IDEAS home Printed from https://ideas.repec.org/p/ris/adbiwp/0355.html
   My bibliography  Save this paper

Audio-visual Services: International Trade and Cultural Policy

Author

Listed:
  • Gillian Doyle

    (Asian Development Bank Institute)

Abstract

The audiovisual sector is a significant component of the economy in terms of wealth creation and employment and audiovisual industries also play an important cultural role. This study reviews the main forces driving patterns of trade in audiovisual (mainly television and film) and identifies key issues that may potentially impact on trade liberalization and open markets. It analyzes economic aspects of the audiovisual sector and how these influence patterns of international trade. The report also examines the regulatory environment, including frameworks for transnational coordination of copyright. Cultural issues that may affect trade in audiovisual goods and services are considered. The study concludes with reflections on how open markets can be reconciled with cultural objectives which are an intrinsic aspect of the audiovisual sector.

Suggested Citation

  • Gillian Doyle, 2012. "Audio-visual Services: International Trade and Cultural Policy," ADBI Working Papers 355, Asian Development Bank Institute.
  • Handle: RePEc:ris:adbiwp:0355
    as

    Download full text from publisher

    File URL: http://adbi.org/files/2012.04.17.wp355.audiovisual.srvc.intl.trade.cultural.policy.pdf
    File Function: Full text
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Landes, William M & Posner, Richard A, 1989. "An Economic Analysis of Copyright Law," The Journal of Legal Studies, University of Chicago Press, vol. 18(2), pages 325-363, June.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Gillian Doyle, 2013. "International trade in audiovisual products," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 16, pages 178-186, Edward Elgar Publishing.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Martin Peitz & Patrick Waelbroeck, 2005. "An Economist's Guide to Digital Music," CESifo Economic Studies, CESifo Group, vol. 51(2-3), pages 359-428.
    2. Krawczyk, Michał & Tyrowicz, Joanna & Kukla-Gryz, Anna & Hardy, Wojciech, 2015. "“Piracy is not theft!” Is it just students who think so?," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 54(C), pages 32-39.
    3. Francisco Alcalá & Miguel González‐Maestre, 2012. "Artistic Creation and Intellectual Property: A Professional Career Approach," Journal of Economics & Management Strategy, Wiley Blackwell, vol. 21(3), pages 633-672, September.
    4. Giovanni B. Ramello, 2003. "Copyright and antitrust issues," Chapters, in: Wendy J. Gordon & Richard Watt (ed.), The Economics of Copyright, chapter 7, pages 118-147, Edward Elgar Publishing.
    5. Erwin Arkenbout & Frans van Dijk & Peter van Wijck, 2004. "Copyright in the Information Society: Scenario's and Strategies," European Journal of Law and Economics, Springer, vol. 17(2), pages 237-249, March.
    6. William Landes & Douglas Lichtman, 2003. "Indirect Liability for Copyright Infringement: Napster and Beyond," Journal of Economic Perspectives, American Economic Association, vol. 17(2), pages 113-124, Spring.
    7. Alexander Cuntz & Matthias Sahli, 2024. "Intermediary liability and trade in follow-on innovation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 1-42, March.
    8. Nathan Goldschlag & Elisabeth Perlman, 2017. "Business Dynamic Statistics of Innovative Firms," Working Papers 17-72, Center for Economic Studies, U.S. Census Bureau.
    9. Ünlü, Vural & Hess, Thomas, 2003. "The optimal level of technical copyright protection: A game-theoretic approach," Working Papers 9/2003, University of Munich, Munich School of Management, Institute for Information Systems and New Media.
    10. Ville Oksanen & Mikko Valimaki, 2004. "Some Economic Aspects of the European Harmonization of Intellectual Property Rights in Software and its Impact to Eastern EU," Levine's Working Paper Archive 122247000000000448, David K. Levine.
    11. Noemí Pulido Pavón & Luis Palma Martos, 2014. "Effectiveness of Intellectual Property Regimes: 2006-2011," GEMF Working Papers 2014-12, GEMF, Faculty of Economics, University of Coimbra.
    12. Nahum Biger & Steven Plaut, 2000. "Trade Secrets, Firm-Specific Human Capital, and Optimal Contracting," European Journal of Law and Economics, Springer, vol. 9(1), pages 51-73, January.
    13. Alexander Cuntz, 2023. "Grand rights and opera reuse today," Oxford Economic Papers, Oxford University Press, vol. 75(1), pages 206-232.
    14. McCauley, Joseph L., 2001. "Neo-classical theory of competition or Adam Smith's hand as mathematized ideology," Physica A: Statistical Mechanics and its Applications, Elsevier, vol. 299(1), pages 294-298.
    15. Baker, Matthew J & Cunningham, Brendan M, 2006. "Court Decisions and Equity Markets: Estimating the Value of Copyright Protection," Journal of Law and Economics, University of Chicago Press, vol. 49(2), pages 567-596, October.
    16. Henry A. Thompson, 2024. "AI and the law," Papers 2412.05090, arXiv.org.
    17. Koboldt, Christian, 1997. "The EU-Directive on the legal protection of databases and the incentives to update: An economic analysis," International Review of Law and Economics, Elsevier, vol. 17(1), pages 127-138, March.
    18. Michal Krawczyk & Joanna Tyrowicz & Wojciech Hardy, 2020. "Online and physical appropriation: evidence from a vignette experiment on copyright infringement," Behaviour and Information Technology, Taylor & Francis Journals, vol. 39(4), pages 481-496, April.
    19. Müller-Langer, Frank & Scheufen, Marc, 2011. "The Google Book search settlement: A law and economics analysis," MPRA Paper 35705, University Library of Munich, Germany.
    20. Gans, Joshua S., 2015. "Remix rights and negotiations over the use of copy-protected works," International Journal of Industrial Organization, Elsevier, vol. 41(C), pages 76-83.

    More about this item

    Keywords

    audiovisual sector; audio-visual services; international trade; cultural policy; television and film;
    All these keywords.

    JEL classification:

    • F20 - International Economics - - International Factor Movements and International Business - - - General

    NEP fields

    This paper has been announced in the following NEP Reports:

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:ris:adbiwp:0355. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: ADB Institute (email available below). General contact details of provider: https://edirc.repec.org/data/adbinjp.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.