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‘Cool’ Meanings: Tattoo Artists, Body Work and Organizational ‘Bodyscape’

Author

Listed:
  • Ruth Simpson

    (Brunel University, UK)

  • Alison Pullen

    (Macquarie University, Australia)

Abstract

This article analyses the meanings tattooists as ‘body workers’ construct around their work. Based on an ethnographic study, the research finds that tattooists adhere to notions of non-conformity, unconventional artistry and professionalism. We locate these meanings within the cultural values and aesthetics of ‘cool’ as an admired set of attributes and displays which enable tattooists to manage some of the tensions of the work. Combining Bourdieu’s concept of habitus with Gagliardi’s notion of landscape, we develop the idea of ‘bodyscape’ to further an integrated understanding of body work as spatialized and embodied i.e. one which incorporates the significance of spatial practices and artefacts, the bodies of those worked upon and the embodied dispositions of workers.

Suggested Citation

  • Ruth Simpson & Alison Pullen, 2018. "‘Cool’ Meanings: Tattoo Artists, Body Work and Organizational ‘Bodyscape’," Work, Employment & Society, British Sociological Association, vol. 32(1), pages 169-185, February.
    • Handle: RePEc:sae:woemps:v:32:y:2018:i:1:p:169-185
    DOI: 10.1177/0950017017741239
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    References listed on IDEAS

    as
    1. Carol Wolkowitz, 2002. "The Social Relations of body Work," Work, Employment & Society, British Sociological Association, vol. 16(3), pages 497-510, September.
    2. Shalene Chugh & Philip Hancock, 2009. "Networks of aestheticization: the architecture, artefacts and embodiment of hairdressing salons," Work, Employment & Society, British Sociological Association, vol. 23(3), pages 460-476, September.
    3. Caleb Warren & Margaret C. Campbell, 2014. "What Makes Things Cool? How Autonomy Influences Perceived Coolness," Journal of Consumer Research, Journal of Consumer Research Inc., vol. 41(2), pages 543-563.
    Full references (including those not matched with items on IDEAS)

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