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The Micro-Politics of Artistic Production among Artists with a Migration Background

Author

Listed:
  • Golnesa Rezanezhad Pishkhani

    (Center of Gender and Culture, Ghent University, 9000 Ghent, Belgium)

  • Mattias De Backer

    (Department of Criminology, Vrije Universiteit Brussel, 1050 Brussels, Belgium)

Abstract

Based on two research projects in the Brussels-based artistic workspace and NGO Globe Aroma, this paper shows how artists with a (recent) migration background make sense of the arts and the space in which they are produced. Born out of a need to counter the dominant presence of men in this artistic workspace and create a welcoming environment, textile-making and live radio were used as means of reclaiming space, fostering solidarity, and sharing personal narratives. Textile-making, traditionally associated with domesticity, was repurposed for public exhibition, challenging the dichotomy between private and public spheres. Furthermore, the projects challenged neo-colonial dynamics and traditional research methodologies. While asking which (micro-)political meaning these artists give to their works and practices, the paper also reflects on the cultural thresholds experienced by migrant artists wishing to access hegemonic arts institutions.

Suggested Citation

  • Golnesa Rezanezhad Pishkhani & Mattias De Backer, 2024. "The Micro-Politics of Artistic Production among Artists with a Migration Background," Social Sciences, MDPI, vol. 13(6), pages 1-13, May.
    • Handle: RePEc:gam:jscscx:v:13:y:2024:i:6:p:281-:d:1400416
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    References listed on IDEAS

    as
    1. Cornwall, Andrea, 2003. "Whose Voices? Whose Choices? Reflections on Gender and Participatory Development," World Development, Elsevier, vol. 31(8), pages 1325-1342, August.
    2. Kurt Iveson, 2013. "Cities within the City: Do-It-Yourself Urbanism and the Right to the City," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 37(3), pages 941-956, May.
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