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Home bias in domestic art markets: Evidence from China

Author

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  • Shi, Yang
  • Xu, Hui
  • Wang, Mancang
  • Conroy, Paul

Abstract

Using a large art auction dataset from mainland China, we examined whether investors exhibited a home bias in the domestic art market. The results show that, with all else being equal, artworks auctioned in the artist’s home cities tend to have higher prices.

Suggested Citation

  • Shi, Yang & Xu, Hui & Wang, Mancang & Conroy, Paul, 2017. "Home bias in domestic art markets: Evidence from China," Economics Letters, Elsevier, vol. 159(C), pages 201-203.
    • Handle: RePEc:eee:ecolet:v:159:y:2017:i:c:p:201-203
    DOI: 10.1016/j.econlet.2017.08.015
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    References listed on IDEAS

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    1. Cooper, Ian & Sercu, Piet & Vanpée, Rosanne, 2013. "The Equity Home Bias Puzzle: A Survey," Foundations and Trends(R) in Finance, now publishers, vol. 7(4), pages 289-416, December.
    2. Luc Renneboog & Christophe Spaenjers, 2013. "Buying Beauty: On Prices and Returns in the Art Market," Management Science, INFORMS, vol. 59(1), pages 36-53, February.
    3. Joshua D. Coval & Tobias J. Moskowitz, 1999. "Home Bias at Home: Local Equity Preference in Domestic Portfolios," Journal of Finance, American Finance Association, vol. 54(6), pages 2045-2073, December.
    4. William N. Goetzmann & Luc Renneboog & Christophe Spaenjers, 2011. "Art and Money," American Economic Review, American Economic Association, vol. 101(3), pages 222-226, May.
    5. Renneboog, L.D.R. & Spaenjers, C., 2009. "The Iconic Boom in Modern Russian Art," Discussion Paper 2009-70, Tilburg University, Center for Economic Research.
    6. Renneboog, L.D.R. & Spaenjers, C., 2009. "The Iconic Boom in Modern Russian Art," Other publications TiSEM 65d8bb74-3d8e-4db1-aa02-4, Tilburg University, School of Economics and Management.
    7. David, Géraldine & Oosterlinck, Kim & Szafarz, Ariane, 2013. "Art market inefficiency," Economics Letters, Elsevier, vol. 121(1), pages 23-25.
    8. Jianping Mei & Michael Moses, 2002. "Art as an Investment and the Underperformance of Masterpieces," American Economic Review, American Economic Association, vol. 92(5), pages 1656-1668, December.
    9. Lasse Steiner & Bruno S. Frey & Magnus Resch, 2013. "Home is where your art is: the home bias of art collectors," ECON - Working Papers 135, Department of Economics - University of Zurich.
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    Cited by:

    1. Xin Li & Chi-Wei Su & Meng Qin & Fahai Zhao, 2020. "Testing for Bubbles in the Chinese Art Market," SAGE Open, , vol. 10(1), pages 21582440199, January.
    2. Nguyen, Jeremy K., 2022. "Racial discrimination in non-fungible token (NFT) prices? CryptoPunk sales and skin tone," Economics Letters, Elsevier, vol. 218(C).
    3. Lihuan Guo & Dongqiang Guo & Wei Wang & Hongwei Wang & Yenchun Jim Wu, 2018. "Distance Diffusion of Home Bias for Crowdfunding Campaigns between Categories: Insights from Data Analytics," Sustainability, MDPI, vol. 10(4), pages 1-22, April.
    4. Francesco Angelini & Massimiliano Castellani & Pierpaolo Pattitoni, 2023. "You can’t export that! Export ban for modern and contemporary Italian art," European Journal of Law and Economics, Springer, vol. 56(3), pages 533-557, December.

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    More about this item

    Keywords

    Home bias; Art investment; Chinese art;
    All these keywords.

    JEL classification:

    • D44 - Microeconomics - - Market Structure, Pricing, and Design - - - Auctions
    • G11 - Financial Economics - - General Financial Markets - - - Portfolio Choice; Investment Decisions
    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

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