competences within the framework of resource mobilization," Holistic Marketing Management Journal, Holistic Marketing Management, vol. 5(4), pages 15-21, December.
    7. repec:pal:eurjdr:v:29:y:2017:i:4:d:10.1057_s41287-016-0066-z is not listed on IDEAS
    8. Mark Blaug & Ruth Towse, 2011. "Cultural Entrepreneurship," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 22 Edward Elgar Publishing.

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